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Freeform将推出一部限定剧"LoveintheTimeofCorona"。两对现实里的夫妻演员小莱斯利·奥多姆(《汉密尔顿》)&NicoletteRobinson(《婚外情事》)、吉尔·贝罗斯(《爱国者》)&莱亚·吉斯特德(《密西西比》)和女儿AvaBellows出演，还有汤米·多夫曼(《十三个原因》)、蕾妮·库尔蕾(《女性》)、L.ScottCaldwell(《迷失》)等。JoannaJohnson(《寄养一家》)任主创。该剧本周开始在演员们家中隔空录制，共4集，将以4个互相交叉的故事，探索在疫情隔离时期人与人之间的爱和联结。比如奥多姆和Robinson饰演一对夫妻，因为丈夫经常出长差而妻子在家带女儿，两人此前差不多算是分开生活。但因为疫情，两人必须开始在同一屋檐下过日子，他们也不得不重新评估这段关系和自己心目中最重要的...

JamesPurefoystarsasWilliamTravers,acriminalbarristerwhoisrecoveringfromatraumaticseriesofeventsthathaveshakenhisbeliefinthelegalsystem.Onthesurface,Traversisapictureofsuccess;anaccomplishedcriminalbarristerhappilylivingwithhiswife(playedbyDervlaKirwan)inruralSuffolk.However,Traversisstillrecoveringfromeventsinhispastwhenheisdrawnintoacasethatin册veshisoldfriendMartinNewall(NathanielParker),whofacesconspiracyandmurderchargeswhileatthesametimebeinginvestigatedbyaviciousandvengefuldetectiveDSMarkWenborn(CreedMiles).Thefive-partseriesfromacclaimedwriterAnthonyHorowitz(Collision,Foyle’sWar)isastoryoffriendship,conspiracy,betrayalandmurderaswellasacriticallookatthewaythelegalsystemoperates.

不出所料，Lifetime电视网近日宣布续订旗下热门剧集《美女上错身》（DropDeadDiva）第四季，据悉，该剧第四季依然是13集，将于2012年夏季如期回归。《美女上错身》在播第三季保持了良好的收视态势，平均每集约吸引230万观众。“《美女上错身》是Lifetime电视网上非常了不起的剧集，希望明年能继续给观众带来欢乐和感动，”Lifetime电视网总裁NancyDubuc在一份声明中说道，“我们非常高兴能够再续订一季。”

FoxandRabbitliveineverlastingconflict.Oneday,however,theyvegottostandunitedagainstanevenstrongeropponentwhothreatensthemboth.OnethingleadstoanotherandthetimeofrevengehascomeforthefeebleBird,whohasbeenharmedandmockedbyeveryone.

　　To try and overcome a lifetime of bitterness and resentment, an older lady decides to climb a mountain in Scotland.

“每一天，年轻的女孩子们都在被买卖着”。这是出现在本片的预告片中的第一句话。这是真的，这也正是这部由lifetimenetwork出品的电影所要讲述的，试图告诉人们现代奴隶活动的真相。影片展示了女性是如何被当作发物品来对待的，她们既是发泄性欲的对象也是交易的物品。影片同时也揭示了这些受害者离我们是多么的近。而且更为可怕的是——这整个组织中的参与者可能是你的邻居、医生、孩子的老师……而我们，作为社会的一员，也应该为人口贩卖负责！如果你想睁大双眼看到一个真实的世界，那么本片就是为你而拍的。唐纳德·萨瑟兰(DonaldSutherland)——第63届金球奖电视电影系列短剧最佳男演员提名。

长久以来，西奥（约根·沃格尔JürgenVogel饰）都饱受着生理上的折磨，对于性无限制的渴求甚至让他犯下了严重的罪行，当这种渴求到达了病态的程度后，西奥被送往了一家精神病院接受治疗。九年后，从医院里走出来的西奥俨然成为了一个“正常人”，但内心的痛苦和无法摆脱的过去依旧折磨着这个可怜的男人。医院里的治疗让西奥变成了一个没有欲望的人，而就在这时，女孩奈特西（莎宾·蒂莫提欧SabineTimoteo饰）出现在了他的身边。奈特西的身世十分复杂，两个饱经风霜的人渐渐走到了一起。然而，对于两人来说，家庭生活是一个极大的考验，当一切卷土重来时，他们还能够坚持自己的感情吗？

Lifetime预订Global的六集安乐死题材的剧集《MaryKillsPeople》，CarolineDhavernas担任主演。本剧由Tarameijubar.netArmstrong创作并参与联合制作，讲述了白天担任急诊室医生的单身母亲MaryHarris（Dhavernas饰），在晚上她兼职成为地下“死亡天使”，帮助重病症末期的病人依照他们的意愿结束他们的生命。长久以来Mary已经能够做到兼职时不被人发现，但是死亡太多，生意越来越红火，他她的双面生活也越来越复杂艰辛。当她的世界开始公诸于世时，她意识到如果她还想干这份工作，就要背水一战。JayRyan、RichardShort、LyriqBent、GregBryk和CharlotteSullivan也将参演。

《美女上错身》（DropDeadDiva）迎来一则好消息。虽然Lifetime台在年初决定取消该剧，但近日该台已经改变想法，续订第五季。早前制作室和电视台就第五季削减资金问题形成纠纷，现在双方已经达成了协议。志气高昂的模特死后被困到了胖胖律师简的身体里，故事围绕简的律师生涯展开。《美女上错身》第四季结局收视率创造全剧新高，达到276万。该集以一个重大转折收场，简的未婚夫去世，简真实的灵魂回到其未婚夫的身体里。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.