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A comedy about two people with different world-views, from different places, whose fate, with the help from a bull Garonja (a name given to the black bulls in villages of Croatia), intertwine. Ante (Goran Bogdan) is a peasant from Dalmatian hinterland, a son of an bull fights organizer, and skilled insurance salesman. He is known by his powers of persuasion. At the voting for the Law for animal protection, biggest controversy is considering bull fights. Sonja (Judita Frankovic) is from Zagreb, an inveterate activist fighting for animal rights. In Dalmatian hinterland nobody can understand her attitude. They conclude that Sonja, regardless of the declared intense love of animals, would not dare stand in front of a bull. About Sonja and Anthony , the central pair who in his romantic comedy game going a little farther - a little back, a series of actions is carried out in the style of a wild untamed satire at the expense of local yellow media and important institutions such as the ...
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A man finds out the child he has been raising for 9 years might not be his son after all. They then set out to find the real biological father.
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MónicaadoresherdaughterClara.Oneday,theteenagerisfoundunconsciousandinacoma,acomathateventhedoctorscantexplain.Anxious,filledwithpainanddrivenbydesperation,Monicawoulddoanythingtosaveherandbringherbacktolife.Evensomethingthatcouldcauseunexpectedconsequences...DavidVictoridivesintothesupernaturalhorrorthrillerrealmtopresenthisdebut,andhedoesitbybeingateasewithalltheelementsofthegenre.Heintroducesastorythatshowsthedarknessweallhaveinside,bringingthecharacterstotheemotionalverge.Elegantandfilledwithasuggestiveatmosphere,combiningsubtlehintsandsuspensetraces,thefilmisenhancedbytheperformancesofthecharismaticBelénRuedaandDaríoGrandinetti.Victorihasalreadyachievedalot,heisawinnerofYoutube’sFilmFestivalandmadeawebseries,Zero(2015),whichwasproducedbyRidleyScottandMichaelFassbender.ThePactisyetanotherexcitingnewstepinhisjourneyasfilmmaker.
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Marie,anindependentandmilitantsexworkerwhohasneverneededtorelyonanyone,noteventoraiseherson.Whenthelatteristhrownoffhispost-graduatecookerycourse,Marieisunabletomakeherpeacewithit.Dreamingofagreaterfutureforhim,shedecidestosignhimupforoneofthebestcookeryschoolsinFrance,butherincomewon’tcoverthetuitionfees.She...
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Yiannis doesn’t have much going for him, save for his adorable dog, Jimi, and his fast-approaching date to get out of Cyprus for good. But when Jimi wanders across the U.N. buffer zone and into the section of the island Turkey seized more than forty years ago, an unregulated state unrecognized by the rest of the world, Yiannis learns, bringing a dog back over the border is not as easy as walking straight home. He enlists a mismatched band of accomplices from every side of the Cyprus dispute to find a way to get Jimi back, while never leaving the land he calls home. Writer and director Marios Piperides has been producing films in Cyprus for more than a decade, and his inside knowledge pays dividends in this narrative feature debut—a whip-smart comedy on legality, disputed nationality, and the frameworks that are erected to maintain a fragile peace. He demonstrates his compassion for locals on both sides of the divide, as he tenderly captures their struggle to find hope and make a living in a divided land. Such serious themes pair perfectly with Piperides’s sense of humor: As Yiannis’s efforts dip farther into absurdity, they offer a send-up of the forces that prolong a conflict that has been poorly understood and largely forgotten by the outside world.
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保罗·莱顿
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SetintheAmericanWestof1876,'R.I.P.D.2:RiseoftheDamed'isaspiritual(pardonthepun)sequelto2013's'R.I.P.D.'SheriffRoyPulsipherisn'ttoothrilledaboutfindinghimselfdeadafterashootoutwithanotoriousoutlawgang,buthedoesgetasecondchancetoreturntoearthafterbeingrecruitedbytheR.I.P.D.(RestInPeaceDepartment.).Butavenginghisown...
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Everyyear,afamilyhomeisturnedintoahauntedhouse.Thepurposeisnotonlytobeasterrifyingaspossible,butalsotocreateaspectacularattractiontodrawtheneighboursin.Inresponsetosomecriticism,thefathercommitsirreparabledamage.
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Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
