Roger

西班牙内战刚停止,正值战后创伤的艰苦时代。在加泰罗尼亚的乡下,一个属于掉败营垒的男孩安德鲁（弗朗塞斯科·科洛莫 Francesc Colomer 饰）在森林中发明白一对父子的遗体。但是政府竟把罪名加到了安德鲁父亲法利奥尔（罗杰·卡萨梅杰 Roger Casamajor 饰）的头上,让他成为无辜的替罪羊。安德鲁决议径自行为,找到杀戮那对父子的真正凶手,揭穿事件的本相。安德鲁一起追究,成人间界里各种的诡计与假话,让幼小的安德鲁看清了这个歪曲的天下。为了活下去,安德鲁不得不背离了本人的种族,他也垂垂认识到本平易近气坎深处谁人躲藏已久的恐怖恶魔。　　由西班牙有名导演奥古斯汀·维拉罗伽执导编剧的影片「玄色面包」,横扫2011年第25届西班牙戈雅奖包含最佳影片!最佳导演!最佳拍照!最佳改编脚本在内的多项大奖。

ITVhasconfirmedthathitdetectivedramaEndeavourhasbeenrecommissionedforaseventhseries.Theannouncementfollowscriticalacclaimandconsistentlystrongviewingfiguresforthemostrecentseries.ProducedbyleadingindieMammothScreeninpartnershipwithPBSMasterpiece,thesuccessfulserieschartstheearlycareeroftheyoungEndeavourMorse,playedbyacclaimedactor,ShaunEvans.ThenewsetoffilmswillseeEvansreprisehisrolealongsidecelebratedstarofstageandscreen,RogerAllamasmentorDIFredThursday.WrittenonceagainbyRussellLewis,whohaspennedallofthe27Endeavourscreenplaystodate,thenewserieswillbesetin1970andproductionwillbeginlaterthisyearfortransmissionin2020.FilmingwilltakeplaceinOxfordandthesurroundingarea.CreatorRussellLewissays:We’rethrilledITVhasasked#TeamEndeavourtocontinuetoaddtotheCasebookofColinDexter’simmortalcreation,andtakeE.MorseandOxford’sFinestintoanewdecadeofdecimalisation,packageholidays,theOilCrisis,Blackouts,ThreeDayWeeks,andEuropaEndlos.MammothScreen’sManagingDirector,DamienTimmeradded:We’vebeenthrilledwiththeresponsetoSeries6–itstestamenttoRussellLewis’continuingclevernessandalsothebrilliantpartnershipbetweenShaunEvansandRogerAllamasEndeavourMorseandFredThursday.The1970sarecallingus,andwecan’twait!HeadofDramaatITV,PollyHillcommented:We’reincrediblyproudofEndeavouranddelightedtohaverecommissionedthedramaforaseventhseries.WriterandcreatorRussellLewiscontinuestoengageviewerswithcarefullycraftedstoriesforEndeavourandThursdayaswemoveintothe1970s.We’regratefultotheproductionteamatMammothScreenforcontinuingtodeliversuchahighqualitydrama.RecentlyvotedthefourthgreatestBritishcrimedramaofalltimeinapollconductedbyRadioTimes,thedramahasgonefromstrengthtostrengthsinceitsfirstoutingasaone-offfilmin2012.Thelatestserieslaunchedwithaconsolidatedaudienceof6.9manda27\%share,markingEndeavour’sbiggestaudiencesince2014.MammothScreen’sDamienTimmerandHelenZieglerwillactasexecutiveproducersfortheseventhseries,alongsidewriterandcreatorRussellLewisandWGBH’sRebeccaEaton.ThenewsetoffilmswilldistributedbyITVStudiosGlobalEntertainmentinternationally.

《摩斯探长前传》第四季将于2017年1月回归ITV，本季四集标题分别为《游戏》、《圣歌》、《检疫》、《丰收》。剧情以1967年为背景，承接第三季结尾，由ShaunEvans和RogerAllam主演，RussellLewis担任编剧，摩斯探长系列小说作者ColinDexter担任顾问。

皮特（查尔斯·科本 Charles Coburn 饰）是一名大学教授，一天，他奉父亲之命，来到夜总会寻找风流成性的表弟凯斯（詹姆斯·埃利森 James Ellison 饰），哪知道却意外邂逅了夜总会的歌女弗兰西（金格尔·罗杰斯 Ginger Rogers 饰），两人一见钟情，在一夜贪欢之后，两人结为了夫妻。　　激情退却后，皮特开始为自己的冲动之举担忧起来，父亲是一个思想非常顽固的男人，绝对不会接受弗兰西歌女的身份，不仅如此，父亲还早已经为他找到了门当户对的姑娘海伦（弗朗西丝·默瑟 Frances Mercer 饰）做他未来的妻子。皮特屡屡想要向父亲坦白自己和弗兰西的关系，却屡屡遭遇失败，还让父亲和弗兰西之间的关系越来越差。

John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band).　　John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable Roberta gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her.　　Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. Countess Scharwenka, a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer.　　Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish.　　When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce.　　Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time.　　John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation.　　The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

Nimfa Dimaano, the pretty pussycat is a perfume sales kitty at a department store. Her boyfriend, Roger, the macho mongrel is a janitor. Nimfa meets Iñigo Villanueva, the bourgeoisie business dog and their chemistry ignites. Will Nimfa and Roger's love for DVDs and cheap street food keep them together or will Iñigo's high society charms tear them apart.

WhenIraandJoshplanaquietescapetotheiridyllicbeachhouse,littledotheyknowitwillincludeIra'sestrangedchildhoodfriendRoger.Theirquietescapeturnsintoasurprisingreunionthatrevealsacomplexrelationshipbetweenchildhoodfriends.Asexy,psychedelicweekendattemptstoresolvethepast,andthemessybusinessoffriendship,sexandlove,intheroman...

首播日期:2018.01.26第二辑《冲游泰国》结束时，「冲哥」胡慧冲(Roger)和冬阴妹(PhakkasupatPecharawiwatAomsi..

一个年轻的拿破仑军官追踪一个神秘的女人而来到一个年迈男爵的城堡，在那里他发现这个女人是听命于一个老巫婆，其最终目的是迫使男爵自杀……　　Roger directed for two days on a set left over from a previous production, and without a proper script. He hired Francis Coppola to write a script and finish the picture. After five weeks of shooting, Roger fired Francis, and hired me to finish the picture. Jack Hill was hired to write a new script with me. A lot of what Francis shot was thrown out, except for the stuff with the witch from WIZARD OF OZ. (Dorothy Newman), and I finished the picture in five days of shooting. All of the interiors are Roger's (with the exception of Francis's witch's lair), and most of the exteriors are mine. To the best of my recollection, and contrary to legend, Jack Nicholson did not direct any of the film.