Cle
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玛琳·格里斯
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故事产生在二战停止之后,安东尼娅(维力奇·范·阿麦莱 Willeke van Ammelrooy 饰)带着女儿达尼埃莱(埃尔斯·多特曼斯 Els Dottermans 饰)回到了久违的故乡。安东尼娅乐善好施的仁慈性情为战后满目疮痍的故里带来的新的生机,她先后收容了聪慧女孩代代(玛丽娜·德·格拉夫 Marina de Graaf 饰)跟农平易近巴斯(简·德克莱尔 Jan Decleir 饰)等人,组件了一个特其余家属——安东尼娅家属。 一种温馨又紧紧的关联维系着这些并不血统关联的家人们,在互相搀扶之间,却也存在着难以折衷的抵触。达尼埃莱有死后生下了特雷莎(Veerle van Overloop 饰),小特雷莎长大后,却惨遭皮特(Filip Peeters 饰)的强横。跟着时光的流逝,安东尼娅家属一直的强大着,而安东尼娅本人的性命却走向了止境。
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卢克·迪昂
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玛丽安·弗蒂尔
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SergePostigo
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HeleneBouregeoisLeclerc
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Monique
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Spaziani
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凯瑟琳·特鲁多
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Noémie
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Yelle
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莎拉·珍妮·拉布罗丝
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Stéphanie
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Lapointe
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Vénutia-Ludivine
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Reding
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Luc
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Senay
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Francine
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Ruel
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Serge
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Postigo
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雷米·吉拉德
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伊夫·雅克
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Michel
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Barrette
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Pierre
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Collin
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Muriel
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Dutil
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米歇尔·福尔热
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Johanne
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Fontaine
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1918年,加拿大某村庄,小女孩奥若蕾(MarianneFortier饰)的母亲玛丽安(HélèneBourgeoisLeclerc饰)感染肺结核,病入膏肓。她的父亲(SergePostigo饰)非但没有对妻子表现出应有的关心,反而和表妹(StéphanieLapointe饰)勾搭成奸。不久,玛丽安在愤怒和忧郁中死去,父亲旋即与表妹成亲。三个姐妹兄弟中,奥若蕾对父亲和继母尤其抵触。父亲忙于工作,对家事鲜少过问。而奥若蕾和继母的矛盾则不断加深,继母从最初的体罚,逐渐演变成赤裸裸的虐待。娇弱的小女孩命悬一线……本片根据真实事件改编。
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克里斯丁·杜瓦
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故事发生在第二次世界大战期间,法国被德军占领,纳粹主义在当地横行。莫里斯(巴蒂斯特·弗勒里埃尔BatysteFleurial饰)和乔(多里安·勒·克利奇DorianLeClech饰)是一对生活在法国的犹太人兄弟,父亲靠经营一家理发店养活孩子们,虽然生活得很辛苦,但是一家人之间的感情非常的亲密。德军要求每一个犹太人在外衣上缝上黄色的六角星,与此同时,社会对犹太人的忍耐度也在急剧下降,兄弟两人因为他们的血统在学校遭到了同学们的排挤。眼看着势头不对,父亲决定让莫里斯和乔两人先行逃往自由区避难,自己随后就跟上,一家人在尼斯汇合。就这样,两个孩子踏上了逃往的旅途。
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PrinceAdamandMelakthainvestigatetheTempleoftheCat,whereHe-Manretrievesamysteriousfelinestatueafterenduringseveralmagicalobstacles.AspyfortheCatPeoplereportstheincidenttoKingPaw,whosendshisemissary,Kittrina,totheRoyalPalace.AfterabungledtheftbyKittrina,bothsheandTeelawatchasWebstorstealsthestatue.He-ManfollowsWebstort...
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FromthedirectorandproducersofTheSevenFivecomesOperationOdessa,atruecrimethrilleraboutaRussianmobster,aMiamiplayboyandaCubanspywhoteameduptosellanuclearsubmarinetoaColombiandrugcartel.AgangsterepicthathopscotchesfromBrooklyntoMiamiandCalitoMoscow,thedocumentarytellsthestoryofthreefriendswhosetouttohustletheRussianmob,theCalicartel,andtheDEAforthescoreofalifetime.Thetalebecameaninternationalmediasensation.Butthetruthaboutwhatreallyhappenedhasremainedanunderworldmyth-untilnow.
