Suda

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青蛙公主
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在菜市场靠卖田鸡为营的Tukky(苏达拉•布查蓬 Sudarat Butrprom 饰)从小到多数妄想有一日能够成为童话里受人注视标公主,但是丑恶的长相跟矮小的身体让她成了街坊街坊讥笑讽刺的工具。没想到,妄想总有成真的一天,一根小时间不测所得的田鸡项链让她被人错以为是田鸡共跟国的公主带回皇宫。但是DNA的检测成果表现了她并非真正的公主,型男保护队长Oop(路易斯•斯科特 Louis Scott 饰)则开出了一万万泰铢的报酬要求Tukky假扮公主直到他找到真身。于是Tukky允许了Oop的要求,开端了公主课程的培训。但是她发明,本来公主的生涯并不如童话里那么美妙,沉重的进修义务压着她,天天劳碌于进修化装,马术,品酒,跳舞跟听取平易近心。更伤害的是,而叛军对她的追杀更是从未停滞…
五十年战争:以色列和阿拉伯人
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PBShomevideodocumentsthebitter50-yearwarbetweentheIsraelisandArabs.Thisprogrambeginswiththe1947decisionoftheU.N.topartitionPalestine.In1948and1967 - ArabarmiesweredefeatedasIsraelstruggledforstatehood.ThefilmfollowsthedevelopmentofthePalestinianLiberationOrganization.Thefinalepisodefeaturesthe1973YomKipperWar,the1978CampDavidPeaceAccord,the1987Palestinianuprising,the1993OsloAgreement,andcontinuingattemptstosolidifythisunstablerelationship.FeaturedinthisdocumentaryareBenjaminNetanyahu,ShimonPeres,andYitzhakShamirofIsrael;KingHusseinofJordan;YasirArafatfromthePalestineAuthority;Hafezal-AssadofSyria;JafaarNumeiryofSudan;andAmericanPresidentsBillClinton,GeorgeBush,andJimmyCarter.The50YearsWar:IsraelandtheArabsfollowsahalf-centuryofwar,struggles,andnegotiations.
美丽谎言
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 影片依据实在变乱改编,1983-2005年间,有很多布衣在苏丹的烽火中十室九空,幸存者被事先的拯救职员称为“苏丹的掉路男孩”(Lost Boys of Sudan),此中有一部门人,厥后以灾黎的身份离开美国。片中威瑟斯彭表演的凯瑞,赞助四位苏丹灾黎寻觅任务,为他们争夺正当权利,想方想法让他们与亲人团圆,并同他们结下了深挚的友情。  影片的导演,曾执导过「拉扎教师」的菲利普·法拉迪约,保持到非洲实地拍摄,保持让真正的苏丹人来演。片中的演员Ger曾在灾黎谋生涯多年,另一位来自苏丹的演员Emmanuel则表现,片子就像是在讲他本人的故事。
变种风暴
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某无良富商的女儿柳(PhintusudaTunphairao饰)遭仇家绑架,对方索要一千万泰铢,否则将危及女孩的安全。富商找到业已归隐的大师(SuthepPo-ngam饰),一番威逼利诱之后,大师只得派出自己的得意门生昆·克拉比(SupakornKitsuwon饰)前往匪徒藏身的某大厦营救。夜幕降临,克拉比抵达目的地,却不知道此行比想象中还要危险。在此之前,第四代非典病毒蔓延非洲,造成成千上万人死亡,死者更受病毒感染化身丧尸。虽然泰国官方信誓旦旦称本国没有受到感染,但仍不可避免中弹。其中一名受感染的外籍人士恰恰进入了大厦。匪帮、营救者、丧尸,血腥而爆笑的大混战在该建筑内接连展开,一切朝着不可预知的方向发展……
