Gro
搜索"Gro" ，找到 以下影视作品
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Episode1-TheEternityRingMI5suspectsBritishatomicresearchhasbeeninfiltrated,andaskFoyletoinvestigatewhetheraRussianspynetworkcouldbeatworkintheheartofLondon.Episode2-TheCageFoyle’sinvestigationintothedeathofanamelessRussianleadstoamysteriousmilitaryfacilityandthediscoverythatthevictimwasaspywithdangerousconnectionstoBritishintelligence.Episode3-SunflowerProfessorPeterVanHarengivesalecturetoagroupofstudentsontheself-portraitsoftheartistRembrandtandcausesayoungmantosufferafrighteningflashbackwhichendsintragedy.
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奥斯卡·米绍
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Abandoned by her fiancé, an educated negro woman with a shocking past dedicates herself to helping a near bankrupt school for impoverished negro youths. Within Our Gates was created in response to The Birth of a Nation which depicted southern whites in need of the Ku Klux Klan to protect them from blood thirsty blacks. Micheaux shows the reality of Dixie racism in 1920, where a black man could be lynched for being in the wrong place at the wrong time.
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卡洛斯·康塞桑
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约翰·尤海斯
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安娜贝拉·莫雷拉
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米格尔·阿莫里姆
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Ivo
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Arroja
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André
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Cabral
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Jo?o
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Cachola
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Vicente
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Gil
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Diogo
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Nobre
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Gustavo
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Sumpta
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Sílvio
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Vieira
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Ulé
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Baldé
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Meirinho
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Mendes
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里诺尔·森微娜
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Leonor
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Silveira
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Angelina
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Gonga
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Agostinho
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Candongo
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Madaleno
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Cape
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Djucu
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Dabó
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Milagre
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Janeth
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de
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Jesus
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Silvio
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In1974,thePortugueseandtheirdescendantsfledAngolawherenationalistgroupsgraduallyclaimedtheirterritoryback.AtribalgirldiscoversloveanddeathwhenherpathcrossesthatofaPortuguesesoldier.Then,aPortuguesesquadisbarrackedinsideawallfromwhichtheywillhavetoescapeoncethepastcomesoutofthegravetoclaimitslong-awaitedjustice.
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Polish comedy of 1971, the species 'crazy'. In a September, the Monday (and exactly 15 September), a group of residents and visitors struggling with adversity. Despite the light of criticism of Polish reality, expressed in a typical director Tadeusz Chmielewski surreal way, the movie is laurk? for Warsaw, full of optimism, nicely showing her beautiful places.
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Hodjaisadreamer.Hewantstoexperiencetheworld,buthisfatherinsistshestayshomeandtakesoverthefamily’stailorshop.Fortunately,HodjameetstheoldrugmerchantElFaza,whogiveshimaflyingcarpet.Inexchangehehastobringtheoldman’slittlegranddaughter,Diamond,backtoPjort.ElFazacan’ttraveltotheSultancityhimself,asthemightyrulerhasimposedadeathsentenceonElFaza,onthegroundsthathehasstolentheSultan’scarpet.However,citylifeisn’tquitewhatHodjaexpected,andheonlysurvivesbecauseofEmerald,apoorbutstreetsmartgirl,whoteacheshimhowtomanageinthebigworld.ButwhenHodjaloseshiscarpettothepower-hungrysultan,hisluckseemstorunout.Willhecompletehismission,findElFaza’sgranddaughterandreturnsafelybacktoPjort?
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While on the search of a fleeing felon, a group of bounty hunters head into a vast New England forest in hopes to capture this dangerous man. While on the trail of their quarry, the group encounters more than just a murderer on the run when they are confronted with a seemingly endless horde of the undead. With no shelter, no help and no end to the carnage, survival seems hopeless.
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Since 1977 - Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977 - Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 - Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 - to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.
