Cable
搜索"Cable" ，找到 以下影视作品
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比莉·派佩
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Mandyisamother,awriter,anihilist.Mandyisamodernwomaninacrisis.Raisingasoninthemidstofafemalerevolution,miningthepainofherparents’separationandprofessionallywritingaboutalovethatnolongerexists,shefallsuponatroubledman,Pete,who’ssearchingforasenseofworth,belongingand‘restored’Maleidentity.
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拉法洛·马塔拉佐
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LivingwithherfatherandstepmotherinNaples,Annaisveryunhappyasherstepmotherhindersherattemptstoliveherownlife.Whileherparentsareaway,shegoesoutwithCarlo,butfindsherselflockedoutwhenshecomeshome.ThisangersCarloandheasksAnnatogoawaywithhimtoRome,whereheplanstoliquidatehisbusinessassetsinordertohavemoneyformarriage.Hequarrelswithhispartnerandisimplicatedwhenhispartnerisfoundmurdered.Althoughinnocent,heisconvictedandgivenalongsentence.Annahasachildand,findingitimpossibletosupportherchild,returnstoNaples.Thestepmother’sconditionsarethatbeforeshewillagreetohousethechild,Annamustcommitherselftoareformatoryforunmarriedmothers.
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让-帕斯卡尔·扎迪
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卡洛琳·安格鲁德
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Fary
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Tonton Marcel
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Juliette Fiévet
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利利安·图拉姆
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Pascal Cefran
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Fif Tobossi
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Frédéric Venant
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Maboula Soumahoro
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克劳迪娅·塔格博
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Hervé Dandrieux
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Amilcar Zadi
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Nicolas Danzin
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Cyril Hanouna
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JP, un acteur raté de 40 - ans, décide d’organiser la première grosse marche de contestation noire en France, mais ses rencontres, souvent burlesques, avec des personnalités influentes de la communauté et le soutien intéressé qu’il reçoit de Fary, le font osciller entre envie d’être sur le devant de la scène et véritable engagement militant...
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SarahStern
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理查德·贝里
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卡瑟琳·雅各布
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阿里耶·埃尔马莱
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茱莉亚·皮亚彤
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MarinaTomé
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LouiseSzpindel
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SophieMounicot
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料内尔·林格赛
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Sarah
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Stern
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塔蒂亚娜·罗乔
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Director/co-writerMyriamAzizasqueerromanticcomedyfeaturesaFrenchwoman(SarahStern)attemptingtocomeoutasalesbiantoherconservativeJewishfamily.HerlongtermrelationshipwithherpartneristhreatenedbyherinexplicableattractiontoamaleSenegalesechef(Jean-ChristopheFolly).
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桑尼·墨海
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Ellie, a recovering drug addict, has just moved to a new city with her two teenage children. She has struggled to stay sober in the past and is determined to make it work this time, finding a stable job and regularly attending her meetings. Unfortunately, new friends, a new job, and the chance of a new life, can't keep Ellie from slipping once again. Her life changes when she meets Christopher - a different kind of addict - which forces her daughter and son to accept a new version of Ellie.
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内详
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Theworstwitch跟哈利波特一样也是小说改编拍出来的电视剧。这本书比哈利波特要早良久,也有人说过这本书也可能是罗琳写哈利波特系列可能参考过的小说之一。假如由于「哈利波特」拍成了片子长度上不敷过瘾,「wizardsofwaverlyplace」太甚都市校园不敷原始,「Theworstwitch」也是不错的挑选。JillMurphy所著的「theworstwitch」也已经是罗琳的「HarryPotter」系列出书前最滞销的魔幻小说之一。纵览一下,不难发明此中的类似之处。好比该书的女配角MildredHubble出自平常家庭刚入校就碰见她的宿敌——巫师家庭出生的EthelHallow。校内有对Mildred异常严格的女传授MissHardbroom就像斯内普,而跟气可亲的传授院长MissCackle就像邓布利多。固然Mildred也有两个好友人MaudMoonshine,RubyCherrytree。她们每次都市帮她渡过难关。这里是女巫学院,不男先生。她们同样接收飞天扫帚课程,魔咒课,魔药课……一样要经由过程巫师品级测验。Mildred尽力的想要成为一个精彩的女巫,她的发明力跟信念就是她的气力,只管因而经常肇事。这个拍了足足四序全52集的邪术剧集很像良久从前「阿尔卑斯山的美女」另有「格列夫纪行」那种悠远神奇又有点农村化的与世隔断的滋味。英式白话则显得该剧又带点优雅。推举爱好哈利波特的人不要错过这个剧。
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Doug Baily's father is weird, but a strange machine in the garage now makes him invisible too. Its a roller coaster ride of fun and hijinks as Doug tries to turn his invisible dad back to normal again
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
