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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

Whengo-godancerLucíanicksafortuneindesignerdrugsfromhermafiaemployers,themobsters’doggedpursuitforceshertoseeksanctuarywithherestrangedsisterRocíoandnieceAlbain“TheVenus,”adecrepitapartmentcomplexontheoutskirtsofMadrid.Asterrible,rotten,no-goodluckwouldhaveit,LucíasoonfindsherselfsoleguardiantolittleAlbaafterRocíosuddenlyfliestheconcretecoop,unabletohandlethesupernaturalstressoflivinginamonoliththatisapparentlyalsohosttoamalignantevil—onethatinvadesitstenants’wakingnightmares.TakingafewcuesfromH.P.Lovecraft’s“TheDreamsintheWitchHouse,”"Venus"pilesonthebloodandbombshellslikeadoublebillof"Demons2"and"TheSentinel".源自：https://poff.ee/en/film/venus/

ThispowerfulwesternstarringPeterFacinelli(Twilightfranchise)showswhathappenswhenyoupushagoodmantoofar.BrittMacMasters,aU.S.Marshal,returnsfromamissiontofindhisfather(TomSkerritt)woundedandhisson,Chad,kidnappedbytheoutlawJedBlake.Hotontheirtrail,BrittformsapossewithagunslingingdeputyandastoicPawneetracker.ButbothJed...

担任治疗地球的异天下“疗愈花圃”被妄图用疾病腐蚀地球的朋友“病幻者”袭击而堕入危急,地球亦堕入危急之中。 为了拯救这个危急,顺遂逃脱的3只“地球大夫见习生”的“疗愈植物”们,带着藏有奥秘气力的疗愈花圃的公主拉特,正在前往寻觅拍挡。 三名一般美女先后碰到“疗愈植物”,变身成光之美女,向“病幻者”宣战。 感到到“病幻者”的袭击而得到生气的拉特,主要的地球,另有在这里成长的所有性命,抱持掩护这所有的情感的光之美女,当初,把治疗地球的气力联合起来吧。 那开端吧。光之美女的作战。

Whenherbabysittingbusinesstakesahit,Skippertakesasummerjobatthewaterpark.Hereshecanquicklyputherskillsasanannytogooduse.

申河均，韩志旼，李姃垠，郑进永确定合作主演TVING原创新剧《Yonder》。该剧改编自小说《Goodbye，Yonder》，以2040年代Ubiquitous环境下的韩国大都市为背景。男主的妻子因为癌症去世，沉浸在丧妻的悲痛中的他突然收到一封邮件，之后决定舍弃自己的躯体，前往能和妻子再在一起生活的Yonder。“Yonder”是指不死永生的世界，该剧将通过Yonder讲述永生与死亡、记忆与忘却、幸福与不幸的真谛。申河均剧中饰演妻子过世后一个人活着虚无的生活的记者一角，然后偶然契机下他收到一封邮件，可以见到亡妻，之后他陷入混乱之中。韩志旼剧中饰演男主亡妻一角。在决定安乐死之前她签下一个疑问的合约，之后将男主引领到yonder之中。李姃垠剧中饰演招待人们来到未知空间yonder的运营者一角。郑进永剧中饰演研究死亡的脑学专家一角由《王的男...

杰弗里·迪恩·摩根(《行尸走肉》)、法米克·詹森([x战警]、[飓风营救])将共同出演全新影片[明信片杀戮]，该片由雅努什·卡明斯基执导，改编自詹姆斯·帕特森、丽莎·马克伦德的原著小说。故事讲述纽约侦探(摩根饰)的女儿和女婿在伦敦遭遇残忍杀害，而这让他的生活陷入混乱，就此他开始展开调查，而每到一个地方，他都将类似谋杀案以明信片形式寄给一名记者。片中法米克·詹森扮演其妻子。杰米·布莱克利也加盟该片。GoodFilmsCollective制作发行影片，影片预计明年上映。

Good Deed拿下报告奥黛丽·赫本的记录片[奥黛丽](Audrey,暂译)北美刊行权。该片由海伦娜·科恩([臻于至善])执导,Salon Pictures制造。影片报告奥黛丽隐蔽在完善表面下的悲伤故事,同时也将记载她怎样跟随本人的心坎分开了好莱坞,在人性主义的任务上寻觅到真正的豪情以及碰到她将陪同渡过余生的男子。影片将包含大批视听的资料及访谈。[奥黛丽]将于2020年登岸北美院线。

Entertaining thriller about the perfect girl next door. Beautiful, friendly and a devout churchgoer, she believes in always doing good. but underneath the pleasant exterior is a ruthless woman, determined to get the lifestyle she thinks she deserves.

该剧是讲述好不容易在国情院保住饭碗的大妈们，偶然被抽选成为情报员，伪装潜入现场而展开的动作喜剧。崔江熙将在剧中饰演白灿美（伪装名：白章美），她原本是传奇的秘密特工，实力超群但性格最糟，是后辈们最想避开的对象，也是最年轻的组长。在某次行动中不仅部下死了，还让犯人逃走了，之后她就在国情院网络安全组里以“核弹两人炸鸡”的ID每天平均发表250条以上的评论。她原本已经死心认为自己再也不能回到现场，但某一天突然接到现场出动的命令。由《姐姐风采依旧》《上流社会》崔英勋PD执导，2016年MBC下半期剧本公募优秀奖获奖者朴智河编剧执笔，预计下半年播出。