Choo
搜索"Choo" ，找到 以下影视作品
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Three people, the Lakhanis, an Indian couple, and an employee are shot dead by a long range sniper on a garage forecourt - a seemingly motiveless crime. Ten miles away another victim, profoundly deaf Hannah Smithson, is also shot, though her boyfriend's brother Chris, targeted with her, survives but is unable to help with any information. Inspector Jane De Freitas, on the rebound from an affair with colleague Robert Drake, calls in the pathology team but with the sniper at large and shooting indiscriminately Thomas is concerned for ex-wife Julia and their daughter Rosie, now living with former drug user Conrad Devenish. After a fifth victim, Martin Cross,a charity worker at a school is shot the killer rings Jane to tell her that he is unstoppable.
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四集的电视系列,它将被设置在1986年墨西哥世界杯，ChrisdeBurgh是音乐排行榜的第一和3.4亿人失业的英国。注视小孩Shaun的成长和环境ThisisEngland'86isafollowuptoShaneMeadows'Baftaaward-winningmovie,ThisisEngland.Shaun,isnowgettingreadytoleaveschoolwherehefacesanuncertainfuture.WoodyandLolarealsogettingreadytotietheknot.
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内详
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Earl过去的生活中做了许多错误的事情，但是一件事情却使他的生活发生了不小的变化，让他有了重新开始的机会，Earl中了彩票。在知道这一切后，他做了一个重大决定，要用这笔财富来改变他的生活方式，尽力弥补他在过去所犯的错误，他希望这是他新生活的开始。可惜，在他实施这一措施以前，不幸就已经出现了。兑奖前几秒钟，他被汽车撞倒了，而且失去了记忆，彩票也被风吹走了。在医院里，Earl看了《LastCallwithCarsonDaly》的节目，Carson在采访时说，他之所以成功是好心有好报的结果，就在这时，Earl发现真的有因果报应这回事。他想要自己的生活变得美好，所以开始弥补自己以前的错误。最后，他选择了Kenny，一个小学里做滑稽表演的人。帮助Earl寻求改变命运，洗刷罪恶的是他的一群朋友们，尽管他们的头脑有些不灵光：总是比较倒霉的兄弟Randy、非常性感的Catalina、还有Darnell，Earl喜欢去的酒吧CrabShack的老板，他们都给了Earl很多的帮助和支持。但是Earl的前妻Joy却不想帮助他，除非她能从中得到什么好处。尽管Earl的头脑有些迟钝，但是他异常地努力，所以中间也发生了不少的趣事。Earl这个人物非常有自己的特色，有独特的声音和造型。他是GregGarcia笔下所创造的人物。《MyNameisEarl》是Garcia和MarcBuckland一起写的故事，由20世纪福克斯电视台拍摄。Earl’slifehasbeenfullofpoorchoicesandmistakes,butafterwinningasmalllotteryjackpothehasanepiphanyandvowstochangehisways.Upondiscoveringthatheistheholderofawinningticket,Earlishitbyacarandtheticketblowsoutofhislimphandasheliesunconsciousinthestreet.Whilerecoveringinthehospitalandwatchingtelevision,Earlhasakarmicepiphany,thankstoCarsonDaly,whoattributeshissuccesstodoinggoodforothers.AlightbulbgoesoffinEarl’sdimheadandhesetsouttorighteverywronghehasdonestartingwithagradeschoolgeek.