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Sydneyfindsherselfface-to-facewithherlong-lostmother,IrinaDerevko,whoseintentionsforherdaughteraremadechillinglyclear.However,SydneymanagestoescapeandrejoinJackandWillintheirescapefromTaiwan.AfterarrivingbackinLosAngeles,SydneycontinueshersearchforVaughn,notknowingifheisdeadoraliveafterbeingsweptawaybyawallofwaterinTaipei.Will’slifeisforeverchangedwhenhelearnsthetruthaboutSD-6andSydney’slifeasadoubleagent.Also,DixonmustdecidewhetherornottoinformSloaneofSydney’ssuspiciousactivities.ButJackintervenesandcoversforSydneywholaterfindsVaughnwhohelpshertrytotrackdownhermotherIrinawho’ssearingforaRimbaldiartifactcalled’theBible.’
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Robert
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This final series chronicles Harry’s epic rollercoaster ride as he begins to lose grip on his empire, alongside the fortunes of all those whose lives he has touched. London, 1928. Nine years have passed and Harry Selfridge is at the pinnacle of his wealth and celebrity and enjoying the frenzy of the roaring 20s. But in this buzzing, fast-e册ving world, Harry is splashing his cash in an unprecedented, dangerous way. As he parties and gambles with stage stars, the Dolly Sisters, and pursues risky new business ventures, the trials and tribulations of our other much loved characters, and a handful of newcomers, also unfold. Lady Mae returns to London to rebuild her life whilst Mardle and Grove thrash out their differences, and Kitty and Frank embark on the biggest challenge to their relationship yet.
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"WithDCIGillMurrayinretirement,ever-ambitiousRachel(SuranneJones)returnsfromherVicesecondmentfiredupandfullofnewideasandinitiatives.She’sgainedvaluableexperienceandreallywantstomakehermarkasshereturnstoSyndicate9’sMurderSquad.Exhilaratedtostepuptotheplate,RachelisexactlywhoJanet(LesleySharp)andtheSquadneedtomoveforwardwithaterrifyingandsinisterInternetcrimeinvestigationofepicscaleandunrelentinghorror.UsingherViceauthorisation,Rachelaccessesadisturbingworldwherepeoplebragaboutcommittingmurderandlaydownthegauntletforthenextvictim.Agameofruthlesslifeordeathdaringdevelops,asScott&Baileyinvestigatemultiplekillerswithhorrifyingandeverlastingconsequences.Theywillbechangedforeverandtheinvestigationwilltakeadevastatingtollontheirprivate,professionalandpersonallives."ThedramawillbeexecutiveproducedbyNicolaShindler(HappyValley,LastTangoinHalifax,Banana,Cucumber)founderoftheRedProductionCompanyandproducedbyMichaelaEccleston,Red’sHeadofProduction.SuranneJones,whoconceivedtheideaforthedramawithfellowactressSallyLindsay,willalsoexecutiveproducealongsideNicola.SallyLindsayalsoreturnstothedramaplayingRachel’ssisterAlison.5-1RachelstepsuptoactingDIonacasethatbecomesmoresinisterthanitfirstappeared.
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冬天,蒂妲絲雲頓拜訪落腳於法國小山村四十餘年的挚友約翰伯格,兩人散步於靄靄白雪的村莊!或深或淺地,在小屋中聊起童年記憶與歷史承接。春天,透過凝視動物,經歷一場人類與動物關係的思辨。炎天,於山村中跟三兩藝術家漫談當代政治,佐以舊時影片!音樂,摸索藝術怎样述說政治。秋日,蒂妲再度帶著孩子拜訪約翰以及約翰之子,在視野遼闊的山村生涯中,發現傳承的意念存在於所觀看的每一片風景。四部短片象徵四序的更迭,而山村的風景!動物!生涯則是年復一年的循環,體現約翰口中[無窮延长的此時现在]。他的思惟及人生觀與陈旧的農舍!青葱的綠地!放牧的牛群相呼相應,說著這個天下方圆人物风物的故事,阿爾卑斯山裡的小村莊,則是最诱人的舞台。(以上來自2016台北金馬影展)The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 - Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html
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冬天,蒂妲絲雲頓拜訪落腳於法國小山村四十餘年的挚友約翰伯格,兩人散步於靄靄白雪的村莊!或深或淺地,在小屋中聊起童年記憶與歷史承接。春天,透過凝視動物,經歷一場人類與動物關係的思辨。炎天,於山村中跟三兩藝術家漫談當代政治,佐以舊時影片!音樂,摸索藝術怎样述說政治。秋日,蒂妲再度帶著孩子拜訪約翰以及約翰之子,在視野遼闊的山村生涯中,發現傳承的意念存在於所觀看的每一片風景。四部短片象徵四序的更迭,而山村的風景!動物!生涯則是年復一年的循環,體現約翰口中[無窮延长的此時现在]。他的思惟及人生觀與陈旧的農舍!青葱的綠地!放牧的牛群相呼相應,說著這個天下方圆人物风物的故事,阿爾卑斯山裡的小村莊,則是最诱人的舞台。(以上來自2016台北金馬影展)The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 - Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html
