Rector
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A failed, recluse director, Max, moves from New York City to a small seaside town after his wife's death. He struggles with his parental role over his son. Eddie, meanwhile, is becoming increasingly involved in the not-so-underground culture of drugs, promiscuous sex, and gang violence that lies there. The chasm between them seems to be growing despite Max's best efforts. Max jogs in the mornings and routinely passes a psychic. She spontaenously predicts that one night a serial killer will attack Eddie on the beach. Eddie is sampling various drugs with his friend, Smiley, and having unprotected sex. He ignores the advice of his father as a rule and seems beyond hope of redemption in the eyes of mainstream society. He shows potential for betterment when he prevents the murder of a rival gang member. Max saves Eddie from the serial killer.
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一个新锐明星“皮诺”，被称为“猫先生(猫王子)”，有着冷酷和清醒的形象，因童年阴影创伤讨厌所有四脚动物，为了转变形象跑到“爱犬幼稚园”工作，是一个有魅力的导演。还有' Daebyul '，' Ki-min '和兽医院院长' Jun-hyeok '。他们经历冲突，并通过冲突发展感情...
A new star, 'Pino', called 'Mr. Cat (Cat Prince)' with a cold and sober image works in 'Dog Kindergarten' as a charismatic director. Along with 'Daebyul', 'Ki-min', and veterinary hospital director 'Jun-hyeok'. They experience conflict ...
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李成恩
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Jin-Young (Kim Gyu-Ri) is a not so popular screenwriter. She's been stuck writing a zombie movie script for the past couple of years. During this time she hasn't made any money or dated. Hwang Tae-Il (Park Won-Sang) is a movie director. He decides to direct a zombie film based on the Jin-Young's script. The pair become romantically involved.
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全秀一
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Busan’srepresentativedirectorJeonSoo-il’seightfullfeaturefilmissetaroundPink,ashabbybar,andcapturesindetailthelowliveswiththedirector’scharacteristicstaticstyle.TheperformancebySeoGap-suk,whoreturnstothebigscreenforthefirstinover10yearssince[Bongja],musicbyartistKangSan-eh,andthepicturesquesceneryofGoon-sanbeach,completewiththeflyingseagulls,addmakethefilmanunquestionablymemorableexperience.
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WiththeimminentreleaseofRoseMatefeo’sbrandnewromcomStarstruckonBBCThreeattheendofApril,thiscomingyearmarksawatershedmomentinbroadcastinghistorywithmostBBCThreecomedyeitherstarring,writtenbyorcreatedbywomen.BBCThreewillbethefirstUKchanneltoachievethislandmarkinfemalerepresentationwith58%oflong-formscriptedcomedywrittenbywomen.UpcomingtitlesincludeLazySusan,StarstruckandEllieandNatasiaplusthesecondseriesofbothInMySkinandBacktoLife.Inadditiontothis,theBBCtodayannouncesfournewBBCComedySlicesforBBCThree,allofwhicharewrittenbyand/orstarfemaletalent:Ladybaby,Amicable,DinosaurandBritney,whichresultsinthemajorityofcomedyprogrammesonBBCThreenowbeingfemaleled.KateDaughton,outgoingHeadofComedyattheBBC,says:“BuildingonthehugesuccessofPhoebeWaller-BridgeandDaisyMayCooper,thismarksamonumentalachievementandistestamenttothefactthemostpioneeringandexcitingnewvoicesincomedyareincreasinglyfemale.”KateleavestheComedyCommissioningteamtodayhavingmadeatremendousimpactoverseeingaraftoffemalefirsttitles.SinceKate’sarrivalin2017shehascommissionedandnurturedFleabag,Mum,Ghosts,Gavin&Stacey:ChristmasSpecial(2019),ThisTimeWithAlanPartridge,BacktoLife,TheGoesWrongShow,OutofHerMind,TwoDoorsDown,InMySkinandManLikeMobeen.AlongsidetheforthcomingWitchfinder,Alma’sNotNormalandStephenMerchantseriesTheOffenders(w/t).ShaneAllen,DirectorofBBCComedy,says:“Fiveyearsagotherewerestillarticlesaskingwhereallthefunnywomenwere.Thathoaryoldnonsensecanfinallybedispensedwithonceandforall.It’salevelplayingfieldwiththemostvibrantanddynamicworkcomingthroughfromfemaleswritersandwriterperformerswhoareelevatingtheartformofcomedyandexpandingitshorizons.AsforKateDaughton,nolongerwillshecurseatmeforloudsneezingintheoffice.Partlybecauseshe’sleavingandmostlybecausewe’venotbeenintheoffice.Trulybereft;indenialthatshe’soffandwe’reluckytohavehadherforsolong.”CharlotteMoore,ChiefContentOfficer,says:“Kate’simpeccabletaste,whipsmartcomedybrainandbeguilingwayswithtalenthavehadatransformativeimpactonthecomedyoutputinhertimehere.ThefactthatBBCThreecanclaimtobethefirstUKchannelwithamajorityoffemaleledandwrittenscriptedcomedyisinlargepartdowntohervisionandpassionforbackinggenredefiningfemalecreatives.She’llbesorelymissedbutthankfullyleavesbehindaterrificlegacyofshowsahead.”
