Testa
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让-帕斯卡尔·扎迪
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卡洛琳·安格鲁德
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Fary
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Tonton Marcel
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Juliette Fiévet
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利利安·图拉姆
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Pascal Cefran
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Fif Tobossi
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Frédéric Venant
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Maboula Soumahoro
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克劳迪娅·塔格博
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Hervé Dandrieux
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Amilcar Zadi
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Nicolas Danzin
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Cyril Hanouna
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JP, un acteur raté de 40 - ans, décide d’organiser la première grosse marche de contestation noire en France, mais ses rencontres, souvent burlesques, avec des personnalités influentes de la communauté et le soutien intéressé qu’il reçoit de Fary, le font osciller entre envie d’être sur le devant de la scène et véritable engagement militant...
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D.C.I.JaneTennisonisaskilled,top-classdetective,battlingtoproveherselfinamaleworld.Whileinvestigatingamurder,herstrengthofcharacterandskillsasadetectiveareputtothetestassheexposesacover-upwithintheforce.Andwhenasecondmurdervictimisdiscovered,theinquiryturnsintoagrislyinvestigationstretchingbackovertenyears.
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Thisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi’sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter’straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi’sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen’tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer’sidentity.Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.
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Basedonthebestsellingbookofthesamename,TheBeckoningSilencefollowsmountainclimberJoeSimpsonashetakesononeoftoughestchallengesofhiscareer.FreshfromhishorrificordealinthePeruvianAndes-asrecountedintheOscar-winningdocumentary"TouchingTheVoid"-SimpsonattemptstoascendthetreacherousNorthFaceoftheEiger,amountainthathasclaimedthelivesofmorethan60people.Facedwithgrowinganxietyanddoubt,Simpsonpushesonwardandupwardinhisunyieldingquesttotraversesomeoftheworld’smostinhospitableterrain.TheBeckoningSilenceisapowerfultestamenttotheenduranceofthehumanspiritinextremeconditions.
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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
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The hit Irish comedy from producers Vico Films will be back on BBC Three for a third series in the new year. Created by Peter Foott, The Young Offenders tells the coming of age adventures of Conor (Alex Murphy) & Jock (Chris Walley) and their mother/guardian Mairead (Hilary Rose) as she tries to keep them on the straight and narrow. The best friends navigate their awkward teenage years, hatching plans and adventures to help distract from their tough home lives and their inability to stay out of trouble. The whole second series launched as a BBC iPlayer box-set earlier this month and has picked up an amazing 4.1 - million requests so far. Combined with the 13.5 - million for series one and last year’s Christmas special, that over 17.6 - million requests to date. Kate Daughton, Head of BBC Comedy, says: "Young Offenders is spit-your-tea out funny and heartbreakingly emotional. A rare combination that’s testament to the talents and passion of a very special cast, crew and writing team, led by creator and show-runner Peter Foott. We can’t wait to share series three - Cork’s finest have never looked finer." Fiona Campbell, Controller BBC Three, says: "At BBC Three, we love championing local voices and The Young Offenders are a brilliant success story for us. With great characters and on-point writing that is hugely relatable to our audience, we’re delighted they’re coming back for another series." Peter Foott, creator of The Young Offenders, says: "We are so grateful to BBC Three and thrilled that they had such faith in the stories and characters of The Young Offenders that they commissioned a third series from us. We had a lot of fun filming series two and three back to back over the summer in Cork, and we can't wait for everyone to see more of Conor, Jock, Mairead and all the characters next year in our third series. "We've been amazed at the huge reaction to series two so far, and we're so happy that we can officially announce that there's more on the way for fans of the show." The Young Offenders has been commissioned for BBC Three by Fiona Campbell, Controller of BBC Three and Shane Allen, Controller, BBC Comedy Commissioning. The Commissioner for the BBC is Alex Moody. The Executive Producer for Vico Films is Peter Foott, the Producer is Tim Whitby. The Young Offenders series two continues on Monday nights on BBC One and is available on BBC Three & BBC iPlayer.
