Red
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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杰罗姆·波奈
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LibrementinspiréduromanAmoursdeLeonordeRecondo.Tandisquesonépousedortpaisiblement,AnselmelenotaireabusedeCéleste,lajeunebonne,quitombeenceinte.Poursauverl’honneurdetous,Victoiredécided’adopterl’enfant.Maisellen’apaslafibrematernelle,etlenouveau-nédépérit.Encachette,Célestevatendrementprendresoindesonpetit.Unenuit,Victoirelesrejointdanslachambresouslescombles…
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DidierKonings’simmeringmediaevalhorrorWitteWievenexplorestheconfluenceofreligionandpatriarchyinanexcessivelypuritanicalDutchvillage.Blamedbyhercommunityforbeingchildless,Friedaimmersesherselfinprayerandritual.Whenshereturnsunscathedfromtheforbiddenforestsurroundingthevillage,havingevadedalecherousbutcher,sheiscondemnedasanagentofthedevil.Frieda,however,findsnewfaithinthedarkpowersthatinhabitthewoods.Shotinareducedcolourpaletteattheedgeofvisibility,Konings’grippingfilmconstructsaconvincingpre-modernsocietywhosepracticesitelucidateswithpatienceandattention.AlthoughsetintheMiddleAges,WitteWievendisplaysanunmistakablycontemporaryspirit,craftingafeministparableaboutwomendiscoveringnewwaysofunderstandingtheirlivesandtheworld.
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Cassidy Red is a western romance set against the backdrop of the 19th century American southwest. The film follows the headstrong daughter of a prostitute who returns to her hometown, seeking vengeance against the corrupt lawman she believes murdered her lover.
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格雷丝·格洛威克
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伊莲恩·戴维斯
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黛拉格·坎贝尔
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马克西姆·高德特
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Julia·Beyer
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伊芙·杜兰索
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玛丽亚·杜埃尼亚斯
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Melanie·Scheiner
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Mary-Margaret·O'Hara
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Yannick·Nézet-Séguin
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Rosa·Johan-Uddoh
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Kieran·Adams
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Anni·Spadafora
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Fan·Wu
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Heidi·Galvez
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Darrah·Teitel
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Aaron·Danby
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Thefilmisinspiredbythetrue-to-lifestoryofthediscoveryofthelong-lost“Opus28”manuscriptfromNorwegiancomposerJohanHalvorsen,originallyperformedin1909byCanadianviolinistKathleenParlow,towhomthepiecewasdedicated.CampbellportraysastudentwhoseekstocompleteherthesisonParlowbyorganizingapublicperformanceof“Opus28”fromTorontotoOslo.ThecastincludesDueñas,MelanieScheiner,EveDuranceau,MaximGaudette,Rosa-JohanUddoh,andEileenDavies.
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08/03/2010:DeathonaStick死在刺上Season3,Episode0109/14/2010:PuttingaSmileyFaceonDeath对死神绽开笑脸Season3,Episode0209/14/2010:StupidisasStupidDies蠢人自有蠢法死Season3,Episode0309/21/2010:DeadWrongs搞错之死Season3,Episode0410/05/2010:FatalDistractions致命的干扰Season3,Episode0510/19/2010:HurryUpandDie快快去死Season3,Episode0610/26/2010:TheEndisWeird不可思议的结局Season3,Episode0711/02/2010:Young,DumbandFullofDeath年轻,无语与充满死亡Season3,Episode0811/02/2010:DeathPutsonaDunceCap带上傻瓜帽去死Season3,Episode0911/09/2010:Today"sMenu:DeepFriedDeath今日菜单:油炸死亡Season3,Episode1011/23/2010:CurefortheCommonDeath常见死亡之治疗篇Season3,Episode1111/30/2010:SuddenDeath突如其来的死亡Season3,Episode1212/07/2010:DyingtoTelltheStory死了都要讲的故事Season3,Episode1312/14/2010:IfYou"reDead---LeaveaMessageandWe"llGetBacktoYou如果你挂了---给我们留言然后我们会给你回复Season3,Episode14
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宮崎光代
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Yumaisa23-year-oldwomanfromTokyo.Whenshecommutesbytraintoherjobinamangastudio,herfaceisathipheighttotheotherpassengersstandingup.Yumausesawheelchaironaccountofcerebralpalsy.Herdeformedlimbsonlyallowhertocrawl–andtoholdapencil.Thefactthatherboss,asuccessfulcomicartistandbloggernamedSayaka,whohasapenchantforgarishFairyKeiattire,passesYuma’sdrawingideasoffasherown,dismaysthetalented‘mangaka’.Evenworse,heroverprotectivemotherhardlyletsheroutofhersightandrefusestotalkaboutherfather.AsYumaattemptstoliveamoreindependentlife,shestumblesacrossadultcomics–mangaporn–andtoyswiththeideaofdrawingsomeherself.Thepublisheradviseshertogainsomepersonalexperiencefirst.ButwhathappenswhenawomaninawheelchairasksatoutinTokyo’sredlightdistricttofixherupwithasexdate?DirectorHIKARI’shumorousandendearing37Secondsdepictsanunusualjourneyofself-discovery-inartistic,physicalandfamilialterms.And,asthefilm’scharmingprotagonistlearns,friendswhoarenotprejudicedcanbefoundanywhere.
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12/06/2009:DeathonArrival死神到来时Season2,Episode0112/09/2009:DeathBites!致命咬伤Season2,Episode0212/16/2009:UpWithDeath与死亡同在Season2,Episode0312/30/2009:PuttingaHappyFaceonDeath对死神绽开欢颜Season2,Episode0401/06/2010:BringingintheDead死亡引入Season2,Episode0501/13/2010:GratefullyDead感激的挂掉Season2,Episode0601/20/2010:ComeOnGetDeathy来吧死神Season2,Episode0701/27/2010:DeathWatch死亡观看Season2,Episode0802/03/2010:WakingUpDead夺命晨醒Season2,Episode0902/10/2010:You"reDead!LOL(LotsOfLaughs)!你死了!哈哈哈!Season2,Episode1002/17/2010:DeadtoRights当场挂掉Season2,Episode1102/24/2010:DeadonDead挂了又挂Season2,Episode12
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Hanna
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PrincessCharmingisaGermanrealitydatingshowthatpremieredonMay25,2021,streamingonpremiumsectorofRTL+andbeganairingonOctober29,2021,ontelevisiononVOX.ItisstreamingonRTL+,operatedbytheRTLmediagroup,inGerman.
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Two girls grow up as best friends in an Innu community. While Mikuan has a loving family, Shaniss is picking up the pieces of her shattered childhood. As children, they promised each other to stick together no matter what. But as they're about to turn 17, their friendship is shaken when Mikuan falls for a white boy, and starts dreaming of leaving the reserve that's now too small for her dreams.
