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Truecrimehostscoveringa30-year-oldmurderfindtheircrumblingrelationshipmirroringthebrutalcasethey'reinvestigating,allwhilebroadcastinglive.
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Can the Justice League prevail against an unstoppable intergalactic machine with the power to bend time itself! Until now, the Justice League has triumphed over every foe who has challenged them. This time, they face Brainiac, a super-intelligent invulnerable machine whose mad quest endangers all life in the galaxy. When Brainiac zaps Superman, Wonder Woman and Green Lantern to different places in time, the race is on for Batman and The Flash to re-assemble the Justice League!
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AfamilyvisitingGrandma'sfarmforherbirthdayfindsherkilled,seeminglybyananimal.Astheyseekhelp,alab-escapedraptorhuntsthem.TheirsurvivaldependsonlearningGrandma'stiestosecretresearch.
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Two art thieves have stolen the famous Black Square of Russian painter Kasimir Malevich. They plan to meet their clients on a cruise ship to hand over the looted art. However, things are not going quite as planned..
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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瓦迪姆·佩尔曼
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Katyaisagirlfromawealthyfamilywhoyearnsforadventure.KeepingitsecretfromhermothersheappliestoamodelagencyandgoestoDubaitotakepartinafashionshow.Butinsteadshefindsherselfinaninternationalprostitutiontraffickingnetwork.KatyatakesitasafunvacationandmiraculouslyescapesproblemswithArabsheikhs.InEmiratesshemeetsLizaandtheygobacktoMoscowtogether.LisaandherroommateGalyaaremakingtheirlivingbydatingrichmenandtheyletKatyastaywiththeminasmallrentedapartment.
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Two girls grow up as best friends in an Innu community. While Mikuan has a loving family, Shaniss is picking up the pieces of her shattered childhood. As children, they promised each other to stick together no matter what. But as they're about to turn 17, their friendship is shaken when Mikuan falls for a white boy, and starts dreaming of leaving the reserve that's now too small for her dreams.
