Toth

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女性欲体
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After a five-year hiatus from filmmaking, Piotr Szulkin returned in 1990 - with "Femina", based on a novel by Krystyna Kofta and inspired by Luis Bunuel.The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.As beautifully mounted as any of Szulkin's films, it's full of delirious wide-angle imagery (at times recalling the films of Terry Gilliam). Unavailable on DVD even in Poland, this is a most unfairly neglected work by Szulkin.
窗中女孩
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It is based on a mother and daughter who deals with an uncertain threat that brings them closer together as a blend.
血脉界限
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Every25years,itbegins.Boundtoanancientpact,afamilyofunlimitedpowerdescenduponasmallruraltowntosacrifice4humanlives,onebeingamemberoftheirownfamily.Theritualstartswiththerapeofalocalgirl,18yearoldKerry.Findingherselfpregnant,sherealizesherunbornbabyisthetargetofasinisterplot.Asthemonthspassandpeoplearoundherbegintoturnupdead,shedesperatelysearchesforawayoutofthisunthinkablesituation.Thefamilymustperformthisritualtomaintaintheirpowerordie.InchargeofcarryingouteachsacrificeashisinitiationisDavid,ayoungmanconflictedwithhisdestiny.HeunexpectedlybeginstofallforKerry,whichweighsonhisconscienceastheygetclosertothefinalsacrifice.Whatstartsoffasathrillersoondescendsintotherealmofhorrorasoccultritualsandancientpactstakeholdofonegirlslife,bindinghertoafateshecannotpossiblyfathom.ROSEMARYSBABYmeetsDRAGMETOHELLinthistwistedanddarklookintotheoccultandhowfarthehumanspiritcantakeonesoulinitsmostdesperatehour.Layeredwithplottwistsandconflictedcharacters,BLOODLINEfollowssixpeopleastheycarryouttheirdestinytotheirultimatehorror.
钢琴之神
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ConcertpianistAnat’swatersbreakwhilesheisplaying.Devastatingly,hersonprovesdeaf.TheBabyMozartCDherfathergiveshercangostraightinthebin.However,Anatswilltoraiseapianogeniuswhowouldbefitherrespectedmusicalfamilyonlybecomesstronger,andshetakesdrasticmeasurestomakethishappen.Composedasamoralparablewithatouchofthriller,GodofthePianotellsthestoryofamother–playedwithgreatreservebyNaamaPreis–whoseobsessivebehaviourandmile-highexpectationsthreatentocrushherchild,justasshewasoncecrushed.Whilefocusingonmother-sonrelations,thefilmalsoexplorestheuncertainnatureofprodigy.Istalentinherited?Isthereasecrettensionorevenaninterplaybetweengiftednessandaverageness?And–mostimportantly–whatpricedoesaperson,beitadultorchild,payforbeinglabelledagenius?
文明的秘密第一季
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SecretstoCivilisationisagroundbreakingHistoryserieswhichexplorestherecentexplosionindataaboutourplanet'spast,offeringacompletelyfreshperspectiveontheancientworldfromtheBronzeAgetothefallofRome.
阿什格罗夫
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Whenatroubledcoupleescapetotheirruralfarmhouseforaweekendofre-connection,theyrealizethattheirabilitytosavetheirmarriagewillliterallydeterminethefateofhumankinditself.
全垒打王
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  人称“贝比”的乔治?赫尔曼?罗斯,是美国战前20年间最著名的传奇棒球手。他从小顽劣,却因出色的棒球天赋得到Brother Mathias(James Cromwell 饰)提携,最终从教会男子学校走入职业棒球场。  成年后的贝比(John Goodman 约翰?古德曼 饰)最早效力于波士顿红袜队,他肥胖高大的体型似乎与速度和激情的棒球全不搭调,但其招牌式的全垒打则让赛场内的观众一次次痴迷,让对手闻风丧胆。他爱上了美丽的女子海伦(Trini Alvarado 饰),然而婚姻却并非一帆风顺。狂放的贝比希望退居二线,成为棒球队经理,然几番周折,发现一切成空,而属于自己的时代则正渐渐远去……
火药之心
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ClaudiaandMaria,roamthestreetsofthecityofGuatemala.Claudiaworksatacallcenterandisuninterestedintheworldaroundher.Sheliveswithheractivistgrandfather,whotriestopersuadehertojoinhiscause.MariaunlikeClaudia,ismorespontaneousandliveswithhermotherintheoutskirtsofthecity.Thechaoticstreetsarefilledwithcommonstoriesofabuse,unforgivingpoliceofficers,andcharmingsecretcorners.Everythingchangesonenightwhentheyareattackedbythreemen.Althoughtheymanagetoescape,Claudiaisfacedwiththedilemmaofchoosingrevengeorlisteningtohergrandfather’sadvice.
我的母亲是纳粹
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Let Me Go is a film about mothers and daughters, it is about ghosts from the past and the impact they leave on the present. Developed from Helga Schneider's true life story, Let Me Go explores the effect on Helga's life of being abandoned by her mother, Traudi in 1941 - when she was just four years old. The film is set in the year 2000 - following not only Helga and Traudi's journeys but the next two generations and how Beth, Helga's daughter and Emily her granddaughter are confronted with the long-term effects of Traudi's leaving. When Helga receives a letter telling her that Traudi is close to death, it is Emily with whom Helga shares the truth. Emily 册unteers to accompany her to Vienna to meet the great-grandmother she thought was dead, and experience the unraveling of the darkest of family secrets.
血与水第三季
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WelcometoanotheryearatParkhurstHigh!Samefriends,freshbloodanddeeperwaters.ClassesstartNovember25,don’tbelate!
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