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迈克尔·费法
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ThispowerfulwesternstarringPeterFacinelli(Twilightfranchise)showswhathappenswhenyoupushagoodmantoofar.BrittMacMasters,aU.S.Marshal,returnsfromamissiontofindhisfather(TomSkerritt)woundedandhisson,Chad,kidnappedbytheoutlawJedBlake.Hotontheirtrail,BrittformsapossewithagunslingingdeputyandastoicPawneetracker.ButbothJed...
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Thisstoryisaboutamusician,Natalie,whomovestoabigcityandtriesherluckatbecomingfamous.Andhereshefindsnotonlyagreatopportunityforhercareer,butalsoanewlovewithanothergirl,Anna.Theytwoareverydifferent:onepoor,theotheroneisrich,oneofthemwritesmusicandsings,theotheronecannothearorspeak…Theyareunitedbyloveforeachother,buttheirownfearsstandinthewayoftheirhappiness.Theybothgothroughdoubtsandpain.Whentheyfinallyfindcourageintheirhearts,itseemslikeitstoolate…Butdoestruelovehavetimelimits?HISTORYTheproposedfilmisbasedonshortfilmILOVEHER(2013).Thefilmparticipatedinsuchfilmfestivalsas:Frameline39,SanFranciscoInternationalLGBTQFilmFestival,MIXCOPENHAGEN,FestivalInternationalEntr2Marches(Cannesfilmfestival),BostonLGBTFilmFestival,TheBarcelonaInternationalLGTIBFilmFestival.//ThefilmalsoparticipatedinfilmfestivalsheldinMadrid,Paris,Seattle,Boston,London,Hamburg.Inwholethefilmparticipatedin28filmfestivalsof12countries(France,USA,Canada,Switzerland,Germany,Serbia,LatinAmerica,Turkey)and3continents(Europe,America,Asia).
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保罗·齐勒
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亚利桑德拉·布莱肯瑞吉
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罗伯特·伯克利
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丽莎·钱德勒
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杰基·哈里
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卡洛·马克思
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Naika Toussaint
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霍莉·唐娜
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Jake Ennis
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Dion Riley
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Fiona Vroom
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Eric Gustafson
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安尼塔·布朗
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Jenny Mitchell
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Terrie Carpenter and David Crabtree are two of the most popular segment hosts on the SHC aka Shopping from Home Channel. They have an antagonistic professional relationship in being opposites in the way they approach their job. Terrie likes to be prepared in knowing product specs, David who accuses her of being boring in her striving to have an air of perfection. David has a devil may care attitude, his catch phrases, which he didn't even write himself, Terrie finding pretentious in wanting to come across as every viewer's best friend. They and the rest of the staff at SHC discover that the rumors that have been circulating around the station are true: that SHC's founder Sharon St. Clair, who still hosts the prime time spot segments, including the Monthly Pick, which pulls in quadruple the viewership of any other segment, is retiring, she and the Board who will make the decision of her replacement both as host for those lucrative time slots, and as head of the company. Terrie and ...
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卢·热内
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Paris1895;PierreisaParisiandandyandpoetonthevergeoffame.HeandhispoetfriendHenriarebothmadlyinlovewithMarie,thecheekydaughteroftheirmentor,Franco-CubanpoetJosé-MariadeHeredia.AlthoughshelovesPierre,obeyingherfathershemarriesHenritopayoffherfathersdebtandinsearchofabettersocialposition.ThereuponPierredecidestofleetoAlgeriaandtheremeetsZohar,withwhomhesharesapassionforeroticphotography.ReturningtoPariswithhertwoyearslater,hefindsMarieagain,whoconfessesthatheistheonesheloves.TheystartacaseagainstthebackdropofParisseroticphotography,inacat-and-mousegamewithpeoplewhoinvolvetheirlivesandbreakingthecodessetbysocietywhichwillwillmakethemoneofthebest-knownwritersandpoetsof19th-centuryFrance.Writtenbylament
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“LoboFerozisaloose,revitalisedadaptationofBigBadWolves.Thereweremanychangesthatwemadewhenyoucompareittotheoriginal,giventhatweaddednewcharacters,plotstrandsandlocations,andweintroducedandfleshedoutnewthemesteeteringbetweendarkcomedyandpolicethriller.Thefilmquestionsone’sprinciples,humanbehaviourandhowambiguousitcanbe,”thedirectorexplainedtoCineuropa.“I’mveryhappytobeabletoworkwithadreamSpanishcast,whereeveryonedemonstratestheirenormoustalentandcommitmentineverysceneandthrougheverysingledetail.”Thescreenplayforthemovie–writtenbyJuanManuelFoodeRomaandEvaMaríaAlonsoMoreno–followsapoliceofficeronthefringesofthelawandawomanseekingrevenge.Theirpathscross,astheyareobsessedwithdiscoveringtheidentityofthemurdererbehindastringofbrutalcrimesinvolvingvariousgirls.Theyarebothwillingtodowhateverittakestosecureaconfession,eventhoughtheywillhavetotakethelawintotheirownhandsinordertodoso.Atthesametime,amodeldetectivewilldohisutmosttoavoidirreparableerrorsbeingmadeandtoensurethatthisdesperatesearchforthetruthdoesnottransformintothefiercestofwolves.
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Naples.AtalmostfiftyyearsoldSandroistheleaderoftheApache,agroupofultraswithwhomhehasspenthiswholelifeatthestadium:alifeofviolence,clashes,passions,andunshakablevalues.NowthataDaspopreventshimfromapproachingthecurve,thosevaluesarestartingtofalter.Sandrofeelsforthefirsttimetheneedforanormallife,arelationship,maybeevenafamily.AlsomeetingTerry,whoisbeautifulandseemstonotfearanything.AngeloissixteenandconsiderstheApachehisfamily.Sandroishisguide,thepersonwhotooktheplaceofhisbrotherSasa,whodiedyearsearlierduringtheclashesofatrip.ULTRASisthestoryoftheirfriendship,ofafaithandalovemarkedbythelastfewweeksofafootballchampionship,andtheinevitablemeetingofbothwiththeirowndestiny.IntheNaplesofFrancescoLettieri(Liberato,Calcutta,EmisKilla,Thegiornalistiandmanyothers)Ultrastellsanalmostfraternalfriendshipbetweenthetwoprotagonistswith,inthebackground,ahypotheticalfootballchampionship.UltrasisthefirstfilmbyFrancescoLettieri,itwillbereleasedinselectedcinemasonMarch9,10and11andwillbeavailableonNetflixfromMarch20.
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Ayoungcoupleofdifferentreligiousfaithsandverymuchinlove,meetatragicaccidentthatputsbothoftheminacomaandsetstheirspiritsoffonaquesttofigureouthowtobetogetherintheafterlifewhereinterfaithcouplesarenotallowedtoenterthesameafterworld.
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Setintheworldofbugswherespidersarethecops,adetectiveboardsaseaplanetoSanFranciscoafterfinallycapturinghisarchnemesis,butamurderonhisflightdrawshimintoaplotthatthreatensboththehumanandbugworlds.
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
