MP
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彼得·霍尔
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FilminghasstartedonBBCTwo’scriticallyacclaimeddramaTheLastKingdom,fromCarnivalFilms.Thesecondseries,adaptedbyBAFTA-nominatedandRTSaward-winningwriterStephenButchardfromBernardCornwell’sbestsellingseriesofnovels,istoreturntoBBCTwonextyear,withNetflixjoiningasaco-productionpartner.Theemotionallycomplexandcompellinglandscapeofrevenge,rivalry,hostility,corruption,love,sex,loyaltyandfriendship,formsthebackdroptoagrippingadventurebasedonCornwell’snovels,TheLordsOfTheNorthandSwordSong–partofthehugelypopularbestsellingfranchiseTheLastKingdom.Setintheyear878 - thesecondseriesreturnsasfearlessandinstinctivewarriorUhtredcontinueshisfightforhisnativelandofNorthumbria.Uhtred,havinggivenhisswordtoKingAlfred,despitehisupbringingbytheinvadingpaganDanes,embarksonhisvoyagenorthtoreclaimhisownfate:toavengeEarlRagnar’sdeathandrecapturehisancestrallandsofBebbanburg.Alfred’sconvictiontocreateaunitedEnglandisstrongerthanever,andhesetshissightsonthewildlandsofthenorth,whichhavefallenintochaosandrebellion.ItisadangeroustimeforSaxonandDanealike,butAlfredchampionsanewking-aChristianDane-tounitethetribes.However,thiskinghasbeenenslaved,andUhtredbecomesembroiledinarescuemission,whichbringshimfacetofacewithanenemyofold.
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罗伯特·泽米吉斯
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布朗博士（克里斯托弗?洛伊德ChristopherLloyd饰）总是有些稀奇古怪的发明。在一次试验他发明的时光机器时，他找来了忘年交高中生马丁（迈克尔?J?福克斯MichaelJ.Fox饰）。岂料实验过程中博士被歹徒杀害了，马丁慌乱中架着时光机逃跑，回到了30年前。马丁遇到了30年前的父亲乔治（克利斯丁?格拉夫CrispinGlover饰）和母亲洛莲（莉?汤普森LeaThompson饰）。马丁一边找寻30年前的布朗博士，好让自己回到未来；一边尽力撮合乔治和洛莲，以免自己在以后消失了。但乔治为人懦弱，马丁在撮合过程中弄巧成拙让洛莲爱上了自己。还有令人讨厌的贝夫从中作梗，令马丁恼怒不已。马丁周旋在他的双亲之间，还要尽快找到博士，想办法回到未来……
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希提·麦克唐纳
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奥秘博士」（DoctorWho）,是一部由英国播送公司出品的长命英国科幻电视剧。此片描写了一名神奇的名为“博士”（Doctor）的时光领主用他假装成50年月英国警亭的时光呆板塔迪斯（TimeAndRelativeDimension(s)InSpace,时光跟空间绝对维度的缩写）在时光!空间中游览的冒险。他与其错误（companion）在时光!空间中摸索悠游!劝善扬善!挽救文化!赞助强大。奥秘博士第九季：http://www.bbcamerica.com/doctor-who/
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本片改编自著名搞笑科幻动画电视剧《飞出个未来》，讲述了星际快递公司被坏蛋接管，我们可怜的机器人班德落入了歹徒的魔掌，他被迫去帮助他们完成阴谋计划。《飞出个未来》这部动画剧集荣获了多次艾美奖等殊荣，IMDB评分高达9.1分，该剧的制作班底是《辛普森一家/阿森一族》(TheSimpsons)的原班人马。香港曾播出过，港译名为"乃出个未来"。该剧讲述了Fry，一位20世纪的年轻人在30世纪的冒险经历。PhillipFry是一个纽约市的25岁的比萨饼快递员，他的生活就是每天四处奔波，1999年12月21日他偶然的被冰冻了起来,当他醒过来时已是1000年以后，他也有了一个开始新生活的机会。他到行星际快递公司找了一份工作，那个公司主要业务就是为宇宙的各个角落提供现代化的快递包裹服务.他的同事包括快递运输船船长Leela，一个粗暴但可爱的单眼女外星人，还有一个有着很多人类的缺点的机器人Bender。Fry，Leela，Bender，有时再加上Amy和Zoidberg，他们冒着生命危险为宇宙的各个地方快递包裹，有时也为了减税从事一些慈善行动。
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彼得·霍尔
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FilminghasstartedonBBCTwo’scriticallyacclaimeddramaTheLastKingdom,fromCarnivalFilms.Thesecondseries,adaptedbyBAFTA-nominatedandRTSaward-winningwriterStephenButchardfromBernardCornwell’sbestsellingseriesofnovels,istoreturntoBBCTwonextyear,withNetflixjoiningasaco-productionpartner.Theemotionallycomplexandcompellinglandscapeof...
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约翰·休斯顿
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亨弗莱·鲍嘉
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沃尔特·休斯顿
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提姆·霍尔特
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布鲁斯·班尼特
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巴顿·麦克莱恩
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AlfonsoBedoya
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ArturoSotoRangel
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ManuelDondé
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JoséTorvay
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MargaritoLuna
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罗伯特·布莱克
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GuillermoCalles
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RobertoCaedo
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SpencerChan
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杰奎琳·达利娅
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拉尔夫·邓恩
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帕特·弗莱厄蒂
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马丁·加拉拉加
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杰克·霍尔特
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约翰·休斯顿
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JulianRivero
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杰伊·丝沃黑尔
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RaySpiker
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HarryJ.Vejar
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CliftonYoun
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弗雷德（亨弗莱·鲍嘉HumphreyBogart饰）和鲍勃（提姆·霍尔特TimHolt饰）是两名穷困潦倒的流浪汉，一日，在酒吧中，他们从精明智慧的霍华德（沃尔特·休斯顿WalterHuston饰）口中听闻了有关金矿的消息，走投无路的两人打起了淘金的主意，他们谎称是猎人，驻扎在了山上。经历了种种苦难的挫折，幸运的三人找到了金矿。然而，随着金砂数量的增加，原本相互信任的三人之间出现了裂痕。在一次下山采购的过程中，名叫科迪（布鲁斯·班尼特BruceBennett饰）的年轻人发现了他们秘密，跟随而来的科迪表示想要从中分一杯羹，三人决定杀之而后快。就在这个节骨眼上，一群土匪开始向山上进发，他们想要的是这三个“猎人”狩猎得到的“兽皮”。在种种阴谋和贪婪本性的趋势下，本来有着美好前景的三人走向的破灭的结局。
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Setin790AD,VikinganefeaturesthedailychallengesofpeoplelivinginasmallVikingvillage,frompowerstruggle,brotherrivalry,genderequality,tobetrayalandfriendship."It’sthestoryofpeoplefromourtime,butlivingduringtheVikingera.Ofcourseeverydaychoiceshavefarmoredramaticconsequencesandthatmakesforgreatcomedymaterial.
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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兰德尔·赖特
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The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael. Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism. As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.
