Noth
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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梅丽莎·巴雷拉
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Anahi
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Davila
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Daniel
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Adissi
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Mariano
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Palacios
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Aura
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C.
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Cervantes
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Edrian
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Ilusionista
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Sara
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Cohen
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Levy
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Emily
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Askenazi
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Cohen
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Tamara
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Fascovich
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Menachem
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Gancz
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Karla
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Garrido
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Elizabeth
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Guindi
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Mercedes
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Hernández
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Alberto
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Lomnitz
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Tania
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Olhovich
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TaniaandDanielaaretwocousinswhohavemaintainedacloseandintimaterelationshipthroughouttheirlives.Bothmarried,thecousinsconfessthattheyliveinastrangesituation,theirhusbandsaregoodandkindtothem,theyenjoyagoodsocialandeconomicposition,buttheyhavefallenintoaroutineandmonotony,appearingapatheticandboredintheirdays.Duringawedding,aftermuchdrinkingtheybothhaveanideatogetoutofthenuisance:swappingtheirhusbands,playingatbeinginvolvedwithanotherman,andgoinghomewiththem.Onthewayback,oneofthenewcouplessuffersfromaterriblecaraccident,endingtheirlives.Now,thesurvivingcouplehasastrangenewrelationship,movingbetweentheguiltandtheemptinessthatthelossoftheirrespectivepartnershasleftthem.
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可爱的大学生拉克的伴侣背着他和拉克最好的朋友偷情。这段新的伤痛期给了坏男孩哈泽·迪诺一个直接向拉克献殷勤的机会。迪诺不害怕表达自己的感受。毫不动摇，他等待他的下级动摇，并打开他的心与他出去。~改编自斯克里帕尔的小说《恐龙之恋(???????????)》Bunny-cuteuniversitystudentRak’spartnercheatsonhimwithRak’sownbestfriend.ThisnewperiodofhurtgivesbadboyhazerDinotheopportunitytohitonRakstraightforwardly.Dinoisn’tafraidtomakehisfeelingsknown.Unwavering,hewaitsforhisjuniortobeshakenandopenhishearttogoingoutwithhim.~~Adaptatedfromthenovel"DinosaurLove(???????????)"byScriper
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亚历克斯·吉布尼
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SINATRA:AllorNothingatAllisanup-closeandpersonalexaminationofthelife,musicandcareerofthelegendaryentertainer.Toldinhisownwordsfromhoursofarchivedinterviews,alongwithcommentaryfromthoseclosesttohim,thedocumentaryweavesthemusicandimagesfromSinatra’slifetogetherwithrarelyseenfootageofSinatra’sfamous1971"RetirementConcert"inLosAngeles.Thefilm’snarrativeisshapedbySinatra’ssongchoicesforthatconcert,whichGibneyinterpretsasthesinger’spersonalguidethroughhisownlife.
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杰克·赫尔格恩
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When happy couple Jules and Josh buy their dream house on a magnificent estate, they recruit beautiful Morgan to help them with the interior design, unaware Morgan has history with the house and will stop at nothing to make it her own.
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Kyana Teresa
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乔治娅·沃特斯
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达约·阿德
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佐伊·费什
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Ernie Pitts
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Verity Marks
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Muriel Hogue
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Saul Elias
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Lauren Marshall
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Max Nelson
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David and Hannah Cashman have promised their family a fun Christmas getaway, but when they arrive at a grand, old house in the snowy woods of Washington and are greeted by familiar construction foreman, the kids realize their parent’s plan to make it a working vacation; renovating the place in the hopes of flipping it. Alicia, the eldest, is annoyed but the younger kids are soon distracted when, wandering through the creepy mansion, they find a stash of old toys in an abandoned playroom and take to them instantly. Before long, they seem to be inseparable from their new playthings, much to the consternation of their nanny Rose who, along with Alicia, senses that something in the house is not quite right. As stranger and stranger things start to happen, Rose and Alicia have a hunch that there may be more to the history of the old house than the Cashman’s are letting on. Can the family escape with their lives – or will they stay forever in the crumbling house, never to celebrate another Christmas again? Bringing the nostalgia of stop motion holiday specials - #ToysOfTerror stars #KyanaTeresa (“Shadowhunters,” “Star Trek: Discovery”) as Hannah Cashman, Georgia Waters (“Siren”) as Rose Mathis, Verity Marks (“The Christmas Club”) as Alicia Cashman, Dayo Ade (“Workin Moms,” “October Faction”) as David Cashman, Saul Elias as Franklin Cashman and Zoe Fish as Zoe Cashman. The film is written and executive produced by Dana Gould (“Stan Against Evil,” “The Simpsons”) and directed by Nicholas Verso (Boys in the Trees, “Nowhere Boys”). The movie is produced by Blue Ribbon Content in association with Warner Bros. Home Entertainment and SYFY.
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Trevor is 'between jobs'. He spends his days avoiding his nagging heifer of a wife by hiding out in his allotment shed and painting figurines for his wargames with his agoraphobic friend, Graham, and dreaming of his heroic alter-ego, the battle mage Casimir the Destroyer. When Mr Parsons, one of the other allotment tenants, petitions to have Trevor removed from his disgrace of a plot (he's not there to grow stuff!) an argument ensues that leaves Trevor with a corpse to hide. Unfortunately, this untimely accident coincides with the zombie apocalypse and Mr Parsons' return is just the beginnings of Trevor's problems. More pressing is whether or not he should try and save his wife and her beautiful best friend, who both he and Graham have a thing for.
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安迪·海伊
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PeterBoyd探长批示着一支经由多种练习的警探跟迷信家的警员步队-悬案小组,应用古代的办法跟本来考察时还不的新科技来专门考察的未破获的老行刺案。Det.Supt.PeterBoyd(playedbyTrevorEve)istheleaderofamulti-disciplinepoliceteamofdetectivesandscientists,theColdCaseSquad,whichinvestigatesold,unsolvedmurdercasesusingmodernmethodsandnewtechnologythatmaynothavebeenavailableduringtheoriginalinvestigation.LedbyDetectiveSuperintendentPeterBoyd(TrevorEve)theColdCaseSquadinvestigatesseriouscrimeswhichhavegoneunsolved.Armedwiththelatesttechnologicaladvancesandoldfashionedhardwork,PsychologicalProfilerGraceFoley(SueJohnston),ForensicPathologistFrankieWharton(HollyAird),DetectiveConstableMelSilver(ClaireGoose)andDetectiveSergeantSpencerJordan(WilJohnson)wakethedeadforcluesandanswers.
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大卫·芬奇
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Martin Bristol returns to where it all began: the home where he was kidnapped from. But he is not the boy who disappeared over 10 - years ago. Tortured and abused at the hands of his psychotic captor, Graham Sutter, Martin is damaged beyond repair. Lurking in the shadows of suburbia, he stalks and kills without remorse. Special Agent William Perkins follows Martin's trail of terror, desperate to capture him before he kills again. Martin's family, mourning his disappearance for over 10 - years, is informed not only that he is alive, but that he is responsible for the wave of murder sweeping through their town. Will they be able to reunite with their long lost son before it's too late, or will Perkins have to use excessive force to bring him down?
