Matte
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Malvís (Alfredo Landa) is sick of working like crazy for nothing. He'd rather become a bandit, that's much better, he's gonna be the fearful Fendetestas! He'll spread panic in the woods of his region. But there's a little problem there aren't much people living in his region, everyone knows everyone and everyone is so poor, so is gonna be difficult that someone takes MalvísFendetestas too seriously. This is a magic history, so funny, and full of situations that will make you laugh. It's also full of characters that belong to the Spanish idiosyncrasy the strict priest, the Guardia Civil, the old devout women, the village idiot... there's even a lost soul wandering around the woods. The great Alfredo Landa heads a cast that gathered together the best two generations of Spanish scene from Fernando Rey to Encarna Paso, from Manuel Alexandre to María Isbert... A cast like that would be just unthinkable nowadays. El Bosque Animado was the first movie of José Luis Cuerda's trilogy of rural comedies (after this one he made the surreal Amanece Que No Es Poco, and Así En El Cielo Como En La Tierra. Those are movies so personal that stress the Spanish culture. The young directors should take note of films like El Bosque Animado, instead of trying to be the new enfant terrible and imitating US worst cinema.
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马克·韦伯
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Director and actor Mark Webber explores family dynamics using his real family as the cast and real-life situations for the story to create a film that authentically blurs the line between narrative and documentary. "Flesh and Blood" tells the story of Mark, a man returning home from prison to live with his mother and teenage brother in the inner city of Philadelphia. Attempts to rebuild his life become frustrated by struggles with sobriety, a strained relationship with his activist mother, the neglect of a teenage brother with Asperger's and a rehashed cycle of abandonment by addict fathers. A dysfunctional family tree soon emerges whose every branch is not only broken but likely unrepairable.
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Discoveryhascommissioned“JohnnyvsAmber,”atwo-episodedocumentarythattellsthestoryofthebreakdownofJohnnyDeppandAmberHeard’srelationship,andhowitspiralledintoacelebritycourtcase.BeingproducedasadoublebillbyOptomen,eachfilmistoldfromoneoftheirperspectives.Thedocumentarywillfeatureinterviewswithlawyersinvolvedonbothsides,an...
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未知
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MelissaRauch及JohnLarroquette宣布加盟NBC喜剧试映集《夜间法庭NightCourt》,这部多镜头喜剧是84-92年的同名剧续集,讲述不愿随意道歉﹑乐观的法官AbbyStone(MelissaRauch)是母剧角色HarryStone(饰演此角的HarryAnderson已过生)的女儿,她跟随父亲的步伐成为曼哈顿夜间提审法庭的法官,并且管好那群古怪﹑愤世嫉俗的属下,尤其是前夜间法庭检察官DanFielding(JohnLarroquette再次饰演此角)。
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詹姆斯·庞索特
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高中生Sutter(迈尔斯·特勒 Miles Teller 饰)真才实学,爱泡妞!爱饮酒,同窗都把他当笑话看。女友Cassidy甩了他跟先生会主席在一同后,他不只喝了许多酒,还醉驾,早上醒来时发明本人正躺在Aimee家的草坪上。Aimee(谢琳·伍德蕾 Shailene Woodley 饰)跟Sutter差别,是一个当真念书的女孩,跟妈妈另有继父住在一同,爱看科幻小说,没交过男友人。本来八棍子撂不着的两人竟发生了奇异的交加。Sutter让Aimee帮她补习数学,Aimee怅然允许。两自我的情感敏捷升温,独特分享着相互的芳华。但是结业期近,Aimee就要去费城念书了;两个年轻人也有着各自的家庭疑问。他们将怎样走素来日!
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Afterdiscoveringasetofcrypticmicrocassettesinhernewhome,Casisdrawnintoameditativemysteryofenvironmentalsoundandexperimentalmusic.
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罗伯特·昆宁
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Season4willpickupafullyearaftertheeventsofSeason3,andbusinesscouldn’tbebetterattheWild/ReidDetectiveAgencyasHarryandFerguswelcomeanunexpectedclient:CharlieWild.Elsewhere,Harryishiredbyafriendandformerwildchildturnednun;Lolastumblesuponadanceschoolmyster;aDublinliterarytourtakesabloodyturn;andFergus’hopesofgoingt...
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讲述了两对夫夫的爱情和碰撞。不管多远多近,它们只为彼此而存在。俊和富是从幼儿园就一起长大的好朋友。他们不仅是青梅竹马,甚至在同一家公司工作,直到一场事故动摇了两人。Plus是一个自由奔放的调酒师,Jane是一个离了婚无法放下过去的人,经营着一家自助洗衣店。一天,自助洗衣店老板偶然发现了酒保丰富多彩的夜生活。两者碰撞,慢慢实现彼此内心的渴望。~~台日合拍Ittellstheloveandcollisionoftwocouples.Nomatterhowfarornear,theyonlyexistforeachother.JungandFuaregoodfriendswhohavegrownuptogethersincekindergarten.Notonlyarethey...
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尼古拉斯·佩雷达
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AcclaimedMexican-CanadianauteurNicolásPeredareturnstotheFestivalwithMinotaur,apendanttohis2009featureJuntos.ShotintheMexicoCityapartmentofPereda'ssignatureactorGabinoRodríguez,Minotaurisanincandescentchamberpiecethatobservesthreethirtysomethings(Rodríguez,LuisaPardoandFranciscoBarreiro)astheysleep,dream,read,andreceivevisitors(includingthehousekeeperwhotakescareofthem)intheircommunalspace.Alovelyandlethargicspelliscastasanambiguous,Marienbad-likelovetriangleemergesamongthetrio,conveyedthroughliterature(booksfunctionastelepathictransmittersanddefinersofrelationships),choreography,andtheacutephysicalpresenceofthethreeleads.ExtendingPereda'srecurringinterestsinclass,socialstructureandfamilyrelationsinMexicansocietyinitswraithlikefantasyofaleisureclassthatisquiteliterallysustainedinitsnarcolepticexistencebytheministrationsofthedomestichelp,MinotaurevokesthefilmsofTsaiMing-lianginitsdistendednaturalism,ritualisticsolitude,andcreationofacloisteredworldsuffusedwithlonging.ThesurrealauraofMinotaurseepsbeyondtheconfinesofthetrio'sapartmentintoastrange"nightwithoutdistance"inLoisPatiño'shallucinatoryportraitofbordersmugglingintheGerêsMountainsbetweenPortugalandGalicia.Castingrealtownsfolk,someofwhomweresmugglersintheiryouth,PatiñoplacestheirstifflyStraubianpresenceswithincross-processed,multilayeredtableauxofrocks,river,andtrees—anever-indeterminateplacethathasimbibedandbornewitnesstoinnumerable,desperateactsofsurvival.Conjuringaninstantinthememoryofalandscapefilledwithghosts,Nightwithoutdistanceextractsspellbindingfantasyfromthereal.
