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ThefilmdelvesintotheunexploredthemeofthedisplacementoftheRusyn,anEastSlavicethnicgroupfromtheEasternCarpathiansinCentralEurope,duringtheconstructionoftheStarinareservoirinthe1980s.Setagainstthistumultuousbackdrop,Floodintertwinespersonalandcollectivestories,bringingtotheforefronttheoften-overlookedplightoftheRusynminorityinSlovakia.Gonda'sfilmspeakstominorities,individualswhohaveexperienceddisplacementandyoungadultsthroughitsprotagonist,Mara.Thestoryunfoldsinasmallvillage,threatenedbyanimpendingfloodduetotheconstructionofthereservoir.Mara,ayoungwomanyearningforcitylifeandaneducation,isboundtoherruralrootsbyherstrictfather,aRusynfarmer,whorefusestorelinquishhislandandlegacydespitetheloomingendoftheirworld.Floodexploresthethemesofadolescence,uprootingandthesacrificeofpersonaldesiresforthegreatergood.Thefilmseekstoelicitreflectionsonone'srootsandtheconceptofhome,aswellasthechallengesofnavigatingadisappearingcultureandheritage.TheStarinareservoir'sconstruction,whichlastedfrom1981-1988,ledtothelargestdisplacementinSlovakhistory.Gonda'spersonalconnectiontotheregion,havingspenthischildhoodsummersthere,addsalayerofauthenticityanddepthtothenarrative.ThefilmnotonlyrecountsthephysicaldestructionofthesevenRusynvillages,butalsocapturestheemotionalandculturalimpactofthiseventonthecommunity.Thedirectoraimstopresentadeeplyresearched,emotiveandintimatestoryaswellasdivingintothecomplexdynamicsbetweenpersonalidentity,communitytiesandtheinexorablemarchofprogress.Themovieispoisedtoengageandchallengeaudiences,fosteringadeeperunderstandingoftheoften-painfulinterplaybetweentraditionandmodernity.
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广濑贵士
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Constantlyonthehuntandsufferingfromhallucinationsthatdrivehisviolentnature,anunnamedmaniscapturingwomenandsavagelybeatingthemtodeath.Meanwhile,awomanisluringmenintoaviolentend,bywayofherknife.Drivenbythesameforcetomaketheoppositesexsuffer,thekillers’fatesintertwine.Thetwomustfaceoffinabattletothedeath,inwhichtheyareforcedtorevealthehorribletruthbehindtheiraddictiontomurder.“Brutal”takesaninterestingapproachtoitsvisuals,drawingheavyinfluencefromWestern“Grindhouse”films,usingafiltertomakethefootageappeargrainy,damaged,andwithlightandcolorfluctuations.Unfortunately,thevisualstylingendsupfeelingmisguided,asotherthanapplyingthefilteritdoesnotimitateanyotheraspectsofthe“Grindhouse”genre.Despitetryingtodirtyupthefilm,itisapparentitwasshotondigital.Thecinematographyisalsoastepabovemost“Grindhouse”productions,withTakashiHiroseprovinghehastalentbehindthecamera.Exteriorshotstothosetakingplaceinsmallspacesareallcompetentlyframed,lit,andtransitionwell.Thedecisiontoaddaneffectontopoftheworkhurtsthefilm’simageryandevengivesasenseofdesperationtotrytocaptureacertaintypeofnostalgiawiththeaudience,insteadofrelyingonitsownstrengths.Itisunfortunatewhenonecreativechoicecanhurtaproductionsomuch.Thestoryof“Brutal”issimplebuteffective,itdoesattemptsomesortofsocialcommentaryabouttheviolentnatureofmenandwomen,butitdoesnotofferenoughdepthintothesubjecttojustifytheamountofviolenceondisplay.Thefilmdoesendonastrongnotewithaninterestingtwist,witharevealthatisboundtogrosssomeout,whilegivingothersachuckle.Inspiteofitssimplenature,thosewhoenjoyfilmsthatmakethemsomewhatuncomfortableandenjoythechallengeofgettingthroughsomeultra-violence,“Brutal”posesafunandentertainingchallengeinthatregard.
