Now
搜索"Now" ，找到 以下影视作品
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Haylee, a local EMT suffering from PTSD, spends her days making split second decisions with lives that hang in the balance. One night on a routine call, she is faced with a moral decision, taking matters into her own hands and mercy kills a young woman. Her decision opens a pandora's box that leads Haylee to blur the lines of her job responsibilities and wanting to help those in need. Now, falling deeper and deeper into a rabbit hole, she gets caught up in a world of underground drugs and a sadistic killer who's made her his next victim.
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Nearfuture.Mankindissuccessfullyexploringspace:nowahugeDeltastationislocatedintheearth'sorbit.MaksimBortnikovisoneofthemembersofthestationrepairteam.AnunexpectedcatastrophecausedbyaprotonstormcutsoffMaksimfromtherest,andheisleftaloneinouterspace.
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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Just over 40 - years ago, marriage in China was arranged by the state. Romantic love was seen as a capitalist concept and was not allowed during this period. Wedding photography (if any at all) consisted of one black and white passport photo of the couple (dressed in Mao- style outfits) as proof of the marriage. Now, China has fallen in love with love and its exploding wedding industry is worth 80 - billion dollars, and it is on an upward curve. Pre-wedding photography is one of the most significant and curious parts of the industry. Every couple marrying in China will take part in a pre-wedding shoot. It in册ves several costume and backdrop changes where you can become a character in any fantasy you choose. For the most exotic lo- cations couples pay up to $250 - 000 - AUD. Pre-wedding photo shoots have become an important national ritual. They are proof of the marriage but now also of love, romance, freedom, status, money and the new China Dream. As an expat living in Shanghai with a long history of coming to China, Sinophile photographer Olivia Mar- tin-McGuire was captivated by the construction of dreams through this booming photographic world. Once she started to delve deeper into this new traditional she found a unique window into China. One that revealed a country dreaming, a country rapidly booming and a country reconstructing its recent past trauma all through their own lens. China Love takes us on a wild journey into the warmth of the family web in China into the hearts of our characters and into their personal dreams with an understanding of why and where these aspirations come from. The project explores China's new position as a globalised country from its restrictive and highly traditional past - through the window of its booming wedding industry and asks what is the new China Dream when it comes to love.
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A bar in the middle of nowhere. A girl facing her demons. Her twin brother. An incestuous relationship. A mother they never met. A violent, alcoholic father. The nomads' periodic visitations
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Howmuchiscontainedinthesetwowords-irritation,tenderness,laughter,love.Andalittleshame,whensheknowseverythingaboutyou.Evenwhatyouyourselfhaveforgotten.Thisfilmisaboutallmothersandforallofus.
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It is winter in a prestigious all boys' boarding school, where children continue to practice age-old rituals and codes bound by years of hierarchy of the popular norm. Shay is picked at constantly, the main perpetrators being Arjun, the tall athletic sports captain and his best friend Baadal. Shay and Prithi, the spunky daughter of the new Junior School Principal are cast as Bassanio and Portia in the Founders Day production of Merchant of Venice. Murali, the charismatic drama teacher unknowingly adds salt to Baadal's wounds by casting him as Shay's understudy. Indignant, Baadal vows to get Shay's part at any cost and turns to his buddy Arjun for help. Events take a sinister turn when Shay walks in on Arjun, Baadal and their cronies on a debauched night.
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苏珊娜·比尔
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妮可·基德曼
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休·格兰特
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诺亚·尤佩
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埃德加·拉米雷兹
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伊斯梅尔·克鲁斯·科尔多瓦
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马蒂尔达·德·安杰利斯
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莉莉·拉贝
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诺玛·杜梅温尼
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苏菲·格拉宝
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唐纳德·萨瑟兰
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陈法拉
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范黛特·利姆
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杰里米·萨默斯
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玛丽亚·迪齐亚
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安德鲁·基南-博尔格
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简·默勒尼
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亚历山德拉·艾布拉姆斯
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洛根·克劳福德
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欧妮卡·戴
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Joe Avellar
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Matt McGrath
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杰森·弗拉尼
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Jim Cleary
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Michael Devine
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改编脚本由David E. Kelley执笔!Susanne Bier执导,「碌碌无力」报告女主Grace Sachs（Nicole Kidman饰）过着心目中幻想的生涯：Grace是位胜利的心思医治师,有着优良的大夫老公及在精英私破黉舍就读的儿子,并且她正预备出书一本两性议题书「You Should Have Known」,书中重如果叱责女人不违抗本人直觉,没看出男伴所出现的意思。 但是在出书前多少周,一宗致逝世事件关涉到忽然掉落的老公,Grace这才发明本人生涯出现伟大裂痕,并且从前早有预兆,只是她没违抗本人直觉。而在事件被闹大后,女主得为了儿子废弃当初的生涯。 Hugh Grant扮演Jonathan Sachs,他是位广受好评的儿科肿瘤大夫,给人忠心老公及好爸爸的印象,但实在他掉落前早有不平常的预兆。Noah Jupe扮演男女主的12岁儿子Henry Sachs。
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阿德里安娜·赫勒比茨卡
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马太乌兹·巴纳斯乌克
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米科拉吉·罗森斯基
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托马斯·卡罗拉克
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Monika
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Krzywkowska
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米罗斯洛·巴卡
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克里斯托夫·切佐特
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Iwo
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Rajski
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Therelationshipofawell-knownjournalistandadown-to-earthteachergoesthroughhardtimeswhenshetakesanewjob.
