Parro

A Savage beast, grown to monstrous size and driven mad by toxic wastes that are poisoning the waters, spreads terror and death on a Maine countryside.

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

富顿教授（加里·格兰特CaryGrant饰）是一位科学家，正在研究一种能够让人返老还童的神奇药物。某一天，富顿用来试验药物的黑猩猩从笼子里逃了出来，在实验室里“大闹天宫”，没想到竟然在误打误撞之下将富顿一直想要研制但始终没有成功的神药给捣鼓了出来。对此一无所知的富顿在偶然间喝下了这种药物，很快，药效便发挥了作用，富顿一反常态，言行举止俨然一幅二十岁小伙子的模样。秘书路易斯（玛丽莲·梦露MarilynMonroe饰）前来拜访富顿教授，没想到却被他邀请去游泳、溜冰。之后，富顿的妻子爱德华（金格尔·罗杰斯GingerRogers饰）亦误食了药物，一连串让人忍俊不禁的趣事就此展开。

ComedyandHorroruniteinthis"TheBreakfastClub"meets"ShaunoftheDead"taleaboutagroupofoddballhighschoolstudentswhofindthemselvestrappedindetentionwiththeirclassmateshavingturnedintoahordeofZombies.Cantheyputtheirdifferencesasideandworktogethertosurvivethenight?Fatchance!ThisisHighSchoolafterall.

九岁的小女孩玛丽（艾丽·范宁ElleFanning饰）拥有锦衣玉食的生活，却缺乏父母的陪伴。圣诞节前夜，玛丽收到了叔叔送来的一份珍贵礼物——一个装木偶的小房子和一只胡桃夹子。喜出望外的玛丽将胡桃夹子视作自己的知心伙伴，竟意外地发现它会说话，并声称自己名叫NC（查理·罗CharlieRowe饰），是玩具王国的王子，然而在一场噩梦中，美好的王国被凶残的鼠王（约翰·特托罗JohnTurturro饰）占领了，他还将王子变成一只木偶永远驱逐出境，只有找到真正相信童话的人才能解除咒语。在雪仙子（朱莉娅·维斯托斯卡亚YuliyaVysotskaya饰）的指引下，玛丽帮NC恢复了肉身，并勇敢地答应与他一起回王国打败鼠王，解放子民。然而，这两个毫无武力只有一颗纯真之心的孩子，能否对抗整支血腥残暴的老鼠大军和卑鄙狡猾的鼠王呢？片中歌曲多数改编自...

TakingplacealmostentirelyinEurope,Season3ofAtlantafinds“Earn”(DonaldGlover),“Alfred‘PaperBoi’Miles”(BrianTyreeHenry),“Darius”(LaKeithStanfield)and“Van”(ZazieBeetz)inthemidstofasuccessfulEuropeantour,asthegroupnavigatestheirnewsurroundingsasoutsiders,andstruggletoadjusttothenewfoundsuccesstheyhadaspiredto.DonaldGloverservesasExecutiveProducer,alongwithStephenGlover,HiroMurai,StefaniRobinson,PaulSimmsandDianneMcGunigle.AtlantaisproducedbyFXProductions.

ScarePackageII:RadChad’sRevengeimmediatelyfollowstheeventsoftheoriginalwiththesurvivorsattendingthefuneralof“RadChad”Buckley,whichquicklydevolvesintoanelaborateseriesofdeathtrapscenteredaroundChad’sfavoritefilms,forcingthegueststobandtogetherandusetherulesofhorrortosurvivethebloodygame.

A special operations unit races to find and prevent the construction of a devastating micro nuclear device created by a group of radical mercenaries whose political beliefs blur the line between terrorist and revolutionary.

由《权力的游戏》中“红毒蛇”奥柏伦马泰尔的演员PedroPascal主演的喜剧恐怖电影Anaction-packedhorrorcomedy,BloodsuckingBastardsstarsFranKranzasEvan,adutifulandoverworkedemployeestuckatasoul-killingcorporationwithhisbeautifulco-workerandgirlfriendAmanda(EmmaFitzpatrick)andhisslackerbestfriendTim(JoeyKern).EvansworldbeginstocrumblewhenAmandadumpshimandhisbossTed(JoelMurray)handshiscovetedpromotiontohisnemesisMax(PedroPascal).Whenhisofficematesstartgoingthroughdisturbingchanges,Evanmustfindawaytostoptheevilbrewingadmistthecubicles,andrescuehisworkplacepalsbeforehislifeandcareergofromdead-end...tojustdead.

在俄国革命的余波中，AlexanderRostov伯爵发现自己光鲜亮丽的过去将他置于历史的错误面。没有被立刻处决的他，被苏联革命法庭放逐到了大都会酒店的阁楼中，如果他再次踏足户外，将面临死亡。时光流逝，酒店外的俄国经历了最动荡的几十年，而Rostov所处的受限境遇，则让他的精神得以进入一个更为广阔的天地。随着他在酒店内建立起新生活，Rostov发现了友情、家人和爱的真正价值。