Rod
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雷娅·施米德鲍尔
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A heavy summer storm brings a touring horse circus to Kaltenbach, the stud farm where Ari now calls home. Ari finds friendship in the circus boy Carlo and gets introduced to the fascinating world of trick riding. Soon Ari notices that the show horse Hurricane, aging and injured, is still being forced to perform by the cruel circus director Yiri. Ari and Carlo enlist Ari’s faithful black stallion Windstorm in a plan to save Hurricane, but Yiri has other plans which will endanger Windstorm. It will require some last minute help from Mika to save both magnificent creatures.
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本故事改编自《纽约时报》年度受欢迎小说——2008年的同名作品。故事里面AdrienBrody饰演曼哈顿一位作家PorterWren，是一名原本是模范父亲及丈夫。他应一位陌生女子的求助去追查其神秘遇害的丈夫，却逐步坠入桃色纠纷之中。JB饰演其妻子LisaWren。影片由BrianDeCubellis导演，其他演员包括JenniferBeals、澳大利亚演员YvonneStrahovski以及和JB大人多次合作的CampbellScott、曾获艾美奖最佳女主角的LindaLavin以及英国演员StevenBerkoff。
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对年轻人约翰（奥利弗·哈德森OliverHudson饰）来说，世上似乎真的存在天上掉馅饼的美事。偶然机缘，他继承了叔叔在某小岛上的房子。为了庆祝这一时刻，约翰约请兄弟迈特（埃瑞克·李威利EricLively饰）及他们的女友、好哥们尼姬（米雪儿·罗德里格兹MichelleRodriguez饰）、莎拉（塔瑞恩·曼宁TarynManning饰）、诺亚（希尔·哈勃HillHarper饰）。他们只顾沉湎于小岛的异域风情，却忽视了其背后隐藏的危险。不久，莎拉遭到疯狗的攻击，恐慌迅速在他们中间蔓延。原来岛上曾有一个犬类驯养所，小岛人去楼空，而感染了狂犬病的狗却幸存下来。在这个隔绝的小岛上，这个几个年轻人成为恶犬狩猎的目标……
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罗德尼·阿谢尔
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In The Nightmare, director Rodney Ascher (Room 237) has done just that. The film explores the condition commonly referred to as “sleep paralysis.” That’s a condition where someone is in bed, but totally physically immobilized. Some who suffer from the condition – including the eight subjects in this documentary – feel they are visited by something evil during these periods. Ascher lets these subjects tell their stories, then we watch them play out on screen. It’s absolutely horrifying, if not wholly rewarding.
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SetinanalternateAmericawherewitchesendedtheirpersecutionover300yearsagobycuttingadealwiththegovernmenttofightfortheircountry,“Motherland:FortSalem”followsthreeyoungwomenfrombasictrainingincombatmagicintoearlydeployment.Inthisworld,thetraditionalrolesofgenderandpowerareflipped,withthemoredominantwomenonthefrontlinesfightingloomingterroristthreatsthatarefamiliartoourworld—butwithsupernaturaltacticsandweapons.TheseriesalsostarsAshleyNicoleWilliams,JessicaSutton,TaylorHickson,DemetriaMcKinneyandAmaliaHolm.“Motherland:FortSalem”isexecutiveproducedbyEliotLaurence,WillFerrell,AdamMcKay,KevinMessick,MariaMaggentiandStevenAdelson.
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Afunnyandirresistiblestoryofayounggirlwholiterallycannotseeorhearhermother,despitelivingunderthesameroof.Withthehelpofaneccentricyoungpsychiatrist,(BenjaminWalker:TheChoice),andalocalaccidentalhero,ourheroine(ShannonTarbet:Beast)fallsinloveandeventuallytakesholdofherfuture-despitenotseeingwhat’sinfrontofher!Aheart-warmingstoryofloveandself-discoverystarringAidanTurner(Poldark),Chlo?Sevigny(AmericanHorrorStory)andMatthewBroderick(FerrisBueller’sDayoff)
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
