Dimitri
搜索"Dimitri" ,找到 以下影视作品
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1965,Malaysia.AsmallvillagehelpsKhalidandSitipreparefortheirweddingday.Soonafter,agreatdarknessfallsuponthevillageasastringofhorrificdeathsandsupernaturalhappeningscreatewidespreadfearandparanoiaamongstthevillagers.TheeventsforceaconfessionfromKhalidtoamurderofagirlhemadepregnantyearsbefore,nowbelievedtohavereturnedasaPontianak.Tokillthisvengefulvampire,heralliesallthemenofthevillageandsetsoutintothejungletohuntherdown.Butcanthevillagestopher?
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苏提拉克·素维杰拉
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Newclear
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Hansa
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Jungviwattanawong
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Pinomyim
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Thanchanok
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Pakarat
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塔纳通·萨南卡尼功
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尊戈·基达坎·查塔卡威奈
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安楚义昂·布阿嘎育
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ViuOriginal制作上线about“Gob”ayoungtouristpolicewhobecomesfamousinsocialasarepresentativeofTAT,triestochasethecounterfeitgangsterwhichrunsby“Real”acharming,wittygirlfromorphanedhome.Oneday,shefindsamysteriousbagcontainsmillionsofUScashthatleadshertobecomeinvolvedinacounterfeitmoneytrade.Will“Gob”help“Real”forrealorjusttoimpressthesocialfakelife?Who’srealandwho’sfake?Thiscouldendupwithloveorloss,onewayoranother.
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A company that produces a toxic chemical tries to improve its image via a popular spokesperson, Ricky Coogan. Ricky travels to South America to get a first-hand look at the chemical's effects and finds himself at a mutant freak farm. Elijah, who runs the farm, is only too happy to have new subjects on which to try his freak machine. The very chemical that Ricky is supposed to promote is the one responsible for creating the great variety of freaks.
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「红色十月」是一艘核子潜艇的名字,史恩康纳莱饰演该艇的苏联将官雷米斯船长,影片述叙他在前往冰封的极地海域出机密任务时,率众叛变,欲往西方世界投诚的经过。由汤姆克兰西同名畅销小说改编,《终极警探》的导演约翰麦特南执导。幕后消息:汤姆克兰西的小说盘据美国畅销小说排行榜多年,但是从来没有人敢动过将他的小说搬上银幕的念头,因为其中牵涉到困难重重的科技场面,也就是这个原因使得《猎杀红色十月》的拍片预算一直追加到4000万美元,制片马克纽菲德说:「早先如果我知道有这麽多困难,我可能就不会同意开拍了。」为了拍摄这部电影,制片公司在派拉蒙片厂搭出了五个巨大场景,利用两座昇降台,三艘潜水艇模型,表现潜水艇在深海中的各种角度,下墬、摇晃,和在受攻击下模拟实景。史恩康纳莱拍摄该片时,印象最深刻的便是关在狭小空间中的酷热,为了营造出潜艇特有的光影,必须不断的排烟进来,「为了保持烟的停留状态,所有的通口都封住了,相对地,热气无法散去,实在让人热得受不了。」专间制造电影魔术,由乔治卢卡斯所设立的特效制作「IndustrialLightandMagic」,负责深海中的景观。在汤姆克兰西的小说尚未于84年版前,马克纽菲德便己买下电影版权,书一推出,短时间内七百万本便销售一空,但花了马柯一年半的时间才找到肯投资拍片的片厂,这期间他几乎放弃想转而改拍电视迷你影集。为了让剧本能令派拉蒙公司满为止,《猎杀红色十月》先后启用了三位编剧,初期剧本为了忠于原着,一直从「正确性」上着手,毕竟这并不是一部《星际大战》那般的科幻电影。另外派拉蒙同意拍摄的重大前提,便是必须先徵得海军同意提供专家意见和必要的支援,亏得86年汤姆克鲁斯的《悍卫战士》为海军建立了绝佳的公关印象,嚐到甜头的军方便欣然同意。马柯和第一位编剧唐纳史都华首先在87年获准登上潜艇出维吉尼亚海,稍后导演和一批演员亦在安排下登上海军基地一艘快速潜艇,在圣地牙哥外海上渡过了24小时,在片中饰演美国潜艇「达拉斯号」舰长的史考特葛伦坦承:「这次的实际航行对我的演出有莫大的帮助。」海军同时支援了一些士兵充当「达拉斯」的船员,至于「红色十月」舰上的官兵则半是由俄国移民担任,其中约半数听不懂英文,当然都是为了符合影片中采用苏联为背景的真实性,这也是另外一位编剧赖瑞佛喀森加入的原因,他加强了原着中较弱的一环,关于雷米乌斯投诚的动机的部份。根据畅销名着改编,描述苏联核子潜艇「红色十月号」航道经常偏轨,引发美国中情局的忧虑,认为它要攻击美国,但情报员杰克森却认为它欲归降美国,到底真相如何
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100yearsago,thesistersYodandYardwerethewivesofPhraWanathep.YardwasaloyalservanttomadamKamlai,hismainwife.ButKhunThepaskedYodtohelphimgethersisterandhewouldrewardher.SoYodknockedheroutandWanatheprapedher.Later,YodtricksYardintogivingpoisontoKamlai,togetridofherandgetYardintrouble,soshecanreadmorehaveKhunThepalltoherself.SoYardunintentionallykillsKamlaiandher2daughters.AlltheservantsfindoutthatYardkilledKamlaisotheyhungher.YodsmotherfindsoutthatshecausedYardsdeathsoshestabbedYodandputacurseonher,ifshewastocausehermothertocryatearagain,shewillneverbeabletogetreborn.KhunThepwasrebornasWitsanu,anaward-winningbiographydirector.WitsanureceivedworkfromaTVshowcalledLaoRuangTeukGao(Tellingthestoryofoldbuildings).Palisayoungarchitectthathoststheshow,andforthisparticularepisodethestoryofPhraWanathep’shomeisbeingtold.ThehomeislocatedintheNangBarb(SinWoman)amphoe/district.Duringfilming,thestaffseessomethingstrange.TheydontknowthattheplaceishauntedbytheghostsofYodandYard.KamlaiwasrebornasanactressandYodwantstoapologizeforhersins.SoYodandYardenduppossessingRuengrinandWisa,causingabsolutechaosfortheteam.
