Mander
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Adocumentaryabouttheresonatingeffectsoflosingalovedoneinwar.ThestoryfollowsdirectorChrisJohnsononanodysseyofdiscoveryashesetsouttoconnectwithhislateGreatUncle,RoyalA.Stratton,a22yearoldrescuepilotwhodiedsavingthelivesof9airmenintheSouthPacificduringWWII.Johnson’sjourneyleadshimtothesolesurvivingmemberofRoyal’screwandthesurvivingmembersofthe4thEmergencyRescueSquadron.Itisfromtheseheroicservicementhathelearnsofthedangerousmissionsthatcarriedthemunarmedintothepathoftheenemy.InanefforttounderstandhisGreatUncle’sexperience,JohnsonreachesouttotheproprietorsoftheNewCastle,PennsylvaniaairfieldwhereRoyallearnedtofly.ThereheembarksuponhisownflighttrainingwiththegoalofpilotingarestoredWWIIPBY.Alongtheway,heencountersa100yearoldpilotwhorecountsthehistoryoftheairfield,theevolutionofaviationoverthepastcenturyandthepassionthat...WrittenbyJohnson,Christopher(IV)
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盖瑞·丹尼尔斯
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多米尼克·斯万
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米基·洛克
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埃里克·罗伯茨
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达丽尔·汉纳
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迈克尔·马德森
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阿兰·福德
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杰夫·法赫
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Ara Paiaya
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罗恩·斯穆安伯格
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费思·伊丽莎白
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娜塔莎·古尔登
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李仙湖
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耶斯·利奥丹
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Charlotte Rickard
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Natalia Ryumina
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Angie Simms
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Traumatised by the death of an innocent. Killer for hire Bradley drops out of society, seeking meaning roaming the dangerous streets of a tough inner city ghetto. When he encounters a savage pimp and a desperate woman under his control Bradley finds the means to give battle to the inner demons that have eluded him. He embarks on a quest to save a young girl from the clutches of the brutal gangsters that trade human beings as currency. Drawn deeper into a sickening world in which age is no bar to exploitation and pursued by police, gangland villains and a mysterious agency known only as The Executive. Bradley discovers an ever deepening web of corruption and vice, and a dangerous game in which nothing is what it seems and no one can be trusted.
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拉法洛·马塔拉佐
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LivingwithherfatherandstepmotherinNaples,Annaisveryunhappyasherstepmotherhindersherattemptstoliveherownlife.Whileherparentsareaway,shegoesoutwithCarlo,butfindsherselflockedoutwhenshecomeshome.ThisangersCarloandheasksAnnatogoawaywithhimtoRome,whereheplanstoliquidatehisbusinessassetsinordertohavemoneyformarriage.Hequarrelswithhispartnerandisimplicatedwhenhispartnerisfoundmurdered.Althoughinnocent,heisconvictedandgivenalongsentence.Annahasachildand,findingitimpossibletosupportherchild,returnstoNaples.Thestepmother’sconditionsarethatbeforeshewillagreetohousethechild,Annamustcommitherselftoareformatoryforunmarriedmothers.
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纽约警察和检察官的故事，跨越15个春秋，1990年首播，至今仍受到亿万观众瞩目的长剧。law&order第55届艾美奖最大的遗憾，已连续11年入围剧情类最佳电视剧奖提名的这部热门电视剧，这次却意外地未被提名，粉碎了它原本想要缔造的12次提名新高。本片融警匪与法庭于一体的电视剧，片中讲述的犯罪基本原于真实生活，往往是近期报纸上的头条新闻。节目分为两部分，上半部分介绍警察研究现场，征询证人，提审嫌疑犯等一系列的侦破活动，后半部分详尽记录了案件侦破的后期工作，案件转交到检查官手里，检查官衡量案情，起诉，直到庭审，节奏紧凑，扣人心弦。由于最终坏人不一定被绳之于法，所以观众看的时候往往暗自捏一把汗。这个剧集除了已经播出的15季之外，还包括3个特别的系列，一个是SpecialVictimsUnit系列（6季），一个是CriminalIntent系列（4季），和TrialByJury系列。可见其火爆程度。堪称NBC历史上，乃至美国影史上最宏伟的剧集。"Inthecriminaljusticemeijubar.netsystem,thepeoplearerepresentedbytwoseparateyetequallyimportantgroups:thepolice,whoinvestigatecrime;andthedistrictattorneys,whoprosecutetheoffenders.Thesearetherestories."这是Law&Order十四年如一日，也是我百听不厌的开场白，是以Law&Orderfranchise(包括spin-off的SVU)都兼有探员的办案过程跟检察官在法庭上的滔滔雄辩，这二者相互分庭抗礼成为Law&Order奠定其copdrama之教父地位的独特魅力，但是近来每回看Law&Order，都彷彿只是在等待后半小时的法庭戏上，也不是说前面的办案就不精采，但是总要在进入起诉过程中才显出本剧的成熟、世故，细腻精妙处的炉火纯青；一男一女老少两位检察官的不同考量而激盪出的互动、辩证，起诉的战略方针往往不只是黑白分明的司法正义考量，而牵扯到背后司法制度及其偏狭漏洞、细微的政治空气，Law&Order更不只是关在摄影棚里编造天马行空的离奇案件，它每回总是不犹疑地定睛盯上社会中的敏感命题。
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TheVigilanteDiariesisahighoctaneaction-adventurefilmfeaturing90’smovieheroes,explosiveaction,andinternationalespionage.Thefilmrevolvesaroundateamofblack-opsagentsturnedcrime-fighters,ledbyabroodinganti-hero,knownonlyas"TheVigilante."Thesejam-packedmissionsofrescueandrevengetakeusfromthemega-mansionsandunderbellyofLosAngelestofarawayplaceslikeIraq,Armenia,Russia,andTheUnitedKingdomtointroduceustoacastofcolorful,dangerous,andhilariouscharacters.FromBeverlyHillsfilmmakerMikeHanover,toatrioofAsianfemmefatales,toruthlessArmenianmobsters,andatthetop,apairofdeepcoversuperspieshellbentonthrowingtheworldintochaos.
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When Troy Holloway wakes up to find himself trapped aboard a drifting escape pod shooting towards the Sun he quickly realises the true terror of his situation. With rapid oxygen depletion and a burn- up rate of 90 - minutes, Commander Roberts leads a rescue party to save Holloway before time runs out. Having recently lost his son and now confronted by his immediate end, Holloway feels less enthusiastic about survival. But Roberts, speaking to him only through a weak radio transmission, is determined to save his life, and both soon learn that the lives they have both lived influence each other in unexpected ways.
