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Night Falls in India tells the story of Ricardo (Juan Diego) and Dana (Clara Voda). Ricardo decides to travel overland to India, as he used to do in the old days, when he brought hippies to the East with his van, crossing Europe, Turkey, Iran and Pakistan. But the situation is very different now. Ricardo has been in a wheelchair for the last ten years, suffering from a degenerative disease now in its final stage. He wants to die on the banks of the Ganges River and meet Gadhali again. In this journey, he is accompanied by Dana, his Rumanian housekeeper. Life owes something to these two lonely beings. The journey will become the alibi for paying it off. Night Falls in India is a shining road-movie full of life that uses journey as an excuse to tell a story about love and the passing of time, about the importance of the present and the need to recover lost time; a story in which the journey itself is as important as the arrival.
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皮奥特尔·舒尔金
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耶日·斯图尔
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克里斯提娜·杨达
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卡里娜·谢鲁斯克
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马里乌什·德莫霍夫斯基
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马雷克·瓦尔切夫斯基
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扬·诺维茨基
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亨里克·比斯塔
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莱昂·涅姆奇克
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克兹佐夫·马扎克
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斯坦尼斯瓦夫·伊加尔
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
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Elie,ayoungwomanfromthecity,hascometoaremoteNorthAtlanticisland.Itsthespringthaw,andsheisheretoconvalesceandgettoknowthecommunity.Theannualsealhuntisinfullswing,andEliefeelsbothdrawntoandrepelledbythemenengagedinit.Inthisisolatedworld,peopleslivesanddeathsareshapedbythebruteforcesofnature.Eliespresencearousescuriosityandmistrust.Maria,thevillagematriarchanddenmother,seekstouncoverthesecretreasonbehingEliesvisit.Wolvesexplorestheprofoundneedforbelonging.
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ITVhasgreenlitasecondseriesofcontemporarydetectivedrama,McDonald&Dodds,followingthesuccessofthefeature-lengthfilmswhichairedearlierthisyearproducedbyleadingindependentproductioncompany,MammothScreen.ThenewseriesseesTalaGouveia(ColdFeet)andBAFTAawardwinningactorJasonWatkins(TheLostHonourOfChristopherJefferies,TheCrown)reprisetheirrolesastheambitiousDCIMcDonaldandthehumble,andquietlybrilliantDSDoddsinthreenewmurdermysteries.SetinpicturesqueBath,theseriespairsfiestyDCIMcDonald,whohasrecentlytransferredfromLondon’sMetPolice,withthemodestandunassumingDSDodds,whohasbeenhappyinthebackgroundformostofhisworkinglife.Throwntogetherseeminglywithnothingincommon,theyforgearumbustious,andultimatelyhighlyeffectivecrimesolvingpartnership.CreatedandexecutiveproducedbyRobertMurphy,whoistheleadwriterfortheseries,McDonald&DoddswillonceagainbefilmedintheWestCountry.ThebrandnewepisodeswillbedirectedbyAlexPillai(ChillingAdventuresofSabrina,Riverdale),RebeccaRycroft(MaloryTowers,DannyandMick)andIanAryeh(InTheLongRun,AndyandtheBand).ThenewserieshasbeencommissionedbyITV’sDramaCommissionerHuwKennairJonesandHeadofDrama,PollyHill.Huwwilloverseeproductionofthedramafromthechannel’sperspective.CommentedHuwKennairJones:“We’redelightedwiththeaudiencereactiontothefirstseriesofMcDonaldandDodds.Thetwocharacterscouldn’tbefurtherapart,whichiswhatmakestheseriessointriguingtowatch.Theyshouldn’thavechemistry,buttheydo,andtheyworkbrilliantlyinpartnershipwhichistestimonytoRobert’sscriptandTalaandJasonforbringingMcDonald&Doddstolife.”CommentedMammothScreen’sDirectorofDrama,PreethiMavahalli:“WearethrilledthatRobertMurphy’scleverstorytellingwasahitwithaudiencesearlierthisyear.McDonald&DoddsareaquirkilyuniqueinvestigativeteambroughttolifebeautifullybyTalaGouveiaandJasonWatkins.We’rereallypleasedITVhavecommissionedmorefilmsandlookforwardtoreturningtofilminBath.”DamienTimmer(Endeavour,Noughts+Crosses,WorldonFire)andPreethiMavahalli(McDonald&Dodds,Noughts+Crosses,TheWaroftheWorlds)aretheexecutiveproducersforMammothScreen,anITVStudioscompany,alongsidewriterRobertMurphy(McDonald&Dodds,Vera,Shetland,DCIBanks).TheproducerofthenewseriesisSarahLewis(Noughts+Crosses,McDonald&Dodds,Victoria).ThefirstseriesisavailabletoviewviastreamingplatformBritbox.Seriesonelaunchedwithaconsolidatedratingof6.4manda26%shareoftheavailableaudienceandboastedanimpressiveguestcastlistalongsideTalaGouveiaandJasonWatkinswhichincludedRobertLindsay,RosalieCraig,EllieKendrick,SusannahFielding,JoannaScanlan,MicheleDotrice,FreddieFoxandHughDennis.ITVStudioswilldistributethedramainternationally.