水牛男孩
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在19世纪爪哇,一场野蛮的大屠杀和VanTrach船长(ReinoutBussemaker)和他的荷兰士兵谋杀Arana(TioPakusadewo),Jamar(ArioBayu)和Suwo(YoshiSudarso)的苏丹哈姆扎谋杀-苏丹的兄弟和婴儿儿子们-逃离这个国家,将他们带到美国狂野西部的世界各地。在铁路工作并学习牛仔的生活方式后,阿拉纳告诉男孩们,是时候回到家乡为父亲的死报仇了。回到印度尼西亚的土地上,寻找他们父亲的杀手就开始了。一路上,他们遇到了包括Kiona(PevitaPearce)在内的一些村民,他是Suwo堕落的叛逆和美丽的首领女儿,很快发现奸诈的VanTrach仍然统治着这个地区。他们的存在使村庄处于危险之中,迅速将他们的报复追求变成争取自由的斗争。Arana,Jamar和Suwo利用他们从美国野外学到的技能,面对VanTrach和他的军队进行正义摊牌。
抑郁症九段
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2017年7月。前崎真一(Manabu Maezaki)第9名(Asira Yasuda)在排名战中忽然停滞思考。我不克不及用心在董事会上,逝世亡的抽象覆盖着我的头。事先,将棋天下遭到不当行动的袭击。在将棋结合会担任大众关联的前崎正忙着回应,同时还担任监视片子。同时,他不苏息就去了董事会,并堕入了丧气。前崎在精力病大夫的欧巴明晃推举的病院住进了病院。担任的大夫临时命令临时苏息,并制止将棋。迫使极其会合的Shogi只是医治的阻碍。他的老婆Mayu(内田佑纪)也是一名职业围棋选手,他信任本人能重返游戏巨匠的行列,并与女儿Haruka(Minami Sara)冒死支撑Maezaki。经由与疾病的剧烈奋斗,规复能量的前崎从病院出院了。另一方面,Mayu正预备开设将棋围棋课程,这也是前崎的痊愈场合。揭幕当天,前崎还应邀加入了竞赛,年青球员举办了竞赛典礼。前崎觉得震动。似乎我在另一场天下竞赛中一样,我很丧气,基本无奈懂得将棋的规矩
Oh!我的幽灵鬼
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凯蒂(苏达拉·布查蓬 Sudarat Butrprom 饰)性格天真开朗,单纯善良,但年近三十,却依旧形单影只,似乎与爱情无缘。凯蒂的心中有一个梦想,那就是上电视,为了完成这个梦想,凯蒂参加了达人秀,希望在节目中获胜,走上人生巅峰。  然而,让凯蒂怎么也想不到的是,一只半路杀出的鬼魂扰乱了自己全部的人生轨迹。鬼魂名叫阿碧(克丽丝·霍旺 Cris Horwang 饰),生前是一名人气超高的模特,她拥有着天使的面庞和魔鬼的身材,无奈英年早逝,肉身早早化为尘土,只剩灵魂飘摇在人世之中。阿碧缠上了凯蒂,拿她当仆人一般使唤,身份和个性都迥然不同的一人一鬼之间闹出了许多的笑料,却也产生了真挚的友谊。
孕爱奇迹
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剧情:在得知她意外怀孕后,Janesuda被称为她的情人,Atiruj的生命破坏者。尽管周围的人都在嘲笑她,但她还是努力保持耐心和毅力,以使她的关系正常。然而,爱情并不总是甜蜜的。当Janesuda发现爱对Atiruj开始消失时,她决定带着一颗受伤的心离开一切。阿蒂鲁杰继续过着冷酷无情的生活。他认为Janesuda拿走了家人的钱并堕胎了,所以他鄙视那个逃跑的前情人。五年就这样过去了,有一天,阿蒂鲁杰遇到了一个小矮人。抄送给Janesuda妈咪的女孩。这一发现让阿提鲁感到震惊……然后非常愤怒。他无法容忍Janesuda对他撒了谎,带走了他的孩子这么久,所以现在他会尽最大努力把他的孩子带走,伤害伤害了他这么久的爱人。
荣耀六十年1938
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
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