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莫希特·苏里
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迪莎·帕塔尼
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桑杰·达特
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瓦伦·达万
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约翰·亚伯拉罕
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塔拉·苏塔莉娅
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阿迪亚·罗伊·卡普尔
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阿琼·卡普尔
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Shivam Gaur
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Lovely Bhati
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拉姆·卡普尔
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8yearsafterRakeshMahadkarreignedterroronMumbai,anotherserialkillerhastakenbirth.Morebrutalandmoredangerousbutonethatusesthesamecover,theSmileyMask.EkVillainReturnsisthestoryoftwomeninonesidedlove.ThepathstheychoosetofulfilltheirlovestoriesdecidewhotheHeroisandwhoistheVillain.
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Anagingprotectionspecialisttakesononelastjobbeforeretirement,protectingacouplewhostoleeightmilliondollarsfromaruthlesscrimefamily.
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The8thtellsthestoryofIrishwomenandtheirfighttooverturnoneofthemostrestrictivelawsonabortionintheworld.Aftera35-yearstrugglethepro-choicesidehavetoradicallyshifttacticstotryandbringthishistoricallyconservativeelectorateovertheline.
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约翰·巴特勒
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Followingondirectlyfromthefirstseries,TheOutlawsstillhavetimetoserveontheirsentences,butnowtheymustfacethefalloutfromtheiractions.Iftheythoughtthecriminalunderworldorthelocalpoliceweredonewiththem,theyaresorelymistaken.TheOutlawsmustdependononeanotherwhileworkingwithunlikelyalliestoatonefortheirsins–butcantheysavethemselveswithoutsacrificingtheirsouls?
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A heroic fantasy about an artist’s destiny at the tumultuous time of social transformations. One of director Alexander Mitta’s best films. The south of Russia, 1920. In a town square, a mono-performance is on, based on Shakespeare’s “Julius Caesar”. The film’s hero who took the pseudonym “Revarm”, which stands for “Revolutionary Art for the Masses”, is seriously interested in theatre. The real life and the stage one are intertwined in his destiny. In a provincial town where the power continuously changes hands, going from the Reds to the Whites, from the Whites to a band of the Greens, this youthful stage reformer, endowed with the gift of persuasion, attracts people to his cause, leaving no one indifferent.…
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“我每天午夜的就餐者是漫长一天的结束，也是新一天的开始。”——吉姆《月光鸡饭》讲述了一个以卖海南鸡饭为生的普通小伙吉姆，在自己的餐车里遇到了醉酒的顾客文的故事。把他们两个带到一起的那个晚上，创造了一种难以理解的感觉。尽管文是一个被绑架的人，但两人都无法停止对彼此的思念。之后他们生活中的一切都不一样了。"Mydineratmidnighteverydayistheendofalongday,butalsothestartofanewday."-Jim"MoonlightChicken"tellsthestoryaboutJim,anordinaryguywhosellsHainanesechickenriceforaliving,whometWen,adrunkcustomerinhisdiner.Thenightthatbringsthembothtogethercreatedafeelingthatishardtounderstand.NoneofthetwocanstopthinkingabouteachotherdespiteWenbeingatakenman.Everythingintheirlifeisnotthesameafterthat.
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SUPERCOOL马其顿动作幻想片！ sometimes i think it's a shame that movies like this one don't get the exposure that they deserve - that very few people will get to enjoy them... but sometimes, i think that the lack of exposure is what makes movies like this one - if indie was mainstream it wouldn't have been indie, would it?... so, the best thing i could say about "Zbogum na 20 vek" is a that it's a great movie, but it's not for everyone. the story is rather controversial, the level of blood and gore on screen is rather high (it makes the US horror flicks from the '90s look like kindergarten cartoons) and the editing... well, it's so uneven, that it might induce vomiting... however, if you have the stomach to go over these things, chances are that you will love this film, because it is indeed full of heart. if you don't love it, watch it again... once you know what's happening in the movie it will be much easier for you to pick up all the small details that not only make the scenes look cooler, but also deeper (i have a theory that the whole movie could be seen through symbols only, but it's too long to write it down here)... none of my friends liked it at first, but after two or three viewings, they find it at least respectable if not outright brilliant... so, to cut things up, if you can find this movie, see it by all means. 9.5/10
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BestfriendstravelthoughLatinAmericameetingshamans,experimentingwithplantmedicines,andwonderingaboutwhatmakesalifewell-livedwhenoneofthemmighthavehalfthetimetoliveit.