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内详
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FivedaysaftersuccessfullyrescuingQuinnErgonfromherprison,GaryGoodspeed,theTeamSquad,andBolofindthemselvestrappedwithinthehorrificdimensionofFinalSpace,witheverythingbeingonlyaquestionofsurvival.PursuedrelentlesslybyInvictus,thenewlyresurrectedLordCommander,andtheTitans,alldeterminedtocaptureMooncaketobecomeevenmorepowerful,theTeamSquad’sonlyhopeistoallythemselveswithEarth’slastsurvivorbeforeit’stoolate.--FinalSpaceWiki
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Settobroadcastintwoone-hourfilms,thisfamilytreatisinspiredbytheclassicbooksofBarbaraEuphanToddandispeggedtobetheTVeventoftheseason.MackenzieCrookhastakenScatterbrookfarmandtheinfamouscharactersofthiswell-lovedtaleandinjectedthemwithatenderandauthenticcharm.Thisistheperfectfamilyadventure,packedwithafun,mischievousspiritanddeliveredwithanenvironmentalmessage.MackenzieCrook,(PiratesOfTheCaribbean,Detectorists)whohaswritten,directedandstarsasWorzelGummidge,hasgatheredahostofbothaccomplishedandbrilliantactorswhoaresettoappearinthiseagerlyanticipatedadaptation.PlayingTheGreenMan,creatorofthescarecrows,whoarrivestoScatterbrookinepisodetwo,iscomedylegendSirMichaelPalin.Hesays:“It’salovelypartforme,butthewholescriptisverymemorableandtouching,andveryfunnytoo.Itquiteskillfullyweavesinsomethingforeverybodyallthetime.”ZoëWanamaker(MyFamily,HarryPotterAndThePhilosophersStone)willplaytheeccentriclocalaristocrat,LadyBloomsburyBartoninepisodetwo.Shesays:“Thewholethingissocharmingandinventive.It’sthesortofthingI’dwatch.I’msureitwillbeahugesuccess.Iknowitwill-it’sdivine.”VickiPepperdine(GettingOn,TheWindsors)takesontheroleoftheformidableAuntSallyinepisodeone.Shesays:“There’ssomethingforeverybody.It’sgotthishearttoit,andyou’dbehardpushedasanadultnottoengagewithit.”StevePemberton(LeagueOfGentleman,Benidorm)willplayMrBraithwaite,thefarmer.Hesays:“Thisisthekindofshowthewholefamilycanenjoytogether.Ithasalotofhumour,alotofvisualhumourtoo,andIthinkkidswillenjoywatchingthechildrenbeingcentraltothestory.”RosieCavaliero(GentlemanJack,CleaningUp)willplayMrsBraithwaite,sheadded:“It’sastoryabouttheimagination,andchildrenescapingintothisdifferentworld.Mackenzie’sversionistotallycontemporary.”OnestowatchIndiaBrown(HettyFeather)andThierryWickens(makinghisTVdebut)willplaySusanandJohn,twocitychildrenspendingtheirsummeratScatterbrookfarmwhoquicklybefriendWorzelandbeginasummerofadventures.Thefirstepisode,TheScarecrowOfScatterbrook,seestwoyoungstrangersarriveinthevillageofScatterbrook.It’snotlongbeforeSusanandJohnencounterWorzelGummidge,theScarecrowofTenAcreField.TheirworldissentspinningintoconfusionwhentheyrealiseGummidgecomestolife.TheonlypersonmoreshockedisWorzel,whenhediscoversthatthechildrenarenotinfactfellowscarecrowsbuthumans.Theirworldsshouldnevercommunebutfatehasconspiredtocreateanextraordinaryunion.Theseasonshavestoppedandtheharvesthasn’tarrived.Therhythmofthenaturalworldisoutofkilterandthisunlikelytriomusttrytoputitright.Magic,mysteryandmayhemunfurl.Thesecondepisode,TheGreenMan,welcomesanothermysteriousarrivaltoScatterbrook.TheGreenManisthecreatorofscarecrowsandkeeperofscarecrowlore.Heisn’tatallhappythatWorzelisconsortingwithhumans.Elsewhere,localaristocratLadyBloomsburyBartonisholdingafete,withaScarecrowcompetitionthatWorzelisdeterminedtowin.WhatwillTheGreenManandWorzel’smostcompetitiverival,SoggyBogartmakeofitall?WorzelGummidgeiswrittenanddirectedbyMackenzieCrookandisaLeopardPictures,TreasureTroveProductionsandLolaEntertainmentproductionforBBCOne.ItisExecutiveProducedbyKristianSmithforLeopardPictures,LisaThomasforLolaEntertainment,MackenzieCrookforTreasureTroveProductions,withrightsholdersPatrickD.PidgeonandEricS.RollmanexecutiveproducersforPidgeonEntertainment,Inc.ItisproducedbyGeorgieFallonandAlexMoodyistheCommissioningEditorfortheBBC.Furthercasting:FrancescaMills-EarthyMangoldTimPlester-ClartyColinMichaelCarmichael-SoggyBogartAndrewJamesSpooner-FlatAlistairPhilHulford-HannahHarrowTomMeeten-HMSOdneyChristopher-RobertBarlow-RagBagKiranShah-ChopperandRootBoundCharlieMayhew-RustleSprouterLucyMontgomery-JackiePuddingGusBrown-OswaldPollypopMalikIbheis-TrikeBenLangley-DriverMariamHaque-Receptionist
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Thisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi’sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter’straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi’sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen’tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer’sidentity.Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.
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In2261,theVorlonsjointheShadowWar,buttheirtacticsbecomeaconcernforthealliancewhentheVorlonsbegindestroyingentireplanetswhichtheydeemtohavebeen"influenced"bytheShadows.Disturbedbythisturnofevents,Babylon5recruitsseveralotherpowerfulandancientraces(theFirstOnes)totheircause,againstboththeShadowsandtheVorlons.CaptainJohnSheridanreturnstothestationafterescapingfromZ’ha’dum,butataprice:barringillnessorinjury,hehasonly20yearslefttolive.HeisaccompaniedbyamysteriousaliennamedLorienwhoclaimstobetheoldestsentientbeinginthegalaxy.HoursbeforeSheridan’sreturn,Garibaldiisrescuedandreturnedtothestation,inratherdubiouscircumstances.HeismarkedlymoreparanoidandsuspiciousofotheralienracesandofSheridanthanhewasbefore.CentauriEmperorCartagiaforgesarelationshipwiththeShadows.LondoMollariengineerstheassassinationofCartagiaandrepudiateshisagreementwiththeShadows.LondokillsMr.MordenanddestroystheShadowvesselsbasedontheCentaurihomeworld,inanattempttosavehisplanetfromdestructionbytheVorlons.Aidedbytheotherancientraces,andseveralyoungerones,SheridanluresboththeVorlonsandtheShadowsintoanimmensebattle,duringwhichtheVorlonsandShadowsrevealthattheyhavebeenleftasguardiansoftheyoungerraces,butduetophilosophicaldifferences,endedupusingthemaspawnsintheirendlesswarsthroughouttheages.Theyoungerracesrejecttheircontinuedinterference,andtheVorlonsandShadows,alongwiththeremainingFirstOnes,agreetodepartthegalaxyforever.AftertheShadowsaredefeatedGaribaldileaveshispostassecuritychiefandworksonhisownasa"providerofinformation".HebeginsworkingforoneWilliamEdgars,aMarsTycoon,whoismarriedtoGaribaldi’sformerlove.WhileheworksevercloserwithEdgars,hebecomesincreasinglyaggressivetowardsSheridanandeventuallyleavesBabylon5.MinbarisgrippedbyabriefcivilwarbetweentheWarriorandReligiouscastes.DelennsecretlymeetswithNeroonoftheWarriorcasteandconvinceshimthatneithersidecanbeallowedtowin.Shetellshimthatshewillundergoaritualwhereinshewillbewillingtosacrificeherself,butwillstoptheritualbeforesheactuallydies.WhenNeroonseesthatsheactuallyintendstogothroughtheentireritual,herescuesherandsacrificeshimselfinstead,declaringthat,althoughhewasbornWarrior,inhisheartheisReligious.AspartoftheongoingconflictbetweenEarthandBabylon5,GaribaldieventuallybetraysSheridanandarrangeshiscaptureinordertogainEdgars’trustandlearnhisplans.GaribaldilaterlearnsthatEdgarscreatedavirusthatisdangeroustoonlytelepaths.Itisthenrevealed,thatGaribaldiwasactuallyabductedbythePsi-CorpsattheendofSeason3andre-programmedbyBestertoprovideinformationtohimattherighttime.BesterreleasesGaribaldiofhisprogramming,andallowshimtoremembereverythinghehasdonesincebeingkidnapped.Edgarsiskilledandhiswifedisappears,butisreunitedwithGaribaldiaftertheendofthewar.GaribaldihelpsfreeSheridanandreturnhimtothecampaigntofreeEarth.AnallianceledbyBabylon5freesEarthfromtotalitarianrulebyPresidentClarkinashortbutbloodywar.ThisculminatesinClark’ssuicideandtherestorationofdemocraticgovernment.Marsisgrantedfullindependence,andSheridanagreestoresignhiscommission.TheLeagueofNon-AlignedWorldsisdissolvedandreformedintotheInterstellarAlliance,withSheridanelectedasitsfirstPresidentandcontinuinghiscommandoftheRangers,whoaretoactasagalacticequivalentofUnitedNationspeacekeepers.Intheseasonfinale,theeventsof100,500,1000,andonemillionyearsintothefutureareshown,depictingBabylon5’slastinginfluencethroughouthistory.Amongsttheeventsshownarethepoliticalaftermathofthe2261civilwar,asubsequentnuclearwaronEarthinvolvinganewtotalitariangovernmentintheyearAD2762,theresultingfallofEarthintoapre-industrialsociety,thelossandrestorationofhumanity’sknowledgeofspacetravel,andthefinalevolutionofmankindintoenergybeingssimilartotheVorlons,afterwhichEarth’ssungoesnova.
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翁贝托·伦齐
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UmbertoLenziisundoubtedlythekingofItaliancrimemovies,butunfortunately;SyndicateSadistsisnotthebestexamplesofhisworkinthisgenre.Lenzi’scrimeflickstendtobeacutabovetherestbecausehemakesfilmsbasedonstorieswithapoint,andtheydon’tlackdirection;butthisfilmfeelsabittoowaywardtofullyfitwiththerestofhisstuff.ThefilmtakesobviousinfluencefromSergioLeone’slandmarkwestern’AFistfulofDollars’(whichinturn,tookinfluencefromAkiraKurosawa’slandmarksamuraiflickYojimbo),inthatitfeaturestwowarringfamiliesandastrongcharacteratthecentre.ThecrimethatLenzifocusesoniskidnapping,andwecentreonacharactercalled’Rambo’.Ramboisdraggedintothewarbetweenthetwofamiliesafterhisbrotheriskilledbecauseofit.Rambouseshisbrainsandbrawntopitthetwofamiliesagainstoneanother,inthehopeofgainingrevengeforhisbrother’sdeath,rescuingayoungboythatthey’vekidnapped,andultimatelylettingthetwosidesdestroyoneanother.Thefilm’sbiggestassetisundoubtedlyTomasMilian.MilianwasputtogreatusebyLenziinalmostallofhiscrimethrillers.TherangeofcharactershehasplayedforLenziisimmense,andthisoneiseasilyoneofthecoolest.ThecharacteriscalledRambo,whichimmediatelysprangtomindthepopularSylvesterStallonecharacter-butforonce,theItaliansactuallyhaven’tstolenthisnameasSyndicateSadistswasreleasedfirst!Asusual,thefilmiswickedlyentertaining,aswegettowatchMiliangethimselfinvolvedintheusualarrayofcarchases,shootoutsandbrawls.Lenzihasgothimridingamotorbikethistimeround,andeveryscenefeaturingitandMilianisarealstandout!However,thefilmoftenfeelslikeitdoesn’treallyhaveanywheretogo,andthismeansthattherunningtimeisstretchedoutmorethanitshouldbe.ComparedtothecrimefilmsofotherItaliandirectors,SyndicateSadistsismorethanaboveaverage;butinrelationtoLenzicrimeflickssuchasAlmostHumanandTheCynic,TheRatandTheFist-itdoesn’tstandtallasoneofLenzi’sbest.Still,ifyou’relookingforninetyminutesoftestosteronefuelledmayhem-SyndicateSadistswillsuffice!