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Laylaistenyearsold,andabouttomeethernewfamily.Shejustdoesn’tknowityet.AnactofkindnessmetwithdeceptionleadstoLayla’sabductionanddescentintoalifeofsexslaveryhiddeninanordinaryneighborhood.Itcouldevenbeyours.IAMSTILLHEREtakesusinsideLayla’snewworld,showingwhatreallyhappenstothesechildrenafterthefirst48hours,andwhyit’ssodifficulttocombatthefastest-growingillegalenterpriseintheworld:thechildsexslaveindustry.StarringJohnnyReyDiaz(HawaiiFive-O),ErikaRingor(LoveandBasketball),andCiaraJiana(Sharknado),thismovieisbasedonexhaustiveresearchintorealcases,andisdedicatedtoallthemissingchildrenwhoarestilloutthere.Fromfirst-timewriter/directorMischaMarcusandEmmy-nominatedandaward-winningproducerStephanieBell.
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Adocumentaryabouttheresonatingeffectsoflosingalovedoneinwar.ThestoryfollowsdirectorChrisJohnsononanodysseyofdiscoveryashesetsouttoconnectwithhislateGreatUncle,RoyalA.Stratton,a22yearoldrescuepilotwhodiedsavingthelivesof9airmenintheSouthPacificduringWWII.Johnson’sjourneyleadshimtothesolesurvivingmemberofRoyal’screwandthesurvivingmembersofthe4thEmergencyRescueSquadron.Itisfromtheseheroicservicementhathelearnsofthedangerousmissionsthatcarriedthemunarmedintothepathoftheenemy.InanefforttounderstandhisGreatUncle’sexperience,JohnsonreachesouttotheproprietorsoftheNewCastle,PennsylvaniaairfieldwhereRoyallearnedtofly.ThereheembarksuponhisownflighttrainingwiththegoalofpilotingarestoredWWIIPBY.Alongtheway,heencountersa100yearoldpilotwhorecountsthehistoryoftheairfield,theevolutionofaviationoverthepastcenturyandthepassionthat...WrittenbyJohnson,Christopher(IV)
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SarahStern
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理查德·贝里
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卡瑟琳·雅各布
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阿里耶·埃尔马莱
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茱莉亚·皮亚彤
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MarinaTomé
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LouiseSzpindel
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SophieMounicot
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料内尔·林格赛
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Sarah
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Stern
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塔蒂亚娜·罗乔
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Director/co-writerMyriamAzizasqueerromanticcomedyfeaturesaFrenchwoman(SarahStern)attemptingtocomeoutasalesbiantoherconservativeJewishfamily.HerlongtermrelationshipwithherpartneristhreatenedbyherinexplicableattractiontoamaleSenegalesechef(Jean-ChristopheFolly).
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Thefirstinstallmentofaplannedtrilogy,directorFranciscoLaresgoiti'sspeculativesci-fithrillerfindsthesonofapowerfulgeneralcaughtinthemiddleofaragingclasswarbetweentheprivilegedelite,andthedowntroddenmasses.Intheyear2033,Mexicohasbecomeafasciststate.Astheupperclassespartakeindebauchedpartiesandamusethemselvesbyusingthepo...
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