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乔·兰多
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丹妮尔·查克兰
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迪奥拉·拜尔德
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亚布拉哈姆·本鲁比
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约瑟夫·D·雷特曼
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Sean Dillingham
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凯兰崔尔·斯蒂尼曼
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布伦特·贝利
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伊凡·谢尔盖
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雷吉·奥斯汀
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Kevin Joy
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Nayeli Esparza
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Carly Diamond Stone
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Val Barri
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保罗·哈帕尼米
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Tianna Tuamoheloa
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Levi Vincent
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Thomas Nelson
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Jillian Tremaine
剧情：
客岁過世的波蘭導演耶吉‧卡瓦萊洛威茲,是「Polish Film School運動」中的代表人物之一。其作品擅長以影像呈現細膩的細節,累積給予觀者強烈的震能源。議題圍繞個人在社會備受政治或戰爭壓迫下,人道的掙扎與品德的選擇。這些深具豐富意涵的創作文本,也讓他的作品深受影壇重視。1951年拍攝首部劇情長片「The Village Mill」,隨後实现「Shadow」(1956) ,以及本片「夜車」,這些影片都被視為相當具時代代表性的波蘭電影。卡瓦萊洛威茲亦曾主掌着名的KADR 製作部門,安德烈華依達!塔都茲考威克(Tadeusz Konwicki) 跟尤利斯馬休斯基(Juliusz Machulski)都曾在其製作部門任务。他最為人所熟知的影片莫過於1961年的「修女約安娜」,以及1966年改編自Bolesław Prus的歷史小說「Pharaoh」,本片亦入圍了1967的奧斯卡最佳外語片。「夜車」敘述一對男女Jerzy跟Marta不测埠在前去波羅地海邊Hel的夜車上共處一室。一表人才的Jerzy狀似緊張,看來像是在回避追趕,Marta剛開始也缄默不言,渐渐的兩人才成為友人。在車上還有愛慕著Marta的男孩Staszek,以及擁有豔光四射的年輕太太的老律師。當火車停靠在一個小站裡,警方上車開始搜寻惧罪潛逃的殺人犯時,谣言開始四起,都將警方要緝捕的對象,指向這個車廂中的Jerzy跟Marta…。差别於當時深受義大利新寫實主義影響的「Polish Film School運動」作品,「夜車」瀰漫著希區考克式的懸疑詭譎氣氛。全片的劇情推展在火車內進行,封閉的車廂成為卡瓦萊洛威茲最好的發展空間。火車上搭客間相互的猜疑與不信赖,可說是當時波蘭共產社會的最佳寫照,也是一部波蘭影史主要的傑作。
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大卫·格林德利
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Marpleisvisitinganoldschoolfriend,LadyCamillaTressilian,alongwithaneclecticgroup:NevilleStrangeandhiswifeKay,hisformerwifeAudreyandherchildhoodfriendandcousinThomasRoyde,TedLatimerandfinallyFreddieTreves,aretiredsolicitor.WhenTrevesisfounddeadthedayafteradinnerpartyatLadyTressilianshomeandLadyTressilianherselfisfoundbludgeonedtodeathashorttimelater,MissMarplemustsortthroughthecomplexsetofrelationshipsamongalltheplayers,anddeterminewhatrolethetaleofachildscrimemayhavehadtoplayinthedeaths.
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電影一世紀,妖妖怪魅亂銀幕也一世紀,從恐龍怪獸豆泥模子,到生動又恐惧殊效化妝,到數碼绝技反动搞怪搞得呼風喚雨,其實是人類借助千年神話,開發想像力的功败垂成。想知怪物嚇人本相,兩個怪物頭號粉絲三年來孜孜走訪數十殊效任务室,直擊傑出搞怪大師,「異形」「小魔怪」「未來戰士」「侏羅紀公園」「星河戰隊」等等怪物創作過程獨家表露,看創作者與怪物的激越關係,看怪物粉不離不棄old school 精力。伟大怪物情义結發「神」功,很像一部「科學怪人」哩。
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An unhappy civilian asks the court to mandate comprehensive education in schools in a dramatic yet amusing courtroom play.
