Castro

　　来自宾西法尼亚州的青年麦克（迈特•朗 Matt Long 饰）是西北大学的明星球员，他的生活以橄榄球为中心，阳光向上。在一个圣诞夜的前夕，麦克带着美丽的女友伊丽莎白（杰茜卡•斯特普 Jessica Stroup 饰）回到家乡。他们受到家乡朋友的热情欢迎，也许只有一个人例外，那就是麦克的前女友——前高中橄榄球拉拉队皇后希尔比（米莎•巴顿 Mischa Barton 饰）。高中毕业后两人选择分手，而希尔比多年来仍深爱着麦克，渴望与之复合。                                

艾德（Brian Presley 饰）!汉瑞（Jake Muxworthy 饰）跟菲尔（Rider Strong 饰）是三个来自美国的大先生,又逢周末,芳华躁动的大男孩们相约前去美国南部边疆寻花问柳。他们驱车离开到墨西哥北部一个叫曼泽塔的小镇,这里荒漠鬼怪!暗淡无光的气象好像并未惹起男孩们的想法,他们一门心理寻觅酗酒以及艳遇的机遇。 当晚,三个家伙如愿以偿抱得丽人归,一夜风骚当时却发明,菲尔不见了踪迹。艾德跟汉瑞到处寻觅,毫无着落,连警方也谢绝赞助。他们逐步认识到,本人曾经进入外地人经心编织的屠杀坎阱之中……

　　麦克（阿莱克斯·冈萨雷兹 Álex González 饰）行将迎来本人性掷中异常主要的一刻——跟女友茱莉亚（玛利亚·卡斯特罗 María Castro 饰）举办订亲典礼,更让麦克觉得兴奋的是,茱莉亚是一名富有的珠宝继续人。　　就在这个节骨眼上,麦克结识了名为艾莉（阿德丽安娜·尤加特 Adriana Ugarte 饰）的俏丽男子,后者的野心跟豪放搅得麦克心中一池春水不住涟漪。在艾莉的率领下,麦克见地到了地下赛车天下的跋扈狂与豪情,而艾莉的男友纳瓦斯（阿尔贝托·阿曼 Alberto Ammann 饰）的涌现让麦克垂垂认识到,本人好像堕入了一个经心计划的骗局之中,在这个骗局里,真正的猎物是茱莉亚跟她手中无价之宝的珠宝。

RUSSELL MADNESS tells the story of Russell, an undersized but big-hearted terrier who dreams of having a family of his own. After running away from his pet store, Russell gets taken in by The Ferraros, a family desperate to revive their grandfather's pro wrestling arena. That's when they discover their new pet pooch has incredible wrestling skills. With help from his coach, Hunk, a savvy and hilarious monkey, Russell rockets to the top of the pro wrestling world and becomes a famous sports superstar. But when a dishonest promoter double-crosses the Ferraros, Russell will face his biggest challenge and discover that the strongest tag team is family.

'Solitary' is a contained sci-fi film about a man who wakes up inside a room to discover he's a prisoner sent into space to form Earth's first colony, and worse - his cell mate Alana is hell bent on destroying everything.

Thepicissetintheaftermathofanapocalypticeventthatforcespeopleintoextremeisolation.Afather(Moyer)andson(VanAcker),whohavebeenlivingoffgridfor20years,encounteranoutsider(Silverstone)whothreatenstodestroytheutopiathey’vebuilt.

In the year 2024, a fierce battle rages on between a ruthless villain and an android resistance group. Prsents a strong case for waging a war over rights of possession.

A Savage beast, grown to monstrous size and driven mad by toxic wastes that are poisoning the waters, spreads terror and death on a Maine countryside.

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

At her husband's funeral, Pearl (Shirley Maclean), Jewish mother of two divorced and antagonistic daughters, meets an old Italian friend (Marcello Mastroianni) of her husband, whose advice years previously had stopped the husband leaving home. For 23 years he, now a widower, has secretly loved Pearl...Written by {[email protected]}