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AmericanfilmcriticElvisMitchell’skaleidoscopicdocumentarycreatesadefinitivenarrativeoftheBlackrevolutionin1970scinema,fromgenrefilmstosocialrealism—aworkofpainstakingscholarshipthat’salsothoroughlyentertaining,anessentialarchivaldocumentandtestamenttoaperiodofAmericanfilmhistoryunlikelytoberepeated.
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肖恩·埃文斯
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ITVhasconfirmedthathitdetectivedramaEndeavourhasbeenrecommissionedforaseventhseries.Theannouncementfollowscriticalacclaimandconsistentlystrongviewingfiguresforthemostrecentseries.ProducedbyleadingindieMammothScreeninpartnershipwithPBSMasterpiece,thesuccessfulserieschartstheearlycareeroftheyoungEndeavourMorse,playedbyacclaimedactor,ShaunEvans.ThenewsetoffilmswillseeEvansreprisehisrolealongsidecelebratedstarofstageandscreen,RogerAllamasmentorDIFredThursday.WrittenonceagainbyRussellLewis,whohaspennedallofthe27Endeavourscreenplaystodate,thenewserieswillbesetin1970andproductionwillbeginlaterthisyearfortransmissionin2020.FilmingwilltakeplaceinOxfordandthesurroundingarea.CreatorRussellLewissays:We’rethrilledITVhasasked#TeamEndeavourtocontinuetoaddtotheCasebookofColinDexter’simmortalcreation,andtakeE.MorseandOxford’sFinestintoanewdecadeofdecimalisation,packageholidays,theOilCrisis,Blackouts,ThreeDayWeeks,andEuropaEndlos.MammothScreen’sManagingDirector,DamienTimmeradded:We’vebeenthrilledwiththeresponsetoSeries6–itstestamenttoRussellLewis’continuingclevernessandalsothebrilliantpartnershipbetweenShaunEvansandRogerAllamasEndeavourMorseandFredThursday.The1970sarecallingus,andwecan’twait!HeadofDramaatITV,PollyHillcommented:We’reincrediblyproudofEndeavouranddelightedtohaverecommissionedthedramaforaseventhseries.WriterandcreatorRussellLewiscontinuestoengageviewerswithcarefullycraftedstoriesforEndeavourandThursdayaswemoveintothe1970s.We’regratefultotheproductionteamatMammothScreenforcontinuingtodeliversuchahighqualitydrama.RecentlyvotedthefourthgreatestBritishcrimedramaofalltimeinapollconductedbyRadioTimes,thedramahasgonefromstrengthtostrengthsinceitsfirstoutingasaone-offfilmin2012.Thelatestserieslaunchedwithaconsolidatedaudienceof6.9manda27\%share,markingEndeavour’sbiggestaudiencesince2014.MammothScreen’sDamienTimmerandHelenZieglerwillactasexecutiveproducersfortheseventhseries,alongsidewriterandcreatorRussellLewisandWGBH’sRebeccaEaton.ThenewsetoffilmswilldistributedbyITVStudiosGlobalEntertainmentinternationally.
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Malvís (Alfredo Landa) is sick of working like crazy for nothing. He'd rather become a bandit, that's much better, he's gonna be the fearful Fendetestas! He'll spread panic in the woods of his region. But there's a little problem there aren't much people living in his region, everyone knows everyone and everyone is so poor, so is gonna be difficult that someone takes MalvísFendetestas too seriously. This is a magic history, so funny, and full of situations that will make you laugh. It's also full of characters that belong to the Spanish idiosyncrasy the strict priest, the Guardia Civil, the old devout women, the village idiot... there's even a lost soul wandering around the woods. The great Alfredo Landa heads a cast that gathered together the best two generations of Spanish scene from Fernando Rey to Encarna Paso, from Manuel Alexandre to María Isbert... A cast like that would be just unthinkable nowadays. El Bosque Animado was the first movie of José Luis Cuerda's trilogy of rural comedies (after this one he made the surreal Amanece Que No Es Poco, and Así En El Cielo Como En La Tierra. Those are movies so personal that stress the Spanish culture. The young directors should take note of films like El Bosque Animado, instead of trying to be the new enfant terrible and imitating US worst cinema.