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Autumn1977.DerekSpringfieldisan18-year-oldmisfit,who5yearsearlierwaspluckedfromhishomeintheindustrialoutskirtsofLeedstoattendPublicSchoolonascholarship.HehasjustreturnedhomeattheendofhisstudiestoawaithisOxbridgeresultsthathe'shopingwillresultinhispermanentescape.Lifeathomeisawkwardforthebrainyladandembarrassingforhisworkingclassfamilywhocan'trelate:hisfecklessdad,no-nonsensemumandtwoolderbrothers,oneafootballhopefulandtheotheradistinctlydodgyacquirerofflashconsumergoods.Derekkillstimebywalkinganohopegreyhound,Slapper,andlovingout-of-hisleagueChrissiefromafar.ButunderDerek'slovingcareSlappergetsfaster-sofastshe'sstolenforherracingpotential.DerekdespairsatbeingcompletelyaloneoncemorebutChrissiegetsthelocalcommunitytokeepwatch.Slappereventuallyescapesfromherfuriouscaptorsatanillegalflappertrack.Exhausted,shesomehowfindsherwaybackandisreunitedwithDerekwhotriestonurseherbacktohealthhisbedroomwithouthisfamilyfindingout.Derek,ChrissieandSlapperdisguisethemselvestoavoidthedognappersandtrytheirluckatracingherataproperdogtrack.ThedognappersandalltheSpringfieldsconvergeonthestadiumfortheexcitingclimax.ItsalsothedayDerek'sresultsaredue...
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Totallyunawares,Saverio,ateacherandMario,ajanitorofthesameschoolinwhichtheybothwork,travelbackintimeandfindthemselvesincentralItalyattheendofthe15thcentury.TheycarrywiththemanunresolvedsquabbleconcerningSaverio’ssister,creatingalotoftensionbetweenthetwo,whichwillincreaseintheplot.Fromthismomentontheywillhavetocometogripswiththegrotesquesituationtheyfindthemselvesin,tryingto"hitchalift"backtothefutureinamostoutlandishway,usingandmisusingtheirforesightoftheeventstakingplaceroundthattime,andgenerallymakingfoolsofthemselvesintheeyesof"normal"renaissancefolks.TheirmeetingwithLeonardodaVinciishysterical,whentheybecomemoreandmoreconvincedthatthegeniusisinrealityamoron.AnothercharactertheymeetisSavonarolatheheretic,whoenjoinsthemtorepent,beforeheistakentothestake,elicitingsomebreezycommentfromthem.Ifitweren’tforaweirdkindofhomesickness,theywouldquiteenjoylivinginthisperiod,fullofdaringfashionsandtantalisingdamsels.Thecoupleshowsgreatchemistryandisfunnyineveryrespect.Thepsychologyoftheircharactersiscomplexandcredible-foroncecomicalroleswithadepth.Basically,Saverioisanembitteredpetit-bourgeoisforeverattractedandrejectedbywomen,enviousofMario,aneasy-goingproletarianeverywomanfallsinlovewith.Saverioisscheming,meanandvindictiveasmuchasMarioisnaive,generousandforgiving.Whatamatchoftalents:RobertoBenigniandMassimoTroisiatthepeakofcombinedcreativity.Toobadtheywillnevercomebacktogetherforanotherjointventure.Ormaybeitisbetterthisway:masterpiecesofthislevelcannotbeimprovedon,atbesttheycanbeimitated.ForthisreasonNoncirestachepiangerewillshinelikeageminthecrownofthebestItalianmoviesofalltimes.Sadlynotmanypeopleseemtohaveseenit,noteveninItaly,wheretheviewersdonotneedsubtitlestoenjoythehilariousjugglingofthetwoactorswiththelanguage,buttheirbodylanguagecanbeuniversallyappreciated.Ifyoumissityouwillhavetorepent!
剧情：
電影一世紀,妖妖怪魅亂銀幕也一世紀,從恐龍怪獸豆泥模子,到生動又恐惧殊效化妝,到數碼绝技反动搞怪搞得呼風喚雨,其實是人類借助千年神話,開發想像力的功败垂成。想知怪物嚇人本相,兩個怪物頭號粉絲三年來孜孜走訪數十殊效任务室,直擊傑出搞怪大師,「異形」「小魔怪」「未來戰士」「侏羅紀公園」「星河戰隊」等等怪物創作過程獨家表露,看創作者與怪物的激越關係,看怪物粉不離不棄old school 精力。伟大怪物情义結發「神」功,很像一部「科學怪人」哩。
