Parks
搜索"Parks" ，找到 以下影视作品
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拉蒙·萨拉萨尔
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阿梅利亚·克拉克森
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塞缪尔·安德森
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亚当·那加提斯
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娜塔莉·加文
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Ashna Rabheru
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阿里·坎
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Ellis Howard
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Natalie Blair
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Harry Redding
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Ruaridh Mollica
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Hannah Griffiths
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鲁德·哈利特
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罗宾·卡拉
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查理·希斯科克
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兄弟档Michael及PaulClarkson为BBC3执笔一部8集恐怖剧《红玫瑰RedRose》，剧中一群中学生在夏季时毫无目标﹑方向，此时他们得知一个都市传说「红玫瑰」手机应用程式，它会鼓励你接受越来越危险的挑战。女主RochelleJackson在朋友圈里犹如边缘人，于是天真的她下载了这个APP，这使得镇上发生一连串事情，最终她和朋友们得团结起来对抗这疑似牵涉到超自然的事件。
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布莱德利·詹姆斯
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马丁·桑斯梅耶
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Jose
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Miguel
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Vasquez
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罗斯·安德森
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比利·布里德
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芬尼·卡西迪
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大卫·艾略特
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萨姆·吉斯
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凯欧瓦·高登
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Bryan
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Hibbard
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Pedro
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Leandro
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塔坦卡·米恩斯
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马特·默丘里奥
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Billy
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Rayner
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David
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Shields
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斯蒂芬·博姆
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史丹斯拉夫·卡拉斯
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奥斯卡.卡萨斯
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菲利普·克里斯托弗
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威尔·柯班
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乔·多伊尔
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泰勒·詹姆斯
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迈克尔·兰德斯
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亚伯拉罕·路易斯
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洛娜·麦克法迪
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马格努斯·马里乌森
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艾伦·麦肯纳
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何塞‧帕尔马
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大卫·
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布莱德利·詹姆斯(「梅林」)将主演Netflix新动画剧「束缚者」(The Liberator)。为什么是主演动画！由于拍摄办法较特别,将用Trioscope技巧,将最新的的CG科技联合真人扮演来出现,据称既有动画的视觉俏丽,也有严正题材所需的丰硕人类情绪细节(图2为后果图)。该剧为二战题材,来自实在业绩,詹姆斯扮演第157步卒团的美军军官Felix Sparks,团员多数是牛仔!美领土人!墨西哥/美国人,Sparks就是一个来自亚利桑那的牛仔,故事聚焦他在束缚欧洲的疆场上一段超越500天的路程,从防御意大利开端,到束缚纳粹的达豪会合营。Sparks壮大而满怀悲悯之心,勇于疏忽不关怀部属生逝世!只关怀本人前程的主座。在这500天里,他从少尉升为中校,部下的人也从一个连变为10000多人,是一个出色的“火线引导”人物。 脚本改编自Alex Kershaw的册本「束缚者：一个二兵士兵的500天冒险」,Jeb Stuart(「虎胆龙威」「流亡海角」)任主创!编剧跟履行制造人。共4集,全体由Trioscope技巧的开创人之一Grzegorz Jonkajtys执导。
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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Sparks fly when a dog walker with hidden artistic talent becomes the subject of an art history professor's plans to Impress her employers at an art exhibition.
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well. In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.
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Auniversityprofessor,whoworkswithartificialintelligencelinguisticmodels,beginstosuspect...
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AvirusbreaksoutandachillingmassacreragesthroughthestreetsofMontevideo.Thesickbecomehunters,andonlycalmtheirfeverbyunscrupulouslykillingallthosenotyetinfected.Unawareofthis,IrisandherdaughterspendthedayinthesportsclubwhereIrisworksasasecurityguard.Whenthenightcomesafightwithoutmercyisabouttobegin.Theironlyhopeofsalvationarriveswhentheydiscoverthataftereachattacktheinfectedseemtohave32secondsofpeacebeforechargingagain.
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翠西·西埃
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NewYorksportswriterMackwhospentyearsdevisingsuccessfulhook-up"plays"withbestfriendAdamandcrew,unexpectedlyfallsforoneofthetargetsandlearnswhatittakestogofromsimplyscoringtoplayingforkeeps.