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荣·伊斯特
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BBC的对于多数会警员局“悬疑旧案”部分的笑剧。小组的头是女DS桑德拉普尔曼,既然是跟往事有关,索性就应聘了3个退休侦察:杰克把逝世去的爱妻埋在后院天天跟她谈天,盖里年青时著名的花心现在要跟三个前妻四个女儿共进晚餐,布莱恩是个强制症!前醉翁跟诡计论者。题目取自一句老话:“You can't teach meijubar.net an old dog new tricks(故乡伙学不来新秘诀)”。这帮故乡伙却胜利地在新时期用他们的教训跟技,那些疑问案件正中了看似过期的老秘诀的道。
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朴孝朱
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Achillingmysterythriller,blessedbystirringimaginationandstrikingactingperformances,especiallybychildactors.Amongwittyscaresinventedbythedirectorherself,wegetclosertountreatabletruesinsoftheCatholicreligion.Skilfullyraisedfantasiesaboutexorcism,possessionandresurrectionslowlytransformintobreath-takinghorror,whichmaynotleaveyourthoughtsforalongtimeafterthescreening.AdevotedlyfaithfulfamilymournstheireldersonHan-byul.BothparentssincerelybelievethatitisthehandofgoodlordJesusthatteststhemwithpainfulsuffering.Thereverendadvisesadoptingachildwithspecialneedsandsharingallthelovetheystillhaveintheirwoundedheartsafterthetragicaccident.SothegrievingparentsembracevisuallyimpairedcharismaticIsaac,whoquicklyfindshisplaceintheirspacioustwo-storeyhouse.Theacutelysensitiveboycountsthatthekindfamilystillconsistsofsevenmembers,andwitnesseshowthecryingHan-byulconstantlyvisitsthem.Confusedbyincrediblerevelations,themotherstartstonoticepreviouslyunseenguidingsigns.Guiltconfrontssanity.Grieftransmitsintofear.Doubtsbringhomeobsession.Newcluesexposehurtfullies.Divinefaithopensallgatestopowerfuldevilishmanipulations.Theprolongedprocessofhealingdispersesintodrownedsecrets.Howlongcanyoubelievesomethingwhisperedbysomeonewhoisnotentirelytrustworthy?Howfarwillalovingmothergotoprotectheradoptedchildwhosuddenlyuncoversnot-so-pleasanttruths?源自:https://poff.ee/en/film/the-other-child/
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艾迪森·海曼
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Twocodependentbestfriendsbecomeaddictedtotheheroin-liketouchofanaliennarcissistwhomayormaynotbetryingtotakeovertheworld.WriteranddirectorAddisonHeimann’ssecondfeaturefilmisprovocativelycomedic,inventive,andinsaneinthebestpossibleway.AnodetothedeliriouslystylisticlensofJapanesecinemainthe’60sand’70s,TouchMedaresto“gothere”withitsthemesofmentalhealth,desire,andHentai-infusedsexualabandon.OliviaTaylorDudleysinksintocharactertoportrayafracturedandwanderinghumanbeingindesperateneedofalife-affirmingtouch,whileLouTaylor-Pucci’stracksuit-cladalienpersonaisplayedtodelightfulperfection.JordanGavarisandMarleneForteroundoutanimpeccablecastoffar-outcharacterswhomanagetobeatonceacrimoniousyetrelatable.Theendresultisaweird,wild,andfrenziedfeverdreamwithsomuchtounpack.Whilewemaynotbeabletorelieveourselvesofself-doubt,deep-seatedchildhoodtrauma,anddebilitatinganxietywiththesimpletouchofanextraterrestrialbeing,maybelifeisn’tsobadafterall?
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雷蒙·贝尔纳
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KingLouisXItriestounifyFrancebyallmeansfairorfoul,whichdoesnotpleasehispowerfulrivalCharlestheBold.Itisagainstthistroubledbackdropthatthelovesofthedaughterofawealthybourgeoisandtheking'sgod-daughterJeanneFouquetandknightRobertCottereauunfurlinspiteofalltheobstaclesintheirway.OneofthesebeingapackofhungrywolvestryingtostopJeannefromcarryingoutanimportantmissionassignedtoherbythekinghimself
