Fu
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丽贝卡·亨特
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丽贝卡·亨特
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First-timefeaturefilmmakerRebeca“Beba”Hunttundertakesanunflinchingexplorationofherownidentityintheremarkablecoming-of-agedocumentary/cinematicmemoirBEBA.ReflectingonherchildhoodandadolescenceinNewYorkCityasthedaughterofaDominicanfatherandVenezuelanmother,Hunttinvestigatesthehistorical,societal,andgenerationaltraumashe’sinheritedandpondershowthoseancientwoundshaveshapedher,whilesimultaneouslyconsideringtheuniversaltruthsthatconnectusallashumans.ThroughoutBEBA,Hunttsearchesforawaytoforgeherowncreativepathamidalandscapeofintenseracialandpoliticalunrest.Poetic,powerfulandprofound,BEBAisacourageous,deeplyhumanself-portraitofanAfro-Latinaartisthungryforknowledgeandyearningforconnection.
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国集会员坎宁安跟杰里米·杰克逊的新脚本笑剧「阿瓜驴子」曾经在基比登岸,并将于往年春天上映。受同名短片的启示,「阿瓜驴子」将由Funny or Die跟nd 3 - Arts Entertainment制造。在这部永久是炎天的新剧里,MP (Cunningham饰)跟Jer (Jackson饰)是一家叫Agua驴子的泅水池干净公司的雇员。在他们的故乡犹他州,二人正在享用完善的晒黑!完善的气氛以及溴跟氯的完善混杂,为一些“最恶心”的后院泅水池效劳。剧中另有婴儿达灵顿,他在剧中表演他们的共事跟情人,另有卢克杰克逊,他在剧中表演著名字的泅水池公司的老板。
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In2013,anAustralianmanafewmonthsshyofturning60decidedtowalktheCaminodeSantiago–an800kmpilgrimagetrailacrossthetopofSpain.Hehadnoknownreligion,andabsolutelynoideawhyhefeltsodeeplycompelledtodothistorturouswalk.Butcompelled,hewas.Hecompletedthewalk,battlinga“triumvirateofpain”-akneethathelaterdiscoveredlackedanymeaningfulcartilage,ablisterthesightofwhichwouldmakeagrownmanweep,andshin-sorenessthatfeltlikehislowerlimbhadbeensplitwithamountainaxewieldedbyadementedtroll.ArrivingattheendoftheCamino,themajesticcathedralinSantiagodeCompostela,heexpectedanepiphany–ananswertothequestionhe’dbeenaskinghimselfeveryday:WhyamIdoingthis?Butnoanswercame.Sowhenhegothomehewroteabook,hopingtheanswerwouldrevealitselfinhisscribblings.TheresultwasTheWay,MyWay,ahumourousandself-deprecatingbookthatmanyconsiderthebestmemoireverwrittenonwalkingtheCamino.Thebookhasnowbeenmadeintoafilm,andit’sanextraordinaryaccountofamanatapivotalpointinhislife,searchingformeaningandfindinghimselfundergoingafundamentaltransformationsoprofoundthathenowdivideshislifeinto“BeforetheCamino”and“AftertheCamino.”It’sastoryparticulartooneman,yetofappealtoanyoneseekingagreatermeaningfromlife.
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ThreeclosefriendssetoffonajourneytoAyvalikandthentotheirreshapedfuture.
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克里斯·史密斯
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An intimate celebration of George Michael and Andrew Ridgeley’s enduring friendship, from childhood and through their years together as one of the UK’s biggest bands. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Michael and Ridgeley met at school in Bushy, near the town of Watford. They first formed the ska band The Executive before going on to release their first single as Wham!, Wham Rap! in June 1982. Success wasn’t immediate, but when it finally came, the pair crested a wave of success that continued until their farewell concert, The Final, at Wembley Stadium in June 1986. Chris Smith’s hugely entertaining film offers full and unprecedented access to the band’s archive, including unseen footage and interviews with the duo. The result is a nuanced portrait of an enduring friendship and a joyous musical travelogue.
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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Thefilmtellsthestoryofapromisingcellostudent,whoisenjoyingtheexclusivebirthdaypartyofherfriendIdoia,ashowcaseofhighsociety,whenshereceivesanunexpectedcallfromhermother.WhatheasksofherwillforceElsatochoosebetweenherfutureandherdignity.
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Lazar
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Ederlezi Rising is an exciting science fiction romance set in near future about the pioneering space mission to Alpha Centauri undertaken by the multinational Ederlezi Corporation. Ederlezi recruits MIlutin a Slav cosmonaut trained in the newly reformed futuristic Soviet Union and accompanies him with Nimani, a female android programmed to fulfill whatever he desires.
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杜桑·哈那克
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An amiable picture about entering adulthood, great dreams, and the first - forbidden - love of a white postman, Jakub, and a pretty Gypsy girl, Jolanka. This is a poetic story, a mosaic of the playful world springing from the wild imagination of the village postman and its clash with the pragmatic mundane reality that finally beats the rosy dream's of the young protagonists. Director Dusan Hanak and screenwriter Dusan Dusek's most popular film has been cherished by critics as well as wide audiences at home arid abroad.
