Patch
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Aclosetedgaywoman,Mercy(EmilyLape),meetsanattractive,sexualandlovingcollegestudentnamedJesse(AlisonHixon)thatchallengeshertoexploreherownbeliefsonsexualityandreligion.
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It follows four individuals as they attempt to find their perfect spouse via astrological matchmaking.
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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AmericanfilmcriticElvisMitchell’skaleidoscopicdocumentarycreatesadefinitivenarrativeoftheBlackrevolutionin1970scinema,fromgenrefilmstosocialrealism—aworkofpainstakingscholarshipthat’salsothoroughlyentertaining,anessentialarchivaldocumentandtestamenttoaperiodofAmericanfilmhistoryunlikelytoberepeated.
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迈克尔·艾普特
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《忍无可忍》以女性应勇敢抗争为主题，片中有不少暴力镜头。 六年前，在餐馆打工的Slim（詹妮弗·洛佩兹 Jennifer Lopez 饰）被客人纠缠，幸得Mitch（比利·坎尔贝 Bill Campbell 饰）挺身而出，很快两人坠入爱河并结了婚。6年过去了，他们有了女儿Gracie，一家人过着平静富足的生活。但偶然，Slim发现Mitch和其他女人有染而发生了争吵被Mitch打伤，从此恶梦般的生活开始了。Mitch有严重暴力倾向，他的变本加厉彻底毁灭了Slim原本打算忍辱偷生的念头，不堪忍受痛苦的她带着女儿逃离了这个家。她们辗转于西亚图、旧金山等多个城市，却仍无法摆脱Slim幽灵一般的纠缠。Slim终于被逼到崩溃的边缘，她决定用最极端的方法来结束自己和女儿的恶梦——杀死Mitch......
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Areporteriskidnappedbyawitchwhowantstoexorciseher.
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MariaEugeniaSampedro(Mariu)bymistakeiscaughtupinthemurderofCoraliaGalvez,EmilianoGalvezs(CarlosMontilla)belovedwife.Inastoryofobsessivepersecution,frustration,passionanddesire,MariuwillfallinlovewithEmiliano,herprosecutor.Shemustchoosebetweenkeepingtheloveofherlifethroughsilenceorloosinghimbyrevealinghertrueidentity.埃米利亚诺是委内瑞拉著名的爆破专家、化学博士，并即将取得律师学位。他被称为——没有警察身份的警察。玛丽欧是个美丽、活泼、性格刚烈的女孩子。但生活的艰难使她不得不常常与富人斗争。此时母亲由于失业，心情沉重而犯了哮喘病。玛丽欧的弟弟和妹妹一筹莫展，一家的重担都压在了玛丽欧的身上。故事就发生在两个人之间。
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WhenKiraSlaterinheritsanAnimalReserveinSouthAfricashemustdecidewhethertosellitorleavethesafetyofherlifeinChicagoandriskeverythingforthisnewworldshehasfalleninlovem.77mi.ccwith.Seeingthechildrenfromtheschoolherunclebuiltandwitnessingthebeautyofanimalswalkingfreelyintheirnaturalhabitatwillconvinceherwhattherightchoiceis.
