Varrie
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Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns.
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该剧是《欲望都市》(SexandtheCity)的正统前传,故事描述《欲望都市》主人公之一CarrieBradshaw(AnnaSophiaRobb)的高中岁月(上世纪八十年代)--爱情、性、友情、亲情、高中学习和曼哈顿的交际场是她生活的全部。StefaniaOwen扮演Carrie的妹妹Dorrit,14岁的叛逆少女:染了头发,被警察逮捕,而且很善于在别人面前演戏。她所做的一切都是为了获得别人的「关注」,提高自己的影响力。KatieFindlay扮演Carrie年纪最大的好友MaggieLanders,一个典型的小镇女孩,是当地警长的女儿,渴望有一天离开小镇到外面去闯荡,但又不知道自己离开以后能干些什么。EllenWong扮演Carrie的死党JillThompson,人送外号「老鼠」。她对Carrie很忠诚,为人很阳光,也很务实。AustinButler扮演男主人公SebastianKydd,他的到来将搅乱学校里平静的气氛。
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简·西摩
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丹妮尔·瑞恩
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凯文·J·瑞恩
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Ciara O'Callaghan
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斯图尔特·格雷厄姆
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Rohan Nedd
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Rose O'Neill
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Anthony Delaney
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艾米·胡伯曼
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Morgan C. Jones
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保罗·泰来克
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Maghnús Foy
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Conor Lambert
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亚当·弗格斯
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Serena Kennedy
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斯蒂芬·霍根
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Gina Costigan
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Lynette Callaghan
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爱丽丝·麦卡锡
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保罗·雷德
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艾登·奥黑尔
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艾米·德·毕罕
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诺玛·谢汗
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《哈里·怀尔德》是由Acorn TV制作的犯罪悬疑剧集,由艾美奖得主简·西摩饰演哈丽特·怀尔德(Harriet“Harry”Wild),她是一位刚刚退休的英语教授,在成为抢劫案受害者后,她发现自己正处于人生的十字路口,并同意在她的警探儿子家中康复。哈里一到儿子家,就开始干涉儿子的谋杀案调查,她注意到这件谋杀案与一部不起眼的电视剧有相似之处。当她遇到那个抢劫犯费格斯·里德时,哈利没有把他交出来,而是让他成为她的伙伴,然后他们开始抓捕凶手。
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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大卫·格里菲斯
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Judge Foster throws his daughter out because she married a circus man. She leaves her baby girl with Prof. McGargle before she dies. Years later Sally is a dancer with whom Peyton, a son of Judge Foster's friend, falls in love. When Sally is arrested McGargle proves her real parentage.
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理查德·索普
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Waldo and Irene have been living with Margit for the four years that they have been engaged. Margit has planned the wedding and the honeymoon - in fact, Margit plans everything down to what they will have for breakfast every day. The only problem is that Waldo is a milquetoast and Irene does not want to be married to a milquetoast. So she says she is in love with Charlie, a bohemian artistproducer who lives in a trailer behind Spike's Place. When Margit confronts Charlie about giving up Irene, Charlie sees that she is the one for him. To make everyone happy, Charlie will have to help Waldo get a backbone. Written by Tony Fontana {[email protected]}
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
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伊凡·卡普托诺夫
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Ksyushahardlyremembersherfather:hedisappearedwhenshewasstilllittle.Andnow,10yearslater,hisicybodyisfoundinthemountains.Incredibly,heisshowingsignsoflife,eventhoughheisinacoma.Inthisstate,heisbroughthome.Ksyusha'smotherremarriedalongtimeago,andthereturnoftheformerownerdestroysthequietlifeofthefamily:inexplicable...
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劳拉·基奥索内
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InanidyllicTuscantown,BelvedereinChianti,allthewomenaremarriedorlookingfortheperfecthusband,exceptElisa,asinglemotherwhorunsLeGiuggiolevineyard.Thereturntothetownofachildhoodfriendshehadlostsightofforyearsturnsherlifeupsidedownandreawakensfeelingsshethoughthadbeengoneforever.
