Mander
搜索"Mander" ，找到 以下影视作品
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来自外星的“实验品626”史迪奇（克里斯·桑德斯ChrisSanders配音）在一场太空追捕中意外降落在夏威夷海岛，与小女孩莉萝（玛雅·凯洛哈饰）相遇，为了躲避追捕，史迪奇伪装成小狗进入了莉萝的生活，发生了一段极其风趣又不失感人的故事。
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彼得·霍尔
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奥利·亚历山大
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凯莉·霍威
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斯蒂芬·弗雷
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尼尔·帕特里克·哈里斯
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莉迪娅·韦斯特
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塔祖·卡尔瓦略
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凯文·迪恩
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Ken Christiansen
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Neil Ashton
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Nathaniel Curtis
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Omari Douglas
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Callum Scott Howells
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David Carlyle
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Michelle Greenidge
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Shaniqua Okwok
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Grant Crookes
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Charles Armstrong
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Toto Bruin
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Channel 4的5集剧「#男孩们# Boys」报告80年月时三个男孩Ritchie（Olly Alexander饰）﹑Roscoe及Colin的故事,剧情长度将高出10年。三名配角在18岁时候开故乡,带着生机﹑野心离开伦敦。但是当他们沾染上爱滋病后（昔时有产生血液传染案,形成大批人沾染肝炎及爱滋病）,这在事先仍旧充满着种种流言的病使他们在别人眼中是威逼﹑恐惧的存在,不外配角们也因而连合起来。 剧集还会报告配角们的友人﹑爱人﹑家人,他们将独特面临病情﹑被别人拒之门外﹑事先对同性恋者的成见等。除了Olly Alexander外,其余演员包含Neil Patrick Harris﹑Keeley Hawes﹑Stephen Fry﹑Tracy Ann Oberman﹑Shaun Dooley﹑Omari Douglas﹑Callum Scott Howells及Lydia West。
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SuperIcyclonefollowsclimatologistJillSanders,whoreceivesweatherdataindicatingtheformationofanunimaginablypowerfulstormsystem.Astragicstorm-relateddeathsstartmountinginrealtime,sherealizeshersmalltownisabouttobegroundzeroforamassivelydestructiveice-hurlingtornado.
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「Go! Go! Cory Carson」是一部面向学龄前儿童的动画剧集,由加利福尼亚州伯克利的 Kuku Studios 制造。由亚历克斯·吴（「呆板人总发动」「美食总发动」）!斯坦利·穆尔（「海底总发动 2 - 多莉去哪儿」「怪兽大学」）跟托恩·蒂内（「Wonder Pets!」「The Adventures of Napkin Man!」）担负监制。「GO! Go! Cory Carson」改编自 VTech Electronics 的热点玩具产物“Go。Go。智能玩具车”（Go! Go! Smart Wheels）,报告了小汽车科里·卡森在邦波顿丘陵的曲折大道中穿行的童年冒险故事。
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BLAZEYOUOUTfocusesonayoungwoman'sjourneytofindhermissingsisterintheheartofabrutalunderworldcontrolledbytheherointrade.ThestorytakesplaceinthebeautifulEsperanzaValleyinNorthernNewMexico,abasinwhichbeliesanunderlingsickness,asinisterinsidiousspiritualdownfallcausedbydecadesofdruguse;buttheprotagonist'sjourneyintothisb...
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TheradicalhonestyofthebooksbyyoungadultfictionpioneerJudyBlumechangedthewaymillionsofreadersunderstoodthemselves,theirsexuality,andwhatitmeanttogrowup,butalsoledtocriticalbattlesagainstbookbanningandcensorship.源自：https://festival.sundance.org/program/film/638a1a91d406b20bd7f2d581
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艾娃·德·多米尼奇
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古勒莫·法兰塞拉
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Dalma·Maradona
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托尼·斯佩兰迪奥
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克拉拉·科瓦西奇
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吉列尔莫·阿伦戈
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Juan·Luppi
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Jorge·Barril
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Giulia·Brancato
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Vanesa·González
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Migue·Granados
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Milo·J
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奥萝拉·夸特罗基
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Bruno·Rondini
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加斯顿·索弗里蒂
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Graciela·Stefani
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InthisepisodicdramaticcomedyFrancellaplaysawhopping16differentcharacterswhich“willconfrontconflictsreflectingtheinvisiblepressureunderwhichweliveinamodern-daymegalopolis,”saidCohnandDuprat.“Thefilmpresentsapanoramaofour‘nationalbeing’inascathingandsarcasticbutatthesametimereflexivetone.Argentinaisacountryofimmigrants,whosecharacterisasumofdifferentoriginsandnationalities:MillionsofEuropeanscameandmixedwithNativeArgentinians,creatingapowerfulandsingularidiosyncrasy,”theyadded.
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
