Works
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Ernesto lives life in a limbo of sorts, stuck somewhere between the promise of an exit visa and the fear of rotting away in Havana. But his smooth-talking schemes to secure papers are complicated when he crosses paths with Anita, and is faced with the only incentive to stay in Cuba—love. Screenwriter Alejandro Brugués makes his directorial debut with this poignant romance about the price of freedom, the power of sacrifice and the meaning of happiness.Alejandro Brugues was born in Buenos Aires, but he is a Cuban national. After studying Advertising, Psychology and Philosophy, he graduated with a Screenwriting major from the Escuela de San Antonio de los Banos. After taking his first steps as a screenwriter, he directed and wrote this first work, which received awards at the Cine en Construcción section of the Guadalajara Film Festival. Personal belongings is a love story that takes on the everyday reality of Cuba: Ernesto keeps his "personal belongings" in a briefcase, waiting for the moment when he will finally be able to leave the island; meanwhile Ana has decided to stay and not go with her parents, who fled on a raft. The two youngsters meet when he goes to the policlinic where she works, and although by falling in love they each find what they were looking for in each other, they also know they have decided on very different paths and at some point they’ll have to make a final choice.
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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Thoughheworksasahostelwarden,thereismoretoKaalithanmeetstheeye.ThingstakeaninterestingturnwhenKaalispathcrosseswithagroupofdreadedgangsters.
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ThejournalistSydneySt.Jamesiswritinganarticleforthemagazinewheresheworksabouttheon-linedatingagencyArtemisthatisspecializedinwomen.SheschedulesaninterviewwiththeownerofArtemis,Anna,andshevisitsthemysteriouswomanwithherphotographerSam,whoisfascinatedbyasitecalledVampireWeb.SidneyfeelsagreatattractionforAnna,whoisactuallyanancientvampirecalledAnastasia.
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20世纪30年代，二次大战如火如荼。而萨利（Karl Markovics卡尔?马克维斯 饰）凭借一手高超的伪造技巧春风得意，佳肴美女信手拈来，好不自在。但是他的好日子并为持续多久，很快他便因为遭罪被逮捕，随后投入毛特豪森集中营。 时德国纳粹图谋制造大量假币，以扰乱同盟国的经济。萨利的才能得到发掘，他成了这个秘密伪钞制造小组的头目，但良心却促使他选择了另一条路…… 本片根据阿道夫?博格（Adolf Burger）原著《魔鬼工厂》（The Devils Workshop），书中所述为作者亲身经历，影片荣获2008年奥斯卡最佳外语片奖和2007年德国电影金像奖最佳男配角奖（Devid Striesow）。
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坦纳民·翁斯坤帕
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迷你剧 杰德是平面设计师，他永远是中间的那个“老二”。他在学校成绩一般。他身边的人要么是他的兄弟姐妹，要么是他的朋友长得太好看了，以至于他一直被忽视，或者成为那些想亲自了解他的兄弟姐妹和朋友的人的中间人。玉多年来一直处于这种情况，不得不勉强接受。他在心里筑起了一道高墙。他不期待浪漫的关系，因为他知道无论谁来找他，都只是想接近他周围的人。一天，他的办公室迎来了一位名叫麦的实习生。麦是一个很有魅力的学生，很受办公室女孩的欢迎。杰德注意到麦经常盯着他和他的朋友Uea。他认为麦对Uea感兴趣，是的——他将再次成为这个的中间人。但是，他不知道真正吸引麦目光的是他。看看中间人不会像以前一样被忽视会怎么样！~~改编自littlebbear96的小说 Jade works as a graphic designer. He is always the one in ...
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Fate/GrandOrder-绝对魔兽战线巴比伦尼亚-动画全集改编自TYPE-MOON发行的手机游戏《Fate/GrandOrder》“第七特异点绝对魔兽战线巴比伦尼亚”。动画由CloverWorks负责制作，于2019年播出。故事讲述了第七特异点——绝对魔兽战线巴比伦尼亚!本次圣杯探索的舞台为神代，世界最古老的都市文明，魔兽栖宿的乌鲁克之地。第七特异点位于公元前2655年，人类和神明决裂的最初时代。「三女神同盟」相互勾结要将人类引向灭亡。吞噬乌鲁克的毁灭预言。直面绝对的终焉，最惨烈的战斗已经揭开序幕!
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伊斯梅特·锡金娜
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In the early '90s, the Yugoslavian Government cancelled the autonomy of Kosovo, dissolved its Parliament and closed down the National Television. All institutional life was reorganized by the new authorities, while the majority of the citizens responded with peaceful demonstrations. During this terrible time, Fadili, who works as an archivist, has to choose between two options, knowing that both of them are wrong. He therefore involuntarily and unwillingly "swallows" the shame, endures the pressure bearing down from all sides and puts up with the bad reputation for only one reason: to provide for his family.
