Varner

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脱轨
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麦克(诺拉·茨切纳 Nora Tschirner 饰)是一位非常平凡的,生活在德国西部的小镇女孩,每天都重复着昨日的生活,这令她感到十分的无聊。麦克有一个梦想,那就是购买一辆越野车,在撒哈拉沙漠疯狂的飙车。 一天,麦克参加了海关组织的拍卖会,在拍卖会上,她以意外便宜的价格买下了一辆吉普车,让麦克没有想到的是,她竟然在吉普车里发现了50公斤的可卡因。这意外的毒品彻底改变了麦克的生活,它们本来的主人也为了找回它们而展开了对于麦克的追捕行动。在此过程中,麦克结识了名为萨利姆(埃利亚斯·穆巴里克 Elyas M'Barek 饰)的男孩。
艾丽卡
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从创世之初开端,正邪两种气力间的争斗就不闭幕,他们一方修炼可以起逝世复出并预感将来的术数,另一方则结成构造不绝寻觅最终兵器的着落。当初,一个女人的涌现将影响正邪间的权势均衡。 女杀手艾丽卡(珍妮弗·加纳 Jennifer Garner 饰)的怙恃数年前被人杀逝世,而她本人也可怜身亡,幸有把握复出才能的导师将她救活,又教授给艾丽卡诸多本事。艾丽卡在履行一次义务时期,跟相邻的马克(高兰·维斯耶克 Goran Visnjic 饰)与阿碧父女结识,这对儿父女令艾丽卡回忆起本人已经占有的家庭之爱,但是义务目的发表,店主的目的竟然是马克父女。艾丽卡为了掩护父女俩不吝与杀手团体作战,因艾丽卡阻扰而末路怒的“The Hand”派出最强组合,追杀艾丽卡等人……
幻影杀手
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从创世之初开端,正邪两种气力间的争斗就不闭幕,他们一方修炼可以起逝世复出并预感将来的术数,另一方则结成构造不绝寻觅最终兵器的着落。当初,一个女人的涌现将影响正邪间的权势均衡。女杀手艾丽卡(珍妮弗·加纳 Jennifer Garner 饰)的怙恃数年前被人杀逝世,而她本人也可怜身亡,幸有把握复出才能的导师将她救活,又教授给艾丽卡诸多本事。艾丽卡在履行一次义务时期,跟相邻的马克(高兰·维斯耶克 Goran Visnjic 饰)与阿碧父女结识,这对儿父女令艾丽卡回忆起本人已经占有的家庭之爱,但是义务目的发表,店主的目的竟然是马克父女。艾丽卡为了掩护父女俩不吝与杀手团体作战,因艾丽卡阻扰而末路怒的“The Hand”派出最强组合,追杀艾丽卡等人……©豆瓣
我们都不完美
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廖启智将参与新加坡电影《我们都不完美》的演出,与阿哥李南星及电视剧《边缘父子》的一班新晋演员合作。廖启智在《无间道II》、《证人》和《线人》等电影中的精湛演技让人印象深刻,他也曾5次提名香港电影金像奖最佳男配角,1993年和2009年分别凭《笼民》和《证人》得奖。这是他第一次演出新加坡电影。《我们都不完美》找来《边缘父子》原班人马李南星、吴劲威、方伟杰、谢静仪、潘昱达和李巧儿再次携手合作,却独缺“阿二”范文芳。投资商之一CloverFilms的董事经理林德说:“我们没有想过找范文芳,因为这不是《边缘父子》电影版。”《我们都不完美》由新马合资100万新元制作,投资商包括CloverFilms、MM2Entertainment和CornerstonePictures,不久前刚开机,全片将在本地拍摄。李南星这次也担任影片监制,导演是来自香港的郑伟文。故事围绕两个卷入黑帮斗争的青少年,除了廖启智,也邀得台湾实力派演员李沛旭和江祖平参与。
吾辈本如斯
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在大雨瓢泼的星期五,帕克夫人(KassieWesleyDePaiva饰)突然身体不适,跌倒路旁的水坑中痛苦死去。该事件给她的家人以不小的打击,三个孩子伊莉丝(安拜·柴尔德斯AmbyrChilders饰)、萝丝(朱莉娅·加纳JuliaGarner饰)和罗瑞(JackGore饰)忧伤不已,男主人弗兰克(比尔·萨奇BillSage饰)却似乎格外震惊。在孩子们的眼里,爸爸是至高无上权力的象征,女孩们渴望像同龄人一样快乐自由成长,却无奈必须服从爸爸的命令。笼罩在淡淡悲伤中的帕克家,隐藏着令人不敢直视的恐怖秘密,一本日记揭示着家族注定被诅咒的命运和历史。与此同时,小镇周围的人口失踪事件和意外被洪水冲出的手指骨,引起了有心人的关注,帕克家的秘密即将大白天下……
镜子的另一面:纽波特民歌艺术节1963~1965
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
真相捕捉第二季
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本剧引入了“客串主角”的概念,即每季一个女主以外的新主角。第一季的CallumTurner不会回归。新季将再次质疑眼见是否一定为实。英国正遭受围攻:被黑客攻击的新闻动态推送、被操纵的媒体,以及政治中出现的干涉。在英国「校正」部门站稳脚跟的RachelCarey高级督察,发现自己正处于一场新的阴谋之中,面临着一个新的目标。可是,当她甚至不能信任自己最亲近的同事时,又要如何解决这起案件呢?相较第一季的监控问题,情况更加恶化。故事将讲述“隐形”杀手、深度伪造科技的可怕崛起、政府与大型科技公司之间日益紧张的关系,和英国媒体内部核心的腐败。HollidayGrainger回归饰演女主角RachelCarey高级督察。PaapaEssiedu(《我可以毁掉你》)饰演新客串男主IsaacTurner议员,一位年轻的后起之秀政客,有志于最高层职位。...
终局
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MorenaBaccarinandRyanMichelleBathéstarintheultimatehigh-stakesshowdownbetweencriminalmastermindElenaFederovaandFBIAgentValTurner.WhentheyplayElena’sgame,deadlytruthsarerevealed...andeveryonebowstothequeen.
另一个我
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  俏丽而面带愁闷的高中女孩菲·德鲁赛(苏菲·特纳 Sophie Turner 饰)跟怙恃生涯在一栋老旧昏暗的公寓中,她的家庭覆盖在掉望的氛围中,父亲(Rhys Ifans 饰)患有宿疾,对女儿布满惊恐跟担心;母亲(Claire Forlani 饰)找不到继承的生机,只得在外另结新欢。菲素日里就犹如一只孤单且轻易受伤的小鸟,小心翼翼。在早先一段时光里,她发明好像总有一个跟本人极端相像的女孩逡巡在她的四周。阅历了一系列变乱后,菲从母亲那边得悉了她从不知晓的机密。好像从这一天起,她的心结终于解开,但是所有并未就此停止。  谁人跟菲如出一辙的女孩,终于涌当初她的眼前……
耶路撒冷地
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Epix宣布以10集首季直接预订StephenKing小说改编剧《#耶路撒冷地#Jerusalem’sLot》,这部根据同名短篇小说改编的剧由兄弟档Peter与JasonFilardi负责剧本﹑AdrienBrody主演。《耶路撒冷地》背景设置在19世纪50年代,讲述船长CharlesBoone(AdrienBrody饰)的妻子于海上过身后,他带同三个孩子回到缅因州「Preacher’sCorners」的小镇里定居,然而待在祖传屋子的Charles开始发现自己家族的秘密。本剧预定明年5月开拍,同年秋档首播。
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