Bearde
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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A unique relationship flourishes between an aspiring artist and a plant man growing in his garden.
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It’sofficial:TheConnerswillbegettingapropergoodbye.TheRoseannefollow-uphasbeenrenewedforseventhandfinalseason.AsDeadlinereportedexclusivelylastweek,theorderisbelievedtobeforsixepisodes,withthemaincast,includingJohnGoodman,LaurieMetcalf,SaraGilbertandLecyGoranson,expectedtoreturn.Therenewaltooklongertofinalizebecausedat...
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杰罗姆·波奈
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LibrementinspiréduromanAmoursdeLeonordeRecondo.Tandisquesonépousedortpaisiblement,AnselmelenotaireabusedeCéleste,lajeunebonne,quitombeenceinte.Poursauverl’honneurdetous,Victoiredécided’adopterl’enfant.Maisellen’apaslafibrematernelle,etlenouveau-nédépérit.Encachette,Célestevatendrementprendresoindesonpetit.Unenuit,Victoirelesrejointdanslachambresouslescombles…
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TroubledartistCassiesufferswithreoccurringvisionsofmurder,whichshecopeswithbycommittingtheviolentactstocanvas.Butwhenhervisionsbegintomanifestinreallife,herfriendsandfamilybegintoturnupdead.Realizinghervisionsactuallyprovideadirectlinktothekiller,Cassiemustnowconfrontherownpastinordertostopthemurdersandsaveherself.
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Cassidy Red is a western romance set against the backdrop of the 19th century American southwest. The film follows the headstrong daughter of a prostitute who returns to her hometown, seeking vengeance against the corrupt lawman she believes murdered her lover.
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宮崎光代
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Yumaisa23-year-oldwomanfromTokyo.Whenshecommutesbytraintoherjobinamangastudio,herfaceisathipheighttotheotherpassengersstandingup.Yumausesawheelchaironaccountofcerebralpalsy.Herdeformedlimbsonlyallowhertocrawl–andtoholdapencil.Thefactthatherboss,asuccessfulcomicartistandbloggernamedSayaka,whohasapenchantforgarishFairyKeiattire,passesYuma’sdrawingideasoffasherown,dismaysthetalented‘mangaka’.Evenworse,heroverprotectivemotherhardlyletsheroutofhersightandrefusestotalkaboutherfather.AsYumaattemptstoliveamoreindependentlife,shestumblesacrossadultcomics–mangaporn–andtoyswiththeideaofdrawingsomeherself.Thepublisheradviseshertogainsomepersonalexperiencefirst.ButwhathappenswhenawomaninawheelchairasksatoutinTokyo’sredlightdistricttofixherupwithasexdate?DirectorHIKARI’shumorousandendearing37Secondsdepictsanunusualjourneyofself-discovery-inartistic,physicalandfamilialterms.And,asthefilm’scharmingprotagonistlearns,friendswhoarenotprejudicedcanbefoundanywhere.
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Theplotfollowssixstrangerswhoenteracash-prizeendurancechallengeattheValVerdeHotel,alocationinfamousforafatalexplosionandrumorsofbeinghaunted.Insteadofbeingstalkedbyaphysical,maskedserialkiller,thecontestantsfaceimmersive,supernaturalscareswhenthehauntingsatthehotelturnouttobealltooreal.
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奈伊·安蒂科
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Sophielandsajobwithacomicbookpublisherdespitebeingunqualifiedfortheposition.However,hernewfoundsecurityisthreatenedwhenshebreaksupwithherboyfriend,thefatherofthechildsheiscarrying.
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雪莉·霍曼
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The film A regular woman portrays the fate of Hatun Ayhrun Sürücü, a German woman of Turkish descent, and her struggle for a free, self-determined life in the face of her family's opposition. Her brothers refuse to accept her lifestyle; insults and threats continue to escalate. Finally, the young woman reports her oldest brother to the police. She no longer feels safe at home, so she takes her child and moves in with a female friend. At the same time, the family is trying to find a wife for her brother, her future killer. They manage to discipline the young Turkish woman Melek, played by Evin, into becoming a strict, devout Muslim in the space of a few weeks. She is part of their plan, intended to take in and care for the little boy after Hatun is dead. And then the murder is committed.
