Sims
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年轻的母亲（Michelle Williams 饰）和拆弹专家的丈夫、4岁的儿子（Sidney Johnston 饰）幸福生活在一起，但一场灾难摧毁了这个小家庭。父亲在和儿子现场观看阿森纳足球的比赛时，球场遭到恐怖袭击，发生剧烈爆炸，而年轻的母亲目睹了这一切。 和她有过一夜之情报社记者加斯帕?布莱克（Ewan McGregor 饰）潜心寻找当天的线索，终于在录像中发现了爆炸的制造者，同时也得知这起事件早已为政府预知。年轻母亲按加斯帕提供的资料找到恐怖分子的遗孀和儿子，她在男孩身上得到了心灵的慰籍。 真相总然残酷，而生活仍在继续。是继续活在回忆中，还是勇敢面对未来……
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Looking for work, Aaron comes across a cryptic online ad “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town, where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.
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内详
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Hodjaisadreamer.Hewantstoexperiencetheworld,buthisfatherinsistshestayshomeandtakesoverthefamily’stailorshop.Fortunately,HodjameetstheoldrugmerchantElFaza,whogiveshimaflyingcarpet.Inexchangehehastobringtheoldman’slittlegranddaughter,Diamond,backtoPjort.ElFazacan’ttraveltotheSultancityhimself,asthemightyrulerhasimposedadeathsentenceonElFaza,onthegroundsthathehasstolentheSultan’scarpet.However,citylifeisn’tquitewhatHodjaexpected,andheonlysurvivesbecauseofEmerald,apoorbutstreetsmartgirl,whoteacheshimhowtomanageinthebigworld.ButwhenHodjaloseshiscarpettothepower-hungrysultan,hisluckseemstorunout.Willhecompletehismission,findElFaza’sgranddaughterandreturnsafelybacktoPjort?
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A college freshman moves into the perfect dorm on campus, but soon discovers the previous resident died under mysterious circumstances. Believing the girl was murdered, she tries to uncover the identity of the killer before it's too late.
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雅克·贝克
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The last year of life of the Italian-French painter Amedeo Modigliani (1884-1920) who died with 36 years, was played by Gérard Philipe, who was lethally sick during the shooting of this movie and died shortly after its release, 1959, with 36 years - on one of the two diseases that Modigliano had himself and exactly in his age. Further, this movie was directed by Jacques Becker - after the sudden death of Max Ophüls. Becker, too, died only 2 years after this movie.
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AmodernRobinHoodswitchesfromstealingtoprotectingwhencircumstancesmakehimthereluctantbodyguardofahigh-profileclient.
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Arivalryformsbetweentwoteacherswhoarepolaropposites:astrict,old-fashionedby-the-bookinstructorandhischeerfulyoungcounterpartinterestedinsocialmedia.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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奥利维尔·施耐德
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艾娃·巴亚
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加里·勒斯培
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热雷米·拉厄尔特
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蒂博·埃弗拉德
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拉德赫·贝莱彻
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热拉尔·朗万
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Samir
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Decazza
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克莱门汀·塞拉里耶
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Céline
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Jorrion
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Rayan
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Bouazza
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Estelle
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Darnault
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Manon
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Girardi
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Méléane
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Aslan
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文森特·贝尔苏勒
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Sam
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B.
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Louiz
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Jean-Yves
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Rochelle
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Mohamed
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Makhtoumi
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Anthony
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Loison-Antoniotti
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Micha?l
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Troude
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乔尔·拉冯
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Soélie,ayoungmotocrossprodigy,seesherdreamsofsuccessshatteredbyanaccident.Shenowdevotesherselftotrainingherbrother,Michael.WhenheisrecruitedbyTMAXscooterracersforahigh-profileheistinParis,Soéliemustovercomeherfearstosavehim.
