High
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《杀戮一代》是以2003年伊拉克战争为题材电视连续短剧，改编自EvanWright的同名原著。这部系列剧将于2008年7月在HBO频道播出，片长七小时，制作团队是DavidSimon,EdBurns,NinaK.Noble,AndreaCalderwood,GeorgeFaber和CharlesPattinson。同名小说《杀戮一代》（2004）是一本由滚石杂志的记者EvanWright根据亲身经历编写的自传，讲述了他身为深入战区的记者，跟随美国海军陆战队第一远征军参与了2003年伊拉克战争的经历。他对海军陆战队生活的阐述最早是在2003年秋天，由滚石杂志分三期连载出版。系列的开篇《杀手精英》，在2004年荣获全国杂志奖的最佳报道奖。
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故事发生在17世纪，传说中海盗最为活跃的加勒比海。风趣迷人的杰克·斯伯洛（约翰尼·德普JohnnyDepp饰），是活跃在加勒比海上的海盗，拥有属于自己的“黑珍珠”号海盗船。对他来说，最惬意的生活就是驾驶着“黑珍珠”号在加勒比海上游荡，自由自在的打劫过往船只。但不幸的是，他的仇敌，老谋深算的巴尔巴罗萨船长(杰弗里·拉什GeoffreyRush饰)偷走了他的“黑珍珠”号。巴伯萨是一个无恶不作的坏蛋，他抢劫了杰克的"黑珍珠号"后，更加猖狂，在加勒比海上横行霸道，一时成为整个加勒比海的霸主。一次，巴伯萨一伙袭击了罗亚尔港小镇，还绑架了总督的女儿伊莉莎白·斯万(凯拉·奈特莉KeiraKnightley饰)和伊莉莎白青梅竹马的铁匠学徒威尔·特纳（奥兰多·布鲁姆OrlandoBloom饰），想方设法救出了狱中的船长杰克，偷来英国皇家舰队最快的"拦截号"军舰迅速向"黑珍珠"追去。在打斗中，威尔和杰克发现，巴尔巴罗萨和他的海盗们身背着咒语，在每一个月光之夜，他们就变成了不死骷髅，而伊莉莎白正是解开咒语的关键。
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Netflix为喜剧《Atypical》开绿灯，本剧由RobiaRashid和SethGordon制作执导，JenniferJasonLeigh、KeirGilchrist和MichaelRapaport加盟出演，将于今年晚些时候在洛杉矶开始制作。本剧由Rashid创作编剧18岁的自闭症患者Sam（Gilchrist饰）找寻爱和独立的故事。他有趣但痛苦的自我发现之旅让他的家庭重新思考人生：什么才叫正常？Leigh饰演他的母亲Elsa，她也在她的自我发现旅途中；Rapaport饰演他的父亲Doug。BrigetteLundy-Paine饰演Sam的妹妹Casey，AmyOkuda饰演Sam的治疗师Julia。Gordon将执导本剧的第一集，也将和Rashid及MaryRohlich一起担任执行制片人。
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THEFRENCHDROP—Investigatingasuspiciousdeath,FoylegetscaughtupintherivalrybetweentheestablishedspyagencyMI5andthenewlycreatedSOE.ENEMYFIRE—Sabotage,murder,andadulteryatapioneeringRAFhospitalbringsFoylefacetofacewiththedevastatingphysicalandemotionalconsequencesofwar.THEYFOUGHTINTHEFIELDS—Amurderedfarmerandthecrashlanding...
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虽然新东西层出不穷，但总有人怀旧，一些有历史的作品仍然会被时不时提起，甚至有些作品会以重制版和复刻版的形式再度出现在新一代的玩家面前。如果你想了解或重温现代电子游戏的起源和发展，Netflix的新纪录片《HighScore》应该值得期待。纪录片将致力于展现上世纪90年代游戏的“黄金时代”，其中会提及玩家们耳熟能详的任天堂、世嘉、《太空侵略者》《最终幻想》《街头霸王2》《真人快打》等。创作这些划时代作品的计算机高手与艺术家也会出镜，讲述创造力是如何相互融合，几乎在偶然间建立了电子游戏这一产业。
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列维·施瑞博尔
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名义下去看,雷（列维·施瑞博尔LievSchreiber饰）是一个一般的中年男子,现实上,他从事着一份布满了安慰跟伤害的奥秘任务——替下流社会的各路名流雅士处理他们“不克不及说的费事”。在客户们眼中,雷是无所不克不及的天主,但是雷呢,只管处理过种种百般的“疑问杂症”,但他一直无奈“医治”本人的生涯。雷的父亲麦克（强·沃特JonVoight饰）刚从牢狱里出来,他的家人跟社会可以宽容的接收这个看起来有些玩世不恭的老头子吗！身为雷的老婆,艾比（葆拉·马尔科姆森PaulaMalcomson饰）对老公的奇迹跟本人的身份又抱有着怎么的疑惑呢！另有雷的一双后代布莱恩特（凯莉丝·多西KerrisDorsey饰）跟康纳（DevonBagby饰）,他们亦有各自的烦苦衷儿。
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彼得·霍尔
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FilminghasstartedonBBCTwo’scriticallyacclaimeddramaTheLastKingdom,fromCarnivalFilms.Thesecondseries,adaptedbyBAFTA-nominatedandRTSaward-winningwriterStephenButchardfromBernardCornwell’sbestsellingseriesofnovels,istoreturntoBBCTwonextyear,withNetflixjoiningasaco-productionpartner.Theemotionallycomplexandcompellinglandscapeof...
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理查德·阿滕伯勒
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本片记录了印度圣雄甘地史诗般传奇伟大的一生。1893年，24岁的甘地（本•金斯利 Ben Kingsley 饰）受邀前往南非任律师职，决心在当地带领印度移民开展非暴力不合作的抗议活动，并因此入狱。出狱后甘地回到祖国，在三八朗地区建立了高僧修行所，加入了国大党领导的印度独立运动，宣传非暴力不合作的斗争理念。运动中甘地曾四次入狱；在其不懈努力及国大党的带领下，印度独立终于提上议事日程，甘地也于1931年赴伦敦参加商讨独立的圆桌会议。然而随着独立的临近，印度国内穆斯林与印度教人民之间的宗教矛盾日益突出，甘地的非暴力不合作理念又面临着更为严峻的新挑战…… 本片获1982年奥斯卡最佳影片，最佳导演（理查德•阿滕伯勒Richard Attenborough），最佳男演员（本•金斯利），最佳原创剧本，最佳艺术指导，最佳摄影，最佳服装设计和最佳剪辑共八项大奖，并获奥斯卡最佳化妆，最佳电影音乐和最佳音效三项提名。
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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兰德尔·赖特
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The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael. Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism. As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.
