Yaffe
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托德·格拉夫
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故事发生在位于佐治亚州的帕萨豪小镇，当地教堂的唱诗班即将去参加一个名为“快乐噪音”的全国性比赛，可是，就在这个节骨眼上，唱诗班的总指挥却猝死了，失去了指挥的领导，整个唱诗班都走到了濒临崩溃的边缘。教会指派名叫罗斯（奎恩·拉提法 Queen Latifah 饰）女子成为了唱诗班的新指挥，罗斯是一个非常古板的人，希望所有的事情都能按照常规发生，而总指挥的遗孀斯派洛（多莉·帕顿 Dolly Parton 饰）却并不这么认为，她觉得唱诗班应该由她接手，并且应该尝试新的风格。 斯派洛的孙子伯纳德（克里斯·克里斯托佛森 Kris Kristofferson 饰）爱上了罗斯的女儿奥莉薇亚（柯柯·帕尔莫 Keke Palmer 饰），这更加激化了两个女人之间的矛盾。
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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广濑贵士
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Constantlyonthehuntandsufferingfromhallucinationsthatdrivehisviolentnature,anunnamedmaniscapturingwomenandsavagelybeatingthemtodeath.Meanwhile,awomanisluringmenintoaviolentend,bywayofherknife.Drivenbythesameforcetomaketheoppositesexsuffer,thekillers’fatesintertwine.Thetwomustfaceoffinabattletothedeath,inwhichtheyareforcedtorevealthehorribletruthbehindtheiraddictiontomurder.“Brutal”takesaninterestingapproachtoitsvisuals,drawingheavyinfluencefromWestern“Grindhouse”films,usingafiltertomakethefootageappeargrainy,damaged,andwithlightandcolorfluctuations.Unfortunately,thevisualstylingendsupfeelingmisguided,asotherthanapplyingthefilteritdoesnotimitateanyotheraspectsofthe“Grindhouse”genre.Despitetryingtodirtyupthefilm,itisapparentitwasshotondigital.Thecinematographyisalsoastepabovemost“Grindhouse”productions,withTakashiHiroseprovinghehastalentbehindthecamera.Exteriorshotstothosetakingplaceinsmallspacesareallcompetentlyframed,lit,andtransitionwell.Thedecisiontoaddaneffectontopoftheworkhurtsthefilm’simageryandevengivesasenseofdesperationtotrytocaptureacertaintypeofnostalgiawiththeaudience,insteadofrelyingonitsownstrengths.Itisunfortunatewhenonecreativechoicecanhurtaproductionsomuch.Thestoryof“Brutal”issimplebuteffective,itdoesattemptsomesortofsocialcommentaryabouttheviolentnatureofmenandwomen,butitdoesnotofferenoughdepthintothesubjecttojustifytheamountofviolenceondisplay.Thefilmdoesendonastrongnotewithaninterestingtwist,witharevealthatisboundtogrosssomeout,whilegivingothersachuckle.Inspiteofitssimplenature,thosewhoenjoyfilmsthatmakethemsomewhatuncomfortableandenjoythechallengeofgettingthroughsomeultra-violence,“Brutal”posesafunandentertainingchallengeinthatregard.
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珍妮弗·里德
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Kate
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Arrington
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Tony
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Fitzpatrick
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Tim
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Hopper
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Marika
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Engelhardt
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James
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Vincent
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Meredith
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Robert
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T.
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Cunningham
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玛里琳·多兹·弗兰克
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蒂·奥尔温
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Audrey
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Francis
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Raven
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Whitley
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"Knives and Skin" is a mystical teen noir that follows a young girl's disappearance in the rural Midwest and its effect on teens and parents.
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泰剧爱情效应是根据泰国网络小说《TheEffect》改编而成。Keng是这所学校里人见人爱花见花开的大帅哥，不仅学习厉害各方面都非常优秀。Chin是一个不善于交谈的大一新生，经常最好的朋友Pramote待在一起。突然有一天Chin不小心撞到了Keng，当他和他相遇之后，两人之间多次的相见让他们很快的有了好感，但是偶然的间他们相依相偎的照片被上传到网络之后，一瞬间都在讨论Chin和Keng的事情，网络的暴力让Chin无法承受，所以决定和Keng分手，但是Keng非常的喜欢Chin所有在情急之下Keng就把Chin给强奸了，他们的爱情看似非常的偶然，其实他们是双向暗恋哟，他们的爱情虽然坎坷备受网友的质疑，他们的爱情能否不顾世俗的眼光而成功走向胜利吗？这个8月敬请期待……
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Thisstoryisaboutamusician,Natalie,whomovestoabigcityandtriesherluckatbecomingfamous.Andhereshefindsnotonlyagreatopportunityforhercareer,butalsoanewlovewithanothergirl,Anna.Theytwoareverydifferent:onepoor,theotheroneisrich,oneofthemwritesmusicandsings,theotheronecannothearorspeak…Theyareunitedbyloveforeachother,buttheirownfearsstandinthewayoftheirhappiness.Theybothgothroughdoubtsandpain.Whentheyfinallyfindcourageintheirhearts,itseemslikeitstoolate…Butdoestruelovehavetimelimits?HISTORYTheproposedfilmisbasedonshortfilmILOVEHER(2013).Thefilmparticipatedinsuchfilmfestivalsas:Frameline39,SanFranciscoInternationalLGBTQFilmFestival,MIXCOPENHAGEN,FestivalInternationalEntr2Marches(Cannesfilmfestival),BostonLGBTFilmFestival,TheBarcelonaInternationalLGTIBFilmFestival.//ThefilmalsoparticipatedinfilmfestivalsheldinMadrid,Paris,Seattle,Boston,London,Hamburg.Inwholethefilmparticipatedin28filmfestivalsof12countries(France,USA,Canada,Switzerland,Germany,Serbia,LatinAmerica,Turkey)and3continents(Europe,America,Asia).
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Firenze's leading, very wealthy jewelers family heir Francesco Sabrini received a cryptic death treat on the back of a renaissance painting in their private attic collection. A masterly forgery was offered in Fabio Milus's Roman auction house, but German-born art expert Susanna Noll kept it back for investigation in he artist's home city, Florence, to consult her art history mentor, professor Andreas von Weissenfels. There she stays with friend Elisabeth Lanzi, who introduces here to Francesco and his family. During their research, which unearths modern crime with a link to a Renaissance-rumored fratricide, initially secretive Francesco and Susanna become lovers
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李率熙
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The life of Moonjung, the main character of Greenhouse, is not happy. She suffers from a psychological disorder, her young son is locked up in a juvenile detention center, and since she has no home, she lives in a greenhouse. She sometimes sees a man, but she’s not sure if she really loves him. However, since she is nice and sincere, she works as a caregiver for an elderly coup